While male illustrators including Alberto Vargas (1896–1982), George Petty (1894–1975), and Gil Elvgren (1914–1980) are synonymous with the field of early-twentieth-century pin-up art, there were in fact several women who also succeeded in the genre. Pearl Frush (1907–1986), Zoë Mozert (1907–1993), and Joyce Ballantyne (1918–2006) each establi…[Read more]

In response to the four commentaries on ‘Cyborg uterine geography’, in which I argued normatively for reorganizing gestation on the basis of comradeliness, I grapple with three overlapping conceptual areas highlighted: the ethical and political affordances of the term ‘generosity’ in relation to care and pregnancy; the methodological questio…[Read more]

This paper explores the commodification of archival information through the exploitation of library labor related to the ongoing management, preservation, description, and digitization of unique and rare materials. Through this discussion, the author highlights the cultural, social, and economic factors that play a central role in creating an…[Read more]

“Film Museum Practice and Film Historiography is a meticulously researched work and a welcome addition to the already growing body of work related to film archiving practices. Lameris’ book is not only about engaging with the history of the Nederlands Filmmuseum but also about situating this case study within the larger context of film history a…[Read more]

Outlines the restoration of the Russian film classic “Man with a Movie Camera” (USSR, 1929) by Dziga Vertov which was carried out by the EYE Filmmuseum in Amsterdam between 2008 and 2010. The restoration allows contemporary audiences the possibility to once again experience Vertov’s film as the filmmaker originally intended – or at least in a v…[Read more]

Recent forms of realism in continental philosophy that are habitually subsumed under the category of “speculative realism,” a denomination referring to rather heterogeneous strands of philosophy, bringing together object-oriented ontology (OOO), non-standard philosophy (or non-philosophy), the speculative realist ideas of Quentin Meillassoux and…[Read more]

Christina McPhee’s ‘commonplace book’ draws from a palimpsest of handwritten notes, lists, quotations, bibliographic fragments, and sketches, from an artist whose voracious reading practice is a direct feed into her life and art — all set to a visual and textual design-as-score, as prominent writers on painting, media arts, performance, video i…[Read more]

The work of L.O. Aranye Fradenburg, especially her psychoanalytic criticism of Chaucer, and her formulations of discontinuist historical approaches to the Middle Ages, has been extremely influential within medieval studies for several decades. More recently she has been focusing on more broad defenses of the humanities, especially with regard to…[Read more]

Part of a panel discussion in the Use and Influence of the New Testament seminar

“Unter Männern” weaves together three threads of, first, historically relevant memory recited by its chosen protagonists; second, some personal history on the part of the primary filmmaker (i.e., director Ringo Rösener); and, third, between and among them, filmic artifacts or evidence of life in the GDR. This documentary presents the a…[Read more]

This paper analyzes the 1774 Portugal Inquisition’s Regiment and its link with the cultural interventionism that marked the Pombalist reformism, whichstarted at the second halfof 18th century. These are allthe policiesthat influenced the public, social, cultural and religious institutions of Portugal and its colonies, based in…[Read more]

The aim of this course is to explore the cultural constructions of gender and sexuality in the literature of Medieval and Renaissance Southern Europe. We will approach questions such as the status of women and the context of misogyny, the societal role of same-sex relations, the presentation and visualization of sexuality, desire and the body. We…[Read more]

This chapter introduces the volume on East German film. The chapter and the volume it introduces surveys a range of depictions of gender and sexuality in East German film and television, from stereotypical and ideologically compliant understandings of femininity and homosexuality to more ambivalent constructions of androgyny, gendered agency, and…[Read more]

Article from the proceedings of the conference “Europa baut auf Biographien”

Behind every printed national biography is a board of editors responsible for finding established scholars to write the biographies. The personal and institutional networks, the scientific and ideological socialization of these authors have a significant influence on the biographical constructs and narratives they have designed, and thus also…[Read more]

This paper analyses the mechanisms, outcomes, and consequences of the Nigerian protest movement using longitudinal qualitative research. To go about this, the paper looks at the protests in the context of neo-Liberal reforms, the essential trigger of the movement, its objectives, and its achievements are described. The movement started on January…[Read more]

In this essay, I discuss salient themes of The Child to Come: Life After the Human Catastrophe (University of Minnesota Press, 2016). I hold that The Child To Come’s main thrust is this: ‘The issue is not that there is no future but rather that there is no sure way of orienting toward that future, either to save it or to survive it’. The chall…[Read more]

Anhand der Science-Fiction Animes “Captain Future”, “Saber Rider and the Star Sheriffs” und “Cowboy Bebop” wird eine bestimmtes Narrativ innerhalb des Genres des Science-Fiction Anime stichprobenartig über drei Jahrzehnte hinweg betrachtet und die vorzufindenden Geschlechterkonstruktionen beleuchtet: Jede dieser Erzählungen handelt von den A…[Read more]