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Jeffrey Blevins deposited How Stevens Uses the Grammar of Is in the group
Poetics and Poetry on Humanities Commons 2 years, 9 months agoWallace Stevens and philosophy of language
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Jeffrey Blevins deposited How Stevens Uses the Grammar of Is in the group
American Literature on Humanities Commons 2 years, 9 months agoWallace Stevens and philosophy of language
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Jeffrey Blevins deposited Introduction: Logic and Literary Form in the group
Poetics and Poetry on Humanities Commons 2 years, 9 months agoAlthough literature and logic share a number of surprising symmetries and historical contacts, they have typically been seen to occupy separate disciplinary spheres. Declaring a subfield in literary studies-logic and literature-this introduction outlines various connections between literary formalism and formal logic. It surveys historical…[Read more]
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Jeffrey Blevins deposited Introduction: Logic and Literary Form in the group
American Literature on Humanities Commons 2 years, 9 months agoAlthough literature and logic share a number of surprising symmetries and historical contacts, they have typically been seen to occupy separate disciplinary spheres. Declaring a subfield in literary studies-logic and literature-this introduction outlines various connections between literary formalism and formal logic. It surveys historical…[Read more]
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Jeffrey Blevins deposited “Suppose This Was the Root of Everything”: Stevens and the Imperative to Suppose in the group
Poetics and Poetry on Humanities Commons 2 years, 9 months agoWallace Stevens and philosophy of language
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Jeffrey Blevins deposited “Suppose This Was the Root of Everything”: Stevens and the Imperative to Suppose in the group
American Literature on Humanities Commons 2 years, 9 months agoWallace Stevens and philosophy of language
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Jeffrey Blevins deposited Thomas Hardy’s Timing: Poems and Clocks in Late Nineteenth-Century England in the group
Poetics and Poetry on Humanities Commons 2 years, 9 months agoThomas Hardy and theory of time
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Jeffrey Blevins deposited Pound Sign in the group
Poetics and Poetry on Humanities Commons 2 years, 9 months agoWhat can one, seemingly insignificant figure–possibly punctuation mark, possibly ideogram, possibly something else entirely–demonstrate about Ezra Pound’s figurative practice? #, which draws power from associations with Mencius’s well-field system and the Chinese character ching, becomes an emblem for a recurring quodlibet in The Cantos: how for…[Read more]
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Jeffrey Blevins deposited Pound Sign in the group
American Literature on Humanities Commons 2 years, 9 months agoWhat can one, seemingly insignificant figure–possibly punctuation mark, possibly ideogram, possibly something else entirely–demonstrate about Ezra Pound’s figurative practice? #, which draws power from associations with Mencius’s well-field system and the Chinese character ching, becomes an emblem for a recurring quodlibet in The Cantos: how for…[Read more]
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Jeffrey Blevins deposited Absolutism, Relativism, Atomism: The “small theories” of T.S. Eliot in the group
Poetics and Poetry on Humanities Commons 2 years, 9 months agoPhilosophy began the 1890s rooted firmly in the monistic absolutism of F.H. Bradley and J.M.E. McTaggart; it ended the decade deracinated into the pluralistic atomism espoused by Bertrand Russell and G.E. Moore. If this intellectual sea change can be conceived as analytic and logical philosophies inventing their wheel, then T.S. Eliot re-invented…[Read more]
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Jeffrey Blevins deposited Setting The Waste Land in Order in the group
Poetics and Poetry on Humanities Commons 2 years, 9 months agoAre T. S. Eliot’s notes on The Waste Land a scholarly resource or a literary hoax? This oft-repeated question gets to the heart of the poem, which thrives on its allusions, whether seriously or cynically. However, scholars have largely passed over the notes’ (and the poem’s) numberings, despite their complexity and superabundance—a panoply of quan…[Read more]
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Sonia D. Andras deposited Fashion, Cinema, and German-American Propaganda in 1930s Bucharest in the group
Global & Transnational Studies on Humanities Commons 2 years, 9 months agoThis paper explores how Bucharest’s cinema-going public perceived the Nazi influence on Hollywood in the 1930s. The aim is to identify how Nazi propaganda was disseminated and consumed in interwar Bucharest and its similarities to the idea of glamour, relevant both to fashion and cinema. Considering the links between Goebbels’ propaganda mac…[Read more]
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José Angel GARCÍA LANDA replied to the topic Contemporary fiction in the discussion
American Literature on Humanities Commons 2 years, 9 months agoMuñoz-González, Esther. Posthumanity in the Anthropocene: Margaret Atwood’s Dystopias. (Routledge Studies in Contemporary Literature). London: Routledge, 2023.* https://www.routledge.com/Posthumanity-in-the-Anthropocene-Margaret-Atwoods-Dystopias/Munoz-Gonzalez/p/book/9781032390512 2023
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Christopher S. Rose deposited Trial by Virus: Colonial Medicine and the 1883 Cholera in Egypt in the group
Global & Transnational Studies on Humanities Commons 2 years, 9 months agoThis article explores how public health was transformed in Egypt soon after its occupation by Great Britain in 1882. Over the course of the nineteenth century, the Egyptian state had invested substantially in health to boost the nation’s economic and military strength, and, especially after the opening of the Suez Canal in 1869, to address E…[Read more]
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José Angel GARCÍA LANDA replied to the topic 19th-c. American literature in the discussion
American Literature on Humanities Commons 2 years, 9 months ago“Veblen y la teatralidad.”
https://personal.unizar.es/garciala/publicaciones/veblenteatralidad.pdf -
José Angel GARCÍA LANDA replied to the topic 19th-c. American literature in the discussion
American Literature on Humanities Commons 2 years, 9 months agoReading ‘The Monster’ / Reading Racism: https://vanityfea.blogspot.com/2013/04/reading-monster-reading-racism.html
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Samuel Rosado-Zaidi deposited La producción porcícola en Yucatán, México y la región de exportación porcícola de Mérida: Los cerdos y el mercado mundial | Pork production in Yucatan, Mexico, and Merida’s export driven pork region: pigs and the global market in the group
Environmental Humanities on Humanities Commons 2 years, 9 months agoEste mapa salió en la edición número 312 del suplemento de la Jornada, Ojarasca, en el artículo titulado: “Represión en la granja: los cerdos y el mercado mundial”
Para más información de las fuentes, véase el artículo: https://www.jornada.com.mx/2023/04/07/ojarasca312.pdfThis map was featured in Mexico’s La Jornada supplement, Ojarasca…[Read more]
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Massih Zekavat deposited Satire, Humor, and Environmental Crises in the group
Environmental Humanities on Humanities Commons 2 years, 9 months agoSatire, Humor, and Environmental Crises explores how satire and humor can be employed to address and mitigate ecological crises at individual and collective levels.
Besides scientific and technological endeavors, solutions to ecological crises must entail social and communicative reform to persuade citizens, corporations, organizations, and…[Read more]
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Steve McCarty deposited Bilingual Perspectives on Language Teaching: The View from the Goal in the group
Global & Transnational Studies on Humanities Commons 2 years, 9 months agoA goal for language learners is to function in plural languages according to their own needs and purposes. A bilingual perspective starts from that attainable goal. Learners in Japan tend to idealize L2 mastery or becoming bilingual, so it becomes other people’s business. Monolingual teachers tell students by their example, “go where I have not…[Read more]
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Eric Dienstfrey deposited The Myth of the Speakers: A Critical Reexamination of Dolby History in the group
Music and Sound on Humanities Commons 2 years, 10 months agoThis article corrects misconceptions regarding the history of film stereo. I show that the technical and aesthetic innovations regularly credited to Dolby Stereo, to sound designers like Walter Murch, and to films like Apocalypse Now (1979) were not revolutions but extensions of surround-sound practices that Hollywood codified in prior decades. I…[Read more]
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