Epilogue to the volume “From LUGAL.GAL to Wanax”, reviewing the various arguments made in favour and against political unity in the Late Bronze Age Aegean, and contextualising archaeological and textual data.

This paper aims to highlight a number of problems involved with current interpretations and identifications of persons in Ta 711, a Linear B tablet from the Mycenaean palace of Pylos, which records a number of objects that were presented on the occasion of the appointment of a da- mo-ko-ro. Contrary to current thinking, we argue that Pu2-ke-qi-…[Read more]

2019 _ Εβραίοι Έλληνες: Διδάσκοντας για τους γνωστούς – αγνώστους. Σχόλια & addenda στα κείμενα των Φακέλων του Μαθήματος των Θρησκευτικών για τον Ιουδαϊσμό & α. Ιουδαίοι στο Ισραήλ – β. Ο Μεσσίας στον Ιουδαϊσμό Παρασκευή, 10 Μαΐου 2019 Καθηγητής Παναγιώτης Παχής & Αναπληρώτρια Καθηγήτρια Αγγελική Ζιάκα Θεολογική Σχολή ΑΠΘ Πωλ Ισαάκ Χάγου…[Read more]

Review of Greek Alchemy from Late Antiquity to Early Modernity. Edited by EFTHYMIOS NICOLAIDIS. Pp. 198, illus., index. Brepols: Turnhout. 2018. £72. ISBN: 978-2-503-58191-0.

The opening text for the exhibition Hafıza-i Beşer: Osmanlı Yazmalarından Hikâyeler | Memories of Humankind: Stories from the Ottoman Manuscripts, organized by the Istanbul Research Institute, open between October 18, 2019 – July 25, 2020.

Sergi Küratörü/Exhibition Curator
K. Mehmet Kentel

Danısmanlar/Advisors
M. Baha Tanman, Selim S.…[Read more]

The article discusses the presence of a generative principle called Mōt in a short cosmogony found in the Phoenician History of Philo of Byblos (c. 100 CE). The Phoenician History’s Mōt has been usually understood as the euhemeristic interpretation of a Semitic god of death, which is well documented in late Bronze Age documents from Ugarit. I a…[Read more]

This paper was originally prepared for a meeting of the Methodology Seminar of the Distant Worlds Graduate School (LMU, Munich) and was meant as an introduction to the use of the category of magic in the study of ancient Greek and Roman religions offered to a group of scholars coming from different disciplines.

The study of ancient magic is…[Read more]

As per its title

As per its title

This article treats late ancient rabbinic texts (ca. 1st-early 3rd cents. CE), reading them as biology, and following their ideas about the limits and possibilities of reproductive and species variation. I read sources from the tractates of Niddah, Kil’ayim, and Bekhorot, in the Mishnah and Toseta, as expressions of a science of generation, or a b…[Read more]

This thesis follows my earlier work on Aurignacian rock art by drawing a clear line between cave painting in the south of France and the holiest Hebrew script Ktav Ivrit or STA”M. This is an in depth study detailing relationships between Language, Mysticism and Kabbalah, as well as Religious Dogma that answers the question, “Why do all religions…[Read more]

This thesis follows my earlier work on Aurignacian rock art by drawing a clear line between cave painting in the south of France and the holiest Hebrew script Ktav Ivrit or STA”M. This is an in depth study detailing relationships between Language, Mysticism and Kabbalah, as well as Religious Dogma that answers the question, “Why do all religions…[Read more]

This is a series of brief paradigms that suggest ways of manipulating abstraction, such as Art Language Religion and Politics, for use with a Carlos Ginzburg Evidentiary Paradigm, or other multivariate analysis. The tables in this appendix accompany the Index of Deities and Demons and How the Aleph-Bet Got Its Shape.

This is a series of brief paradigms that suggest ways of manipulating abstraction, such as Art Language Religion and Politics, for use with a Carlos Ginzburg Evidentiary Paradigm, or other multivariate analysis. The tables in this appendix accompany the Index of Deities and Demons and How the Aleph-Bet Got Its Shape.

This thesis describes the evolution of the alphabet from Upper Paleolithic to present. We draw a direct line from Aurignacian rock art to Hebrew STA”M script and from Auriginal Paganism to Kabbalah using a Ginzburg Evidentiary Paradigm. Provides strategies for quantifying concepts, belief, and abstraction such as Art, Language, Religion, and…[Read more]

Article for the exhibition catalogue “Hagenbund. A European network of modernism 1900 to 1938” (2014)

Completed in early 1944, Robert Desnos’s militant series of 25 poems in Contrée evokes memories of a lost peace and calls for the defeat of the German occupiers. Suggesting the desecration of the human body by the occupiers, Picasso cut his cubist–surrealist frontispiece etching of Dora Marr to produce severed heads and dismembered body part…[Read more]

The Seleucid Antiochus IV profoundly intervened in the cult of Jerusalem in 168 BC. Under the leadership of the Hasmoneans, an uprising developed against these interventions, which led to the restoration of the cult, the establishment of the Hasmoneans as high priests and the independence of Judea. Against the background of widely differing…[Read more]

The Nike monument of Samothrace is one of the most important works of ancient sculpture. Since its discovery in 1863 it has always had a special appeal for modern viewers, but a deeper understanding of its historical significance is still a problem: if consensus could be reached quickly on the fundamental classification of the Nike statue in the…[Read more]