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Sérgio Dias Branco deposited Being Her/She in “Who Are You?” in the group
Film Studies on Humanities Commons 5 years agoAnalysis of the episode from television series “Buffy the Vampire Slayer”, “Who Are You?” (4.16).
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Sérgio Dias Branco deposited “The Urban and the Domestic: Spaces of American Film Noir” in the group
Film Studies on Humanities Commons 5 years agoUrban and domestic spaces are at the core of the American film noir developed in the 1940s and 50s. The connection between such spaces and noir cannot be considered only as motivational (an association between city and crime) or protective (a separation between home and violence). The context of this genre must be considered more largely as the…[Read more]
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Sérgio Dias Branco deposited “The Class of Images: Sketch for a Research Project” in the group
Film Studies on Humanities Commons 5 years agoThe concept of class has been progressively erased in contemporary discussions around art — and other topics. The explanatory power of this economic and social category, as articulated by Karl Marx, has been annulled precisely at a time when the contradictions of late capitalism are growing, composing an ideological background that creates c…[Read more]
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Sérgio Dias Branco deposited “‘Being Open to Possibilities That We Can’t Know Yet’: An Interview with Catherine Grant” in the group
Film Studies on Humanities Commons 5 years agoInterview with Catherine Grant about her move to Birkbeck, teaching and research, the project [in]Transition, changes in scholarship, and technology and the humanities.
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Sérgio Dias Branco deposited “The Work of Cinematic Art: Art as Work and Work as Art” in the group
Philosophy on Humanities Commons 5 years agoLeaning into the work of Marx, Engels, Lenin, Vertov, and Cunhal, I present a critical analysis of the dialectic of work and art.
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Sérgio Dias Branco deposited “The Work of Cinematic Art: Art as Work and Work as Art” in the group
Film Studies on Humanities Commons 5 years agoLeaning into the work of Marx, Engels, Lenin, Vertov, and Cunhal, I present a critical analysis of the dialectic of work and art.
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Sérgio Dias Branco deposited Divinely Human: Robert Bresson’s Spiritual Reflections in the group
Film Studies on Humanities Commons 5 years agoThis talk reads Robert Bresson’s Notes on the Cinematographer, not as a mere collection of thoughts, but as spiritual reflections. These brief meditations record aspects of his film practice in condensed form and reveal the connection between contemplation and action. The contemplative tone of the book becomes perceptible through the careful o…[Read more]
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Sérgio Dias Branco deposited On Essentialism: Thoughts Between Nöel Carroll and Stanley Cavell in the group
Philosophy on Humanities Commons 5 years agoNöel Carroll has been one of the most eloquent proponents of an anti-essentialist view of art, in particular, of cinema. He seems to think that Stanley Cavell holds an essentialist view of film, put forward in his foundational work, The World Viewed, and developed in later essays and books. While Carroll admires Cavell’s philosophical readings of…[Read more]
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Sérgio Dias Branco deposited On Essentialism: Thoughts Between Nöel Carroll and Stanley Cavell in the group
Film Studies on Humanities Commons 5 years agoNöel Carroll has been one of the most eloquent proponents of an anti-essentialist view of art, in particular, of cinema. He seems to think that Stanley Cavell holds an essentialist view of film, put forward in his foundational work, The World Viewed, and developed in later essays and books. While Carroll admires Cavell’s philosophical readings of…[Read more]
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Sérgio Dias Branco deposited Labyrinths of the Self: Different Characters, Identical Bodies in “Battlestar Galactica” in the group
Film Studies on Humanities Commons 5 years agoPaper on performance and personal identity in the television series “Battlestar Galactica”.
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Manfred Engel deposited Mediating the Dream / Les genres et médias du rêve. Ed. by Bernard Dieterle and Manfred Engel. Würzburg: Königshausen & Neumann 2020 (Cultural Dream Studies; 4) — Contents and Preface in the group
Film Studies on Humanities Commons 5 years agoRepresentations of dreams – no matter if factual or fictional – are influenced not only by cultural patterns but also by the specific opportunities offered and the specific challenges posed by the genre or medium which was chosen for them. The essays in this volume consider, in detailed case studies, variants of factual dream reports and fic…[Read more]
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Luis Ernesto Paz Enrique deposited PROCESINF:Oferta de información para la documentación audiovisual en televisoras locales in the group
Film Studies on Humanities Commons 5 years, 1 month agoEl diseño de ofertas de información centradas en el usuario favorece la satisfacción de los mismos. Se identificó que en los canales de televisión locales se realiza un incorrecto tratamiento de la documentación audiovisual, fundamentalmente por la carencia de personal especializado. Se plantean como objetivos del estudio: 1) diagnosticar las n…[Read more]
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Luis Ernesto Paz Enrique deposited The role of audiovisual production researcher in the treatment of audiovisual documentation in the group
Film Studies on Humanities Commons 5 years, 1 month agoThe roles in the treatment of audiovisual documentation have a great variety of denominations. Among the most common are Production Researcher, TV Researcher, Film Researcher, Program Researcher and Video Librarian. Although the names vary, the functions are limited to the processing, storage, custody and dissemination of audiovisual collections.…[Read more]
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José Angel GARCÍA LANDA deposited La Red Social (Una red para atraparlos a todos) in the group
Film Studies on Humanities Commons 5 years, 1 month agoEnglish abstract: A paper on Facebook and ubicuous online social networking as a radical intervention on the elitist social networks which were at the origin of Zuckerberg’s stroke of genius in computer-mediated communication and in social self-presentation. This is done by way of a critique of David Fincher’s film ‘The Social Network’ based on…[Read more]
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Augustine Farinola deposited HUMAN AND VIRTUAL REALITY TECHNOLOGY RELATION: A POSTPHENOMELOGICAL ANALYSIS in the group
Philosophy on Humanities Commons 5 years, 2 months agoIn this essay, I shall examine VR technology so as to ascertain the kind of human-technology relations therein. This will be done using the framework provided by Don Ihde and Peter-Paul Verbeek (who are currently seen as postphenomenologists). My choice of VR technology, as an instantiation of technological advancement, is due to its impact on…[Read more]
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Augustine Farinola deposited TOWARDS SCIENTIFIC AND TECHNOLOGICAL CONSCIOUSNESS: A PANASEA FOR AFRICAN DEVELOPMENT in the group
Philosophy on Humanities Commons 5 years, 2 months agoIn this essay, I examined the idea of ‘technological revolution’ to confirm whether it connotes a sort of incorporation of existing technologies as new ones emerges or whether it portrays a ‘sharp discontinuity’ from the prior technologies. I began by exploring the dictionary definitions of ‘revolution’ in order to appropriate its usage in re…[Read more]
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Augustine Farinola deposited THE QUESTION OF RATIONALITY OF AFRICAN PHILOSOPHICAL TRADITION AND THE CHALLENGE OF COMPARATIVE DISCOURSE in the group
Philosophy on Humanities Commons 5 years, 2 months agoDuring comparative discourse, some scholars have ridiculed African indigenous concepts, phenomena, beliefs, and worldview in a forceful attempt to allow it to fit into western framework and to avoid the charge of irrationality. It is against this background this essay attempt to establish the basis for the rationality of discourse within the…[Read more]
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Augustine Farinola deposited FACTS AGAINST SPECULATIONS: UNDERSTANDING PATRICIA CHURCHLAND’S NEUROPHILOSOPHY in the group
Philosophy on Humanities Commons 5 years, 2 months agoThis essay focuses on Patricia Churchland contribution to this interdisciplinary approach towards gaining a holistic understanding of our human nature and realities surrounding us, with specific reference to the perceived framework needed for the development of a unified theory of the mind-brain. A critical engagement with Churchland’s ideas s…[Read more]
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Augustine Farinola deposited THE QUESTION CONCERNING SCIENTIFIC PROGRESS AND RATIONALITY: KITCHER’S RESPONSE in the group
Philosophy on Humanities Commons 5 years, 2 months agoPhilip Kitcher is one of the most influential philosophers of science of the past two decades. In “The Advancement of Science (1993)”, he endeavor to probe the notions of progress and rationality in science. His position, in line with his teacher, Thomas Kuhn, was a critique of what he called ‘a legendary view of science’. Thus, he gave new int…[Read more]
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Augustine Farinola deposited A CRITICAL APPRAISAL OF KARL MARX’S MATERIALISTIC INTERPRETATION OF HISTORY in the group
Philosophy on Humanities Commons 5 years, 2 months agoThis paper is a critical appraisal of Karl Marx’s theory of historical materialism and a deployment of its emphasis on economic factor in addressing Nigeria’s socio-economic situation. As we applaud Marx’s materialistic approach to history as an account that is rich enough to promote contextual understanding of past events in various part of the w…[Read more]
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