Publications

“Finding Liberation and Futurity in the Sentient Spaceships of Leckie, Chambers, and Okorafor.” Representations of Political Resistance and Emancipation in Science Fiction. Editors: Judith Grant and Sean Parson. Lexington Books, 2020: Chapter 11 https://rowman.com/ISBN/9781793630636/Representations-of-Political-Resistance-and-Emancipation-in-Science-Fiction.

“Accidents of Occidentalism: Women, SF, and Westerliness in Becky Chambers and Nnedi Okorafor.” Women’s Space: Essays on Female Characters in the Twenty-first Century Science Fiction Western. Editor Melanie Marotta. Series: Critical Explorations in Science Fiction and Fantasy. McFarland Publishing (2019): 130-144.
(ISBN: 978-1-4766-7660-9) https://mcfarlandbooks.com/product/womens-space/

“Entangled States: Putting Affect Theory into Play with John Burnside’s A Summer of Drowning.” Journal of European Popular Culture 9:1 (2018): 43–57. DOI: 10.1386/jepc.9.1.43_1 https://shar.es/a3RaZp

“Apocalyptic Fiction by Andrew Tate” Fantastika Journal 1.2 (2017): 134-137 https://img1.wsimg.com/blobby/go/32ef4c9d-fe64-44e4-a92e-d0c00cc6aaab/downloads/1c57jpc7q_610649.pdf

“Tarzan, Cheemo and Teddy Drink Beer and Meet Aliens at the Lake. No, Really, They Do: Drew Hayden Taylor’s Irreverent Indigenous SFs.” Fantastika Journal 1.1 (2017): 227-231 https://img1.wsimg.com/blobby/go/32ef4c9d-fe64-44e4-a92e-d0c00cc6aaab/downloads/1c57jqrrm_50824.pdf

“The Silence between Words: Events of Becoming through Trauma in A.L. Kennedy’s ‘What Becomes.’” Journal of the Short Story in English 62 (2014): 131-147 https://jsse.revues.org/1438