This volume presents a case for how and why people in archaic and classical Greece worshipped Underworld gods.

These gods are often portrayed as malevolent and transgressive, giving an impression that ancient worshippers derived little or no benefit from developing ongoing relationships with them. In this book, the first book-length study that…[Read more]

This volume presents a case for how and why people in archaic and classical Greece worshipped Underworld gods.

These gods are often portrayed as malevolent and transgressive, giving an impression that ancient worshippers derived little or no benefit from developing ongoing relationships with them. In this book, the first book-length study that…[Read more]

This article examines the young girls aged between seven and eleven year old who are elected to serve in the cult of Athena Polias, patron deity of Athens, in the classical period (roughly 5 th century, BC). I look at the creation of the dress given to Athena at the yearly Panathenaia festival, the creation of which is the main activity of their…[Read more]

This article examines the young girls aged between seven and eleven year old who are elected to serve in the cult of Athena Polias, patron deity of Athens, in the classical period (roughly 5 th century, BC). I look at the creation of the dress given to Athena at the yearly Panathenaia festival, the creation of which is the main activity of their…[Read more]

In this article Stephe Harrop combines theatre history and performance analysis with contemporary agonistic theory to re-conceptualize Greek tragedy’s contested spaces as key to the political potentials of the form. She focuses on Athenian tragedy’s competitive and conflictual negotiation of performance space, understood in relation to the…[Read more]

In this article Stephe Harrop combines theatre history and performance analysis with contemporary agonistic theory to re-conceptualize Greek tragedy’s contested spaces as key to the political potentials of the form. She focuses on Athenian tragedy’s competitive and conflictual negotiation of performance space, understood in relation to the…[Read more]

This chapter examines the impact of a putative oral Homer upon the work of recent performance-makers. The influence of oral-poetic theories is (as yet) an under-explored area of study, neglected by scholars whose literary expertise leads them to focus on dramatic texts and production histories, with each revisionary text or production regarded as…[Read more]

This chapter examines the impact of a putative oral Homer upon the work of recent performance-makers. The influence of oral-poetic theories is (as yet) an under-explored area of study, neglected by scholars whose literary expertise leads them to focus on dramatic texts and production histories, with each revisionary text or production regarded as…[Read more]

This chapter examines the impact of a putative oral Homer upon the work of recent performance-makers. The influence of oral-poetic theories is (as yet) an under-explored area of study, neglected by scholars whose literary expertise leads them to focus on dramatic texts and production histories, with each revisionary text or production regarded as…[Read more]