As the 2017-18 academic job cycle came to an end I found myself, for the first time in five years, in the enviable position of not having to resume my search for employment again in the fall, thanks to a two-year position at a very eminent institution. This good fortune has prompted me to compile my reflections on the classical archaeology job…[Read more]

This thesis compares the recent rise and decline of two political uses of cultural tradition, one in India and one in Singapore. In India, the thesis examines the Hindutva (Hindu-ness) movement, which became influential in the 1980s and 1990s. The Bharatiya Janata Party, which leads India’s current coalition government, arose from the Hindutva m…[Read more]

This dissertation examines the idea of ethical revaluation — taking things we normally see as good for our flourishing and seeing them as neutral or bad, and vice versa — in the Mahāyāna Buddhist thinker Śāntideva. It shows how Śāntideva’s thought on the matter is more coherent than it might otherwise appear, first by examining the consistency…[Read more]

Mobilizing the Past is a collection of 20 articles that explore the use and impact of mobile digital technology in archaeological field practice. The detailed case studies present in this volume range from drones in the Andes to iPads at Pompeii, digital workflows in the American Southwest, and examples of how bespoke, DIY, and commercial software…[Read more]

Mobilizing the Past is a collection of 20 articles that explore the use and impact of mobile digital technology in archaeological field practice. The detailed case studies present in this volume range from drones in the Andes to iPads at Pompeii, digital workflows in the American Southwest, and examples of how bespoke, DIY, and commercial software…[Read more]

From 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) – who held a stately sanctioned monopoly – organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]

The following text presents an online project, which has been developed since April 2007 with a duration of five years on the initiative of the Kunstgeschichtliches Institut in Frankfurt and the Kunsthistorisches Institut in Florence, together with the partner institutions Städel Museum and Historisches Museum in Frankfurt and jointly financed by…[Read more]

Drei digitale Kunstprojekte aus den Jahren 2015 und 2016 werden in diesem Text vorgestellt und verglichen, Game Over Facebook, WrongGrid und Curating Money. Ihnen ist gemeinsam, dass sie in Konfrontation zu ihrem jeweiligen technischen und ästhetischem Kontext stehen, beispielsweise zu den digitalen Plattformen, auf denen sie gespeichert sind,…[Read more]

Am 11.10.2014 erschien im Feuilleton der Frankfurter Allgemeinen Zeitung ein Artikel von Gina Thomas über die derzeitige Intensivierung der wissenschaftlichen Arbeit zum Kunstmarkt. Der Titel lautete: Wie der Kunsthandel die Wissenschaft erobert. Auf diese Bestimmung eines Verhältnisses und die gebrachten Beispiele soll hier reagiert werden.

In Along an African Border, anthropologist Sónia Silva examines how the Angolan refugees living in Zambia during the Angolan civil war used their divination baskets to cope with daily life in a new land. To many people, these baskets are capable of thinking, hearing, judging, and responding. They communicate by means of small articles drawn in…[Read more]

In Along an African Border, anthropologist Sónia Silva examines how the Angolan refugees living in Zambia during the Angolan civil war used their divination baskets to cope with daily life in a new land. To many people, these baskets are capable of thinking, hearing, judging, and responding. They communicate by means of small articles drawn in…[Read more]

As cestas de adivinhação de Angola, da Zâmbia e da República Democrática do Congo tornaram-se mundialmente conhecidas pelo seu fascinante conteúdo: várias dezenas de peças imbuídas de simbolismo. Vidas em Jogo apresenta este simbolismo em acção. As cestas de adivinhação, transformadas em oráculos, são entendidas pelos seus utilizadores c…[Read more]

n her article, Silva considers the significance of similarity and polythetic classification in ritual practice and ritual theory. Inspired by Wittgenstein’s concept of family resemblances and his descriptive method, and building on the work of R. Grimes, R. Needham, and, J. Z. Smith, Silva bring out the similarities among three different types o…[Read more]

The statements of researchers on the topic of basket divination and the statements of basket diviners in northwest Zambia, Africa, do not fully agree. While researchers rightly stress the importance of observation, analysis and interpretation in basket divination, going so far as to describe diviners as scientists, they fail to recognize that…[Read more]

In this article, the author explores basket divination, a technique found in Zambia and neighboring countries, as a form of material religion. Mores specifically, the author shows that in basket divination the idea of objectivity (objective knowledge) is directly associated with the materiality of the oracle used for divining. In the Luvale…[Read more]

This chapter on witchcraft in northwest Zambia shows that forms of asking and giving may be deployed to suspend suspicion about the motives of others, even as they possess the potential to kill. When a woman asks a witch for a gift of salt to flavor her food, the witch feigns generosity but forces that woman to join the coven in recompense. In…[Read more]

Instead of asking what evil is, let us see where evil takes us. Based on many conversations on the topic of witchcraft in northwest Zambia, Africa—conversations in which witchcraft is presented from the perspective of the bewitched—the concept of evil takes us to a ghastly realm of destruction and transfiguration where the discourse of mor…[Read more]

Reification, fetishism, alienation, mastery, and control – these are some of the key concepts of modernity that have been battered and beaten by postmoderns and nonmoderns alike, with Bruno Latour, a nonmodern, discarding them most recently. Critical of this approach, which creates a rift between moderns and nonmoderns, the author engages in d…[Read more]

Sónia Silva is an Associate Professor of anthropology at Skidmore College. Drawing on ethnographic fieldwork in Zambia, as well as museum work in Europe and the USA, Silva’s research deals with materiality, material religion, the notion of the fetish, ritual and religion, divination, witchcraft, violence, and museums. Silva is the author of Alon…[Read more]

Sónia Silva is an Associate Professor of anthropology at Skidmore College. Drawing on ethnographic fieldwork in Zambia, as well as museum work in Europe and the USA, Silva’s research deals with materiality, material religion, the notion of the fetish, ritual and religion, divination, witchcraft, violence, and museums. Silva is the author of Alon…[Read more]