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Louise Bethlehem deposited “Genres of Identification: Holocaust Testimony and Postcolonial Witness,” in _Marking Evil: Holocaust Memory in the Global Age_, edited by Amos Goldberg and Haim Hazan, 171 – 192. Berghahn Books: New York and Oxford. in the group
TC Race and Ethnicity Studies on MLA Commons 9 years, 3 months agoThis chapter explores the strange intimacies of dis/avowal that obtain between Holocaust studies and postcolonial theory, with particular reference to writing by Aimé Césaire and Gayatri Chakravorty Spivak. For all that the Jewish body remains, by and large, unmourned in the canonical texts of postcolonial theory, the Holocaust has, I seek to a…[Read more]
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Louise Bethlehem deposited “Genres of Identification: Holocaust Testimony and Postcolonial Witness,” in _Marking Evil: Holocaust Memory in the Global Age_, edited by Amos Goldberg and Haim Hazan, 171 – 192. Berghahn Books: New York and Oxford. in the group
TC Postcolonial Studies on MLA Commons 9 years, 3 months agoThis chapter explores the strange intimacies of dis/avowal that obtain between Holocaust studies and postcolonial theory, with particular reference to writing by Aimé Césaire and Gayatri Chakravorty Spivak. For all that the Jewish body remains, by and large, unmourned in the canonical texts of postcolonial theory, the Holocaust has, I seek to a…[Read more]
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Louise Bethlehem deposited “Genres of Identification: Holocaust Testimony and Postcolonial Witness,” in _Marking Evil: Holocaust Memory in the Global Age_, edited by Amos Goldberg and Haim Hazan, 171 – 192. Berghahn Books: New York and Oxford. in the group
TC Memory Studies on MLA Commons 9 years, 3 months agoThis chapter explores the strange intimacies of dis/avowal that obtain between Holocaust studies and postcolonial theory, with particular reference to writing by Aimé Césaire and Gayatri Chakravorty Spivak. For all that the Jewish body remains, by and large, unmourned in the canonical texts of postcolonial theory, the Holocaust has, I seek to a…[Read more]
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Louise Bethlehem deposited “Genres of Identification: Holocaust Testimony and Postcolonial Witness,” in _Marking Evil: Holocaust Memory in the Global Age_, edited by Amos Goldberg and Haim Hazan, 171 – 192. Berghahn Books: New York and Oxford. in the group
CLCS Global Jewish on MLA Commons 9 years, 3 months agoThis chapter explores the strange intimacies of dis/avowal that obtain between Holocaust studies and postcolonial theory, with particular reference to writing by Aimé Césaire and Gayatri Chakravorty Spivak. For all that the Jewish body remains, by and large, unmourned in the canonical texts of postcolonial theory, the Holocaust has, I seek to a…[Read more]
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Louise Bethlehem deposited “Genres of Identification: Holocaust Testimony and Postcolonial Witness,” in _Marking Evil: Holocaust Memory in the Global Age_, edited by Amos Goldberg and Haim Hazan, 171 – 192. Berghahn Books: New York and Oxford. on MLA Commons 9 years, 3 months ago
This chapter explores the strange intimacies of dis/avowal that obtain between Holocaust studies and postcolonial theory, with particular reference to writing by Aimé Césaire and Gayatri Chakravorty Spivak. For all that the Jewish body remains, by and large, unmourned in the canonical texts of postcolonial theory, the Holocaust has, I seek to a…[Read more]
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Louise Bethlehem changed their profile picture on MLA Commons 10 years, 3 months ago
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Louise Bethlehem's profile was updated on MLA Commons 10 years, 3 months ago
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Louise Bethlehem deposited Lauren Beukes’s post-apartheid dystopia: inhabiting Moxyland in the group
TC Postcolonial Studies on MLA Commons 10 years, 3 months agoThis article reads South African science-fiction writer Lauren Beukes’s first novel, Moxyland (2008) set in a futuristic Cape Town, from the perspective of Lindsay Bremner’s notion of “citiness”– or how cities produce the modernity of the subjects who inhabit them. The novel is remarkable for its dependence on the social geography of the South A…[Read more]
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Louise Bethlehem deposited Lauren Beukes’s post-apartheid dystopia: inhabiting Moxyland in the group
LLC African since 1990 on MLA Commons 10 years, 3 months agoThis article reads South African science-fiction writer Lauren Beukes’s first novel, Moxyland (2008) set in a futuristic Cape Town, from the perspective of Lindsay Bremner’s notion of “citiness”– or how cities produce the modernity of the subjects who inhabit them. The novel is remarkable for its dependence on the social geography of the South A…[Read more]
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Louise Bethlehem deposited Lauren Beukes’s post-apartheid dystopia: inhabiting Moxyland in the group
GS Speculative Fiction on MLA Commons 10 years, 3 months agoThis article reads South African science-fiction writer Lauren Beukes’s first novel, Moxyland (2008) set in a futuristic Cape Town, from the perspective of Lindsay Bremner’s notion of “citiness”– or how cities produce the modernity of the subjects who inhabit them. The novel is remarkable for its dependence on the social geography of the South A…[Read more]
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Louise Bethlehem deposited Lauren Beukes’s post-apartheid dystopia: inhabiting Moxyland in the group
CLCS Global South on MLA Commons 10 years, 3 months agoThis article reads South African science-fiction writer Lauren Beukes’s first novel, Moxyland (2008) set in a futuristic Cape Town, from the perspective of Lindsay Bremner’s notion of “citiness”– or how cities produce the modernity of the subjects who inhabit them. The novel is remarkable for its dependence on the social geography of the South A…[Read more]
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Louise Bethlehem deposited Lauren Beukes’s post-apartheid dystopia: inhabiting Moxyland in the group
CLCS Global Anglophone on MLA Commons 10 years, 3 months agoThis article reads South African science-fiction writer Lauren Beukes’s first novel, Moxyland (2008) set in a futuristic Cape Town, from the perspective of Lindsay Bremner’s notion of “citiness”– or how cities produce the modernity of the subjects who inhabit them. The novel is remarkable for its dependence on the social geography of the South A…[Read more]
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Louise Bethlehem deposited Lauren Beukes’s post-apartheid dystopia: inhabiting Moxyland on MLA Commons 10 years, 3 months ago
This article reads South African science-fiction writer Lauren Beukes’s first novel, Moxyland (2008) set in a futuristic Cape Town, from the perspective of Lindsay Bremner’s notion of “citiness”– or how cities produce the modernity of the subjects who inhabit them. The novel is remarkable for its dependence on the social geography of the South A…[Read more]
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Louise Bethlehem changed their profile picture on MLA Commons 11 years, 7 months ago
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Louise Bethlehem changed their profile picture on MLA Commons 11 years, 7 months ago
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Louise Bethlehem started the topic Postdoctoral Fellowships "Apartheid–The Global Itinerary" in the forum
Interdisciplinary Approaches to Culture and Society on MLA Commons 11 years, 7 months agoApartheid—The Global Itinerary: South African Cultural Formations in Transnational Circulation 1948-1990
Post-Doctoral Fellowships
The European Research Council (ERC) project “Apartheid—The Global Itinerary: South African Cultural Formations in Transnational Circulation 1948-1990” under the direction of Dr. Louise Bethlehem (English & The Progr…[Read more]
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Louise Bethlehem started the topic Postdoctoral Fellowships "Apartheid–The Global Itinerary" in the forum
African Literatures on MLA Commons 11 years, 7 months agoApartheid—The Global Itinerary: South African Cultural Formations in Transnational Circulation 1948-1990
Post-Doctoral Fellowships
The European Research Council (ERC) project “Apartheid—The Global Itinerary: South African Cultural Formations in Transnational Circulation 1948-1990” under the direction of Dr. Louise Bethlehem (English & The Progr…[Read more]
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Louise Bethlehem changed their profile picture on MLA Commons 12 years, 8 months ago
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