Antiphon “Verbum caro” for Christmas Matins from choirbook P-EVad Mús. Lit. n.º 61, from the Cistercian feminine monastery of S. Bento de Cástris (Évora). Recorded by the Schola of Ensemble Eborensis, December 15, 2015 in the church of S. Vicente (Évora).

Antiphon “Laetentur caeli” for Christmas Matins from choirbook P-EVad Mús. Lit. n.º 61, from the Cistercian feminine monastery of S. Bento de Cástris (Évora). Recorded by the Schola of Ensemble Eborensis, December 15, 2015 in the church of S. Vicente (Évora).

The first of the great “O” antiphons for the last week of Advent. Antiphon ad Magnificat “O Sapientia”, for Second Vespers, from choirbook P-EVad Mús. Lit. n.º 61, from the Cistercian feminine monastery of S. Bento de Cástris (Évora). Recorded by the Schola of Ensemble Eborensis, December 15, 2015 in the church of S. Vicente (Évora).

Antiphon “Dominus dixit ad me” for Christmas Matins from the choirbook P-EVad Mús, Lit. n.º 61, from the Cistercian feminine monastery of S. Bento de Cástris (Évora). Recorded by the Schola of Ensemble Eborensis, December 15, 2015 in the church of S. Vicente (Évora).

Responsory “Vinea mea electa” for Good Friday Matins by Portuguese composer Francisco Martins (1628-1680) for four voices (SATB). Recorded by Ensemble Eborensis August 28, 2014 in the Church of the Convent of São João Evangelista (Lóios) in Évora.

Alleluia “Caritate vulneratus”, for the feast of Saint Bernard, from the manuscript P-EVad Mús. Lit. n.º 32, a choirbook from the Cistercian feminine monastery of S. Bento de Cástris (Évora). Recorded by the Schola of Ensemble Eborensis, September 19, 2014, during the II Residência Cisterciense S. Bento de Cástris, in the monastery’s church.

Agnus Dei from the manuscript P-EVad Mús. Lit. n.º 32, a choirbook from the Cistercian feminine monastery of S. Bento de Cástris (Évora). Recorded by the Schola of Ensemble Eborensis, September 19, 2014, during the II Residência Cisterciense S. Bento de Cástris, in the monastery’s church.

Kyrie (from the so-called “Missa Orbis Factor”) from the manuscript P-EVad Mús. Lit. n.º 32, a choirbook from the Cistercian feminine monastery of S. Bento de Cástris (Évora). Recorded by the Schola of Ensemble Eborensis, September 19, 2014, during the II Residência Cisterciense S. Bento de Cástris, in the monastery’s church.

Antiphon “Asperges me” from the manuscript P-EVad Mús. Lit. n.º 32, a choirbook from the Cistercian feminine monastery of S. Bento de Cástris (Évora). Recorded by the Schola of Ensemble Eborensis, September 19, 2014, during the II Residência Cisterciense S. Bento de Cástris, in the monastery’s church.

Motet “Domine Deus, Agnus Dei” for three voices (SAT) by Spanish composer Cristóbal de Morales. This work was published in his 1549 book of motets. Recorded by Ensemble Mensurable in the concert “Lux Fulgebit”, December 15, 2015, in the Church of S. Vicente (Évora).

Antiphon “Asperges me” for four voices (SATB) by Portuguese composer Duarte Lobo (c.1566-1646) from his 1621 Liber Missarum. Recorded by Ensemble Mensurable in June 2013 in the Theatre Thalia (Lisbon).

Entrevista para o programa radiofónico “Na Outra Margem”, da autoria de Manuela Paraíso, em 25 de Julho de 2012. Divulgação do Festival “Música Ibérica Séculos XVI & XVII”, que decorreu em Angra do Heroísmo e Praia da Vitória de 28 de Julho a 5 de Agosto de 2012. Participaram neste festival os organistas Ricardo Toste e Nelson Pereira e o Coro da…[Read more]

Apresentação do projecto “Música Sacra em Évora no Século XVIII” em desenvolvimento pelo pólo da Universidade de Évora do Centro de Estudos de Sociologia e Estética Musical.

Sequence for the Sunday of Resurrection (Easter Sunday) “Victimae Paschali laudes” from the eighteenth-century choirbook P-AHc MM 414 preserved in the music archive of the Capitular Archive of Angra Cathedral (Terceira, Azores).

Responsory for Holy Saturday Matins by Portuguese composer Francisco Martins (1629-1680) for four voices (SATB). Recorded by Ensemble da Sé de Angra (dir. Luís Henriques) July 2013 in Angra Cathedral (Terceira, Azores).

Hymn “Tua Jesu dilectio”, for three voices (SSB, here in SST) attributed to Giovanni Pierluigi da Palestrina. Recorded by Ensemble da Sé de Angra (dir. Luís Henriques) July 2013 in Angra Cathedral (Terceira, Azores).

Hymn “Jesu Rex admirabilis”, for three voices (SSA, here as SST) attributed to Giovanni Pierluigi da Palestrina. Recorded by Ensemble da Sé de Angra July 2013 in Angra Cathedral (Terceira, Azores).

Hymn “Stabat mater”, for four voices (SATB), attributed to Portuguese composer Estêvão de Brito (c.1575-1641) in the Málaga Cathedral choirbooks. Recorded by Ensemble Eborenses (dir. Luís Henriques) July 2013 in Angra Cathedral (Terceira, Azores).

Hymn “Lucis creator optime”, for four voices (SATB), attributed to Portuguese composer Estêvão de Brito (c.1575-1641) in the Málaga Cathedral choirbooks. Recorded by Ensemble da Sé de Angra (dir. Luís Henriques) July 2013 in Angra Cathedral (Terceira, Azores).

One of the two four-voice (SATB) versions of the invitatory “Christus natus est nobis” for Christmas Matins by composer Estêvão Lopes Morago (c.1575-c.1630). Recorded by Ensemble da Sé de Angra (dir. Luís Henrique) July 2013 in Angra Cathedral (Terceira, Azores).