Two-part interview about the book Beautiful Terrible Ruins

By depicting urban decay and ecological crisis, ruin imagery shows the people and places that capitalism left behind.

Acknowledging the central role art from around the globe played in the production of the modern, this seminar will engage with the emergent art historical, methodological, and theoretical literature shaping the history of modern art after the global turn. Particular case studies of regional art movements (in e.g. Cuba, Brazil, India, Japan, Iran,…[Read more]

Artists around the world grappled with the modern, working through local concerns and struggles but continually engaged with counterparts in Europe, North America, and across the “global South.” This course will introduce art, artists, movements, and institutions of modernism from approximately 1880 to the present and from outside of the nor…[Read more]

Dante Alighieri’s Inferno (1314) portrays Hell as an alienated realm, in which the doomed spirits must spend eternity in isolation and regret. Franz Liszt’s two-movement Dante Symphony (1857), based on the Inferno and Purgatorio, gives musical form to Dante’s textual expressions of agony. These evocations of suffering are enhanced by Lisz…[Read more]

This poster presents findings from a recent survey of Ancient World researchers, which sought to identify research methods associated with the use and production of digital resources in general and with Linked Data in particular. It illustrates the results of the survey using graphs and charts, accompanied by a brief explanation of the methodology…[Read more]

Syllabus for my course 3UU3, Buddhism in East Asia planned for Winter term 2019

This is the version of the syllabus for Asian Meditation Traditions at the end of the first term in which I offered it–Fall 2018.

Draft version of syllabus for graduate seminar on Nirvana Sutra

This article is a detailed review of Constructions of Space III: Biblical Spatiality and the Sacred, ed. Jorunn Økland, J. Cornelis de Vos, and Karen J. Wenell (Bloomsbury, 2016); and The King and the Land: A Geography of Royal Power in the Biblical World, by Stephen C. Russell (Oxford University Press, 2017).

The paper argues that the pesaḥ is a ritual with no origins in the literature we have, from the earliest recoverable fragment, through the first revision that introduces as many problems as it aims to solve, to subsequent extensions in multiple directions, with no arc, no trajectory, no telos, but recurrent hermeneutic expressive engagement.

A 13-page paper discussing potentially latent art work in and around the mysterious Peruvian Band.

This book is one of the few in a great corpus of literature on meditation, that makes understanding meditation effortless. Not posing as a one-cure-for-all instant solution, this book attunes and trains a person’s mind, and makes one ready to get immersed in meditation, which according to Kamlesh D Patel and Joshua Pollock can be done only t…[Read more]

Psychoanalysis and its father in the West, Sigmund Freud, have often been seen as the antitheses of religion and faith. This book seeks to dispel this misconception and place Freud and psychoanalysis as hopes to the faithful and the hedonist alike. Ethics and morality do not get compromised and unethical and immoral behaviour do not get free…[Read more]

An examination of Mourning and Tears in the works of John Chrysostom, with comparison to his classical and hellenistic predecessors (Aristotle, Seneca, Plutarch).

An article on the Armenian manuscripts at the Vatican Library (Biblioteca Apostolica Vaticana).

An examination of the debate over the Theory of Names between Origen and Celsus in Origen’s Contra Celsum and its implications for late antique ritual worship.

A translation and study of seven hymns (madrashe) on vigil of Ephrem the Syrian preserved in Classical Armenian.

While male illustrators including Alberto Vargas (1896–1982), George Petty (1894–1975), and Gil Elvgren (1914–1980) are synonymous with the field of early-twentieth-century pin-up art, there were in fact several women who also succeeded in the genre. Pearl Frush (1907–1986), Zoë Mozert (1907–1993), and Joyce Ballantyne (1918–2006) each establi…[Read more]