Preview of the “Te Deum laudamus” setting (for SATB) by composer Estêvão Lopes Morago (c.1575-c.1630). Polyphonia 4. ISMN 979-0-9007510-4-1 Work is fully available at http://mpmp.pt/produto/polyphonia-4-estevao-lopes-morago-te-deum-laudamus/

Preview of the motets “Audivi vocem de caelo” (for SSAATB) and “Pater peccavi (SSATB) by Portuguese composer Duarte Lobo (c.1566-1646). Polyphonia 3 ISMN 979-0-9007510-3-4 Work is fully available at http://mpmp.pt/produto/polyphonia-3-duarte-lobo-audivi-vocem-de-caelo-pater-peccavi/

Preview of the motets “Commissa mea pavesco” (for SSAATB) and “Exsurge quare obdormis Domine” (for SSATTB) by Portuguese composer Filipe de Magalhães. Polyphonia 2. ISMN 979-0-9007510-2-7 Work is fully available at http://mpmp.pt/produto/polyphonia-2-filipe-de-magalhaes-commissa-mea-pavesco-exsurge-quare-obdormis-domine/

O MM 382 é um livro de cantochão actualmente conservado no fundo musical do Arquivo Capitular da Sé de Angra. Trata-se de um livro de coro, possivelmente copiado nas últimas décadas do século XVIII contendo o cantochão do Ofício e Missa para as festas da Conversão de Santo Agostinho, São Simão de Rojas e a Trasladação da Santa Casa de Loreto. Este…[Read more]

Preview of the “Alleluia” (for SATB) and the “Missa Ferialis” (Kyrie, Sanctus and Agnus Dei for SATB) by Portuguese composer Manuel Mendes (c.1547-1605). Work is fully available at http://mpmp.pt/produto/alleluia-missa-ferialis-manuel-mendes/

A música ocupou desde os primeiros tempos um lugar central na celebração do Ofício Divino não só no cursus secular mas, sobretudo, no monástico. O mosteiro cisterciense de S. Bento de Cástris não é estranho a esta realidade, em cujas fontes documentais podem ser encontradas inúmeras referências à prática musical. Entre estas fontes documentais e…[Read more]

After analysing the meaning of the expression
“Big Data”, this article highlights the cultural
nature of data and defends the validity of
theories, models and hypotheses for carrying
out scientific research. Lastly, it discusses the
dialectic between privacy and control. In a sense,
this issue escapes the traditional field of the…[Read more]

This article aims to introduce the Spanish reader to the current debates in the English speaking community of Digital Humanities. Rather than trying to define the discipline in absolute terms the approach is broadly diachronic though some principles as interdisciplinarity and modeling, values as openness and practices as data mining and…[Read more]

This article is divided into three sections: the first focuses on some analogies and historical parallels that shape digital technology, the hypertext and interactivity, such as the book and the printing press. My aim in the second section is to map the development of the creation of digital environments for archives, corpus, libraries and…[Read more]