The International Style is a theoretical model used to describe various objects from the Eastern Mediterranean Late Bronze Age that exhibit hybrid diagnostic features (iconography, media, form). Resulting in the inability for archaeologists over the past 150 years to identify cultural source. This paper is a reprint of the chapter on colour…[Read more]

The International Style is a theoretical model used to describe various objects from the Eastern Mediterranean Late Bronze Age that exhibit hybrid diagnostic features (iconography, media, form). Resulting in the inability for archaeologists over the past 150 years to identify cultural source. This paper is a reprint of the chapter on colour…[Read more]

The International Style is a theoretical model used to describe various objects from the Eastern Mediterranean Late Bronze Age that exhibit hybrid diagnostic features (iconography, media, form). Resulting in the inability for archaeologists over the past 150 years to identify cultural source. This paper is a reprint of the chapter on colour…[Read more]

Brief overview of the visual and linguistic evidence for the value of minerals and colours in ancient Mesopotamia

Brief overview of the visual and linguistic evidence for the value of minerals and colours in ancient Mesopotamia

Overview of the modern myth of a prehistoric great mother goddess

Overview of the modern myth of a prehistoric great mother goddess

A brief examination of the modern mythology around the faience votive figures from the “Temple Repositories” at Knossos in Crete that were discovered and heavily restored by Arthur Evans and his team at Knossos in the early 20th century

A brief examination of the modern mythology around the faience votive figures from the “Temple Repositories” at Knossos in Crete that were discovered and heavily restored by Arthur Evans and his team at Knossos in the early 20th century