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Megan Lavengood uploaded the file: Analysis of Popular Music Spring 2020 to
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 6 years agoThis is just the syllabus but the entire course can be viewed at http://popclass.meganlavengood.com
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Antares Boyle replied to the topic group migration to Humanities Commons?? in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 6 years agoHi Leandro, as a starting place we are hoping to use HC to post our group announcements and potentially share files. It could also be a place for online discussion if that develops! That may be more likely once we have more people. I’ll be sending out another reminder to folks in our old Google group that this is our new platform.
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Antares Boyle started the topic Call for Proposals: Mediating the Cold War (AMS/SMT 2020) in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 6 years agoCWMSG / Post-1945 Alternative Formal Panel: Mediating the Cold War
AMS/SMT Minneapolis, November 5–8, 2020.
The AMS Cold War and Music Study Group (CWMSG) and the SMT Post-1945 Music Analysis Interest Group invite proposals for a joint session on the topic of “Mediating the Cold War,” to be held at the annual meeting of the AMS and SMT in Minne…[Read more]
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Antares Boyle started the topic 2020 Collaboration with AMS Cold War Study Group in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 6 years agoDear Post-1945 IG:
We are delighted to announce a collaborative effort with AMS’s Cold War Study Group at the 2020 joint AMS/SMT conference in Minneapolis. Together our two groups will sponsor a special session of lightning talks, “Mediating the Cold War.” Please see the CFP (posted in a separate announcement) and consider applying or passing it…[Read more]
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Garrett Michaelsen replied to the topic V in Rhythm Changes in the discussion
Society for Music Theory – Jazz Interest Group on Humanities Commons 6 years agoBen:
Sorry for the extremely slow reply! I don’t think that one can give a generic answer. The concept of a chord relating more to ones that come before or after seems to me to be wrapped up in so much additional context that making such a determination on the basis of chord changes alone doesn’t make sense. Think of Gershwin’s original: in this…[Read more]
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Keith Salley replied to the topic Analysis of the bridge in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years agoHi Mark
The first thing that comes to mind is Steve Larson’s article “What Makes a Good Bridge,” from the Dutch Journal of Music Theory (8: 1–15). If memory serves, it explores ‘bridge’ as a metaphor, and uses Gershwin’s “I Got Rhythm” as an example. Perhaps this isn’t the repertoire you’re really looking for, but it’s worth reading.
Best of luck.
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Ben Geyer replied to the topic V in Rhythm Changes in the discussion
Society for Music Theory – Jazz Interest Group on Humanities Commons 6 years, 1 month agoTo clarify (because of the font change): that progression is I-V-I-V, with one chord per bar.
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Ben Geyer started the topic V in Rhythm Changes in the discussion
Society for Music Theory – Jazz Interest Group on Humanities Commons 6 years, 1 month agoDear SMT JIG,
I wonder if any of you would give me your opinion on a question that’s been bugging me for ages. Let’s say we agree that you can reduce rhythm changes to |I|V|I|V| in the first four measures. Do you hear those Vs as back-related? Front-related? Depends on comping vs. soloing? Depends on the line being played? Depends on something…[Read more]
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Megan Lavengood started the topic New officers: Christine Boone, Chair; Matt Ferrandino, Secretary in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years, 1 month agoThe results of our voting are in, and I’m very pleased to announce the results.
Our group approved the bylaws as they were drafted at the time of voting. I’ve attached a .pdf here, but you can also view and comment on the bylaws in the Docs tab. By no means are these bylaws perfect, and I highly encourage members and leadership alike to propose…[Read more]
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Megan Lavengood deposited Timbre, Genre, and Polystylism in Sonic the Hedgehog 3 on Humanities Commons 6 years, 1 month ago
In the soundtrack for the Sega Genesis game Sonic the Hedgehog 3 (1992), the genres represented include calypso, funk, carnival, new wave, prog rock, and more. Soundtracks for video games frequently shift genres this way, to create aesthetic themes for different levels or characters. Turning toward an account of the game’s soundtrack as a u…[Read more]
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Garrett Michaelsen's profile was updated on Humanities Commons 6 years, 1 month ago
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Megan Lavengood commented on the doc Working Draft — Proposed Bylaws in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 6 years, 2 months agoNathan Pell passed on the Performance and Analysis Interest Group bylaws in case it helped us. He also mentioned that quorum was an issue in their formation of bylaws. They seem to have decided on 10 people as constitutive of a quorum.
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Megan Lavengood commented on the doc Working Draft — Proposed Bylaws in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 6 years, 2 months agoI don’t have that data sadly.
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Garrett Michaelsen started the topic 2019 Meeting Report in the discussion
Society for Music Theory – Jazz Interest Group on Humanities Commons 6 years, 2 months agoDear SMT Jazz Interest Group members,
We conducted our 25th annual meeting in Columbus. Twenty-seven individuals attended. After my opening welcome—in which I hoped to convey that our group is open to everyone interested in jazz theory and analysis at any career stage—Janna Saslaw announced the winner of the Steve Larson Award for Jazz Sch…[Read more]
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Garrett Michaelsen deposited Making “Anti-Music”: Divergent Interactional Strategies in the Miles Davis Quintet’s The Complete Live at the Plugged Nickel 1965 in the group
Society for Music Theory – Jazz Interest Group on Humanities Commons 6 years, 2 months agoThis article examines three improvisations by the Miles Davis Quintet from their recording The Complete Live at the Plugged Nickel 1965 through the lens of a new theory of musical interaction. It shows how the quintet favored divergent over convergent interactional strategies in the interpersonal, referent, role, and style domains in its quest to…[Read more]
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Garrett Michaelsen deposited Making “Anti-Music”: Divergent Interactional Strategies in the Miles Davis Quintet’s The Complete Live at the Plugged Nickel 1965 on Humanities Commons 6 years, 2 months ago
This article examines three improvisations by the Miles Davis Quintet from their recording The Complete Live at the Plugged Nickel 1965 through the lens of a new theory of musical interaction. It shows how the quintet favored divergent over convergent interactional strategies in the interpersonal, referent, role, and style domains in its quest to…[Read more]
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Antares Boyle's profile was updated on Humanities Commons 6 years, 2 months ago
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Chris Stover's profile was updated on Humanities Commons 6 years, 2 months ago
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