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Enrico Pasini deposited Mathesis und Phantasie. Die Rolle der Einbildungskraft im Umfeld der Descartes’schen Regulae in the group
Renaissance / Early Modern Studies on Humanities Commons 6 years, 8 months agoA particular aspect of the confrontation between modern philosophy and the aristotelian tradition regards the so-called psychology of faculties. On this ground, it is for modern thought much harder, in comparison to the field of natural sciences, to differentiate itself from concepts, theories, and terminologies which characterize the still…[Read more]
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Enrico Pasini deposited Die private Kontroverse des G.W. Leibniz mit sich selbst. Handschriften über die Infinitesimalrechnung im Jahre 1702 in the group
Renaissance / Early Modern Studies on Humanities Commons 6 years, 8 months agoThe paper deals with Leibniz’s manuscript writings on the foundation of infinitesimal calculus since 1702: the mathematician’s late theory, and the preparatory works to his “Cum prodiisset atque increbuisset”, are presented. An edition of Leibniz’s unpublished DEFENSE DU CALCUL DE DIFFERENCES is provided as an Appendix.
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John Michael McCluskey deposited “Rough! Tough! Real Stuff!”: Music, Militarism, and Masculinity in American College Football in the group
Music and Sound on Humanities Commons 6 years, 8 months agoRobert Kennedy proclaimed, “Except for war, there is nothing in American life which trains a boy better for life than football.” While the sport’s governing bodies are presently distancing themselves from violent connections—altering rules in order to make the game safer for players—football culture remains firmly connected with militaris…[Read more]
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Sheryl McDonald Werronen deposited An edition of Ambrósíus saga og Rósamunda based on BL Add 24 969 in the group
Renaissance / Early Modern Studies on Humanities Commons 6 years, 8 months agoAmbrósíus saga og Rósamunda is a post-medieval Icelandic romance which belongs to a group of Scandinavian narratives utilizing the pound of flesh motif. It survives in 19 paper manuscripts from the 18th and 19th centuries, and it has never before been edited. The aim of the present edition is of an introductory nature, primarily to make the sa…[Read more]
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Júlia Azevedo deposited Luigi Dallapiccola – Fragmentos de uma vida em benefício de uma obra pianística in the group
Music and Sound on Humanities Commons 6 years, 9 months agoProposta para trabalho final de Mestrado em Interpretação Artística – Piano, acerca do compositor italiano do século XX Luigi Dallapiccola (1904-1975) e da sua obra para piano. Serão abordados aspetos biográficos, o contexto sociopolítico e cultural na Europa e Itália na primeira metade do século, o enquadramento das obras para piano no contexto…[Read more]
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Patrick Eisenlohr deposited Religion publique et médiation religieuse chez les musulmans mauriciens in the group
Music and Sound on Humanities Commons 6 years, 9 months agoLes usages de la reproduction sonore parmi les musulmans mauriciens illustrent les liens entre religion publique et médiation religieuse. Les usages de la reproduction sonore parmi les musulmans mauriciens illustrent les liens entre religion publique et médiation religieuse. Ces deux dimensions de la religion s’appuient sur des objets mat…[Read more]
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Virginia Anderson deposited ‘Aspects of British Experimental Music as a Separate Art-Music Culture’ in the group
Music and Sound on Humanities Commons 6 years, 9 months agoThis thesis examines the relationship of the ‘approved’ avant-garde culture to the ‘outsider’ culture of experimentalism. This relationship exhibits some parallels to the idea of cultural hegemony articulated by Edward Said in Orientalism and is informed by four basic aesthetic principles. These principles can be found in the work of Corneli…[Read more]
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Eoin O'Neill deposited Names and Social Contracts: Late Gaelic Ireland and Celtic Studies in the group
Renaissance / Early Modern Studies on Humanities Commons 6 years, 9 months agoAbstract: Sixteenth century Gaelic Ireland is not normally associated with Celtic Studies. The aim of this paper is to show that not only can it be included, but it can also produce many useful insights for Celtic Studies. Using as an illustration a minor skirmish which occurred during the Nine Years War in Ireland, this paper will show how what…[Read more]
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Ferran Escriva-Llorca deposited CFP: The Mediterranean: Migrant Sounds in the group
Music and Sound on Humanities Commons 6 years, 9 months agoOn June 17, 2018, the Aquarius, a boat carrying refugees, docked in Valencia. The wave of solidarity that ran through the city and neighboring towns in response to this arrival was intermingled with ignorance of a phenomenon—migration across the Mediterranean Sea—that has been a historical constant, and which indexes both the aspirations and fea…[Read more]
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Luís Henriques deposited CFP II Historical Soundscapes Meeting – Évora 2019 in the group
Music and Sound on Humanities Commons 6 years, 10 months agoCall for papers for the II Historical Soundscapes Meeting – Évora 2019, that will take place at the University of Évora, October 16th-18th, 2019. The meeting is organized by the FCT research project PASEV – Patrimonialization of Évora’s Soundscape (1540-1910) (ref ALT20-03-0145-FEDER-028584 • LISBOA-01-0145-FEDER-028584). Further information and…[Read more]
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Tiffany Ng deposited Mending Bells and Closing Belfries with Faust in the group
Music and Sound on Humanities Commons 6 years, 10 months agoFinite Element Analyses (FEA) was used to predict the resonant modes of the Tsar Kolokol, a 200-ton fractured bell that sits outside the Kremlin in Moscow. Frequency and displacement data informed a physical model implemented in the Faust programming language (Functional Audio Stream). The authors hosted a concert for Tsar bell and carillon with…[Read more]
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Patrick Eisenlohr deposited Religious language and media: Sound reproduction and transduction in the group
Music and Sound on Humanities Commons 6 years, 10 months agoIn this chapter I discuss how contests about religious language have revolved around a contrast between, on the one hand, a preference for literalism, with its emphasis on reference and denotation; and on the other hand, a valuation of the poetic functions of language and its material properties. Turning to the issue of electronically mediated…[Read more]
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Bernd Brabec de Mori deposited Shipibo Laughing Songs and the Transformative Faculty: Performing or Becoming the Other (2013) in the group
Music and Sound on Humanities Commons 6 years, 10 months agoShipibo indigenous people perform a sophisticated array of vocal musical genres, including short ‘laughing songs’ called osanti. These song-jokes make fun of certain non-humans, mostly animals. They are by definition sung from within the non-humans’ perspective. Osanti are only performed by trained specialists in indigenous medicine and sorce…[Read more]
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Kim Martin deposited Purpose and Purpose-Built: Considering Multi-Purposality in Developing a Linked Historical Gazetteer of London. in the group
Renaissance / Early Modern Studies on Humanities Commons 6 years, 11 months agoEnglish Renaissance Theatre is generally dated between 1576-1642: circumscribed by the construction of the Theatre in 1576 and the closing of the public playhouses by Act of Parliament in 1642. ‘Found’ London performance locations in taverns, churches, legal and professional buildings, aristocratic houses, not to mention the streets and wat…[Read more]
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Tiffany Ng deposited Music & Architecture: A Selected Bibliography in the group
Music and Sound on Humanities Commons 7 years agoThis bibliography presents selected sources (mostly in English) at the intersection of music and architecture. Many of the sources approach the relationship between the practices through multiple case studies. Several books focused on particular artists in both disciplines have been included not because those artists are central to the study of…[Read more]
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Tekla Babyak deposited Dante, Liszt, and the Alienated Agony of Hell in the group
Music and Sound on Humanities Commons 7 years, 1 month agoDante Alighieri’s Inferno (1314) portrays Hell as an alienated realm, in which the doomed spirits must spend eternity in isolation and regret. Franz Liszt’s two-movement Dante Symphony (1857), based on the Inferno and Purgatorio, gives musical form to Dante’s textual expressions of agony. These evocations of suffering are enhanced by Lisz…[Read more]
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John Davey deposited The historical relationship of musical form and the moving image in the current context of the digitisation of media in the group
Music and Sound on Humanities Commons 7 years, 1 month agoContemporary developments in the medium of the moving picture, particularly in relation to the general digitisation of media, are bringing about substantial changes to long-held conceptions of both its theory and its practice. This thesis asserts that a significant factor in these, both historically and in terms of potential development, is the…[Read more]
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Luís Henriques deposited Acerca do motete Heu me Domine de Vicente Lusitano in the group
Renaissance / Early Modern Studies on Humanities Commons 7 years, 1 month agoTexto para a edição online da revista Glosas a propósito do motete Heu me Domine para quatro vozes de Vicente Lusitano. Lusitano terá nascido em Olivença (ainda sob o domínio português) tendo desenvolvido a sua carreira musical em Itália e, mais tarde, em Estugarda já convertido ao Protestantismo. Este breve estudo propõe, assim, uma análise d…[Read more]
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Erika Supria Honisch deposited Music 547 Spring 2018—Sound, Music, Conflict, 1570–1750 in the group
Music and Sound on Humanities Commons 7 years, 1 month agoWhat were the sounds of war in the early modern period? What were the sounds of peace? The period between 1570 and 1750—roughly coincident with the cultural era known in Western contexts as “the Baroque”—was characterized by almost continual conflict in Europe. Whether caught up in the French Wars of Religion, the English Civil War, the Thirty…[Read more]
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Virginia Anderson deposited Michael Nyman, London, 23 March 1983 in the group
Music and Sound on Humanities Commons 7 years, 1 month agoFor some years I have been meaning to upload some of the material I have gathered over the years, including interviews I conducted with experimental composers and performers. One of the most useful, clearest interviews was my interview with Michael Nyman, 23 March 1983, just a few days after I had seen him in Hammersmith with the eponymous Michael…[Read more]
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