In this article, the author explores basket divination, a technique found in Zambia and neighboring countries, as a form of material religion. Mores specifically, the author shows that in basket divination the idea of objectivity (objective knowledge) is directly associated with the materiality of the oracle used for divining. In the Luvale…[Read more]

This chapter on witchcraft in northwest Zambia shows that forms of asking and giving may be deployed to suspend suspicion about the motives of others, even as they possess the potential to kill. When a woman asks a witch for a gift of salt to flavor her food, the witch feigns generosity but forces that woman to join the coven in recompense. In…[Read more]

This chapter on witchcraft in northwest Zambia shows that forms of asking and giving may be deployed to suspend suspicion about the motives of others, even as they possess the potential to kill. When a woman asks a witch for a gift of salt to flavor her food, the witch feigns generosity but forces that woman to join the coven in recompense. In…[Read more]

This chapter on witchcraft in northwest Zambia shows that forms of asking and giving may be deployed to suspend suspicion about the motives of others, even as they possess the potential to kill. When a woman asks a witch for a gift of salt to flavor her food, the witch feigns generosity but forces that woman to join the coven in recompense. In…[Read more]

This chapter on witchcraft in northwest Zambia shows that forms of asking and giving may be deployed to suspend suspicion about the motives of others, even as they possess the potential to kill. When a woman asks a witch for a gift of salt to flavor her food, the witch feigns generosity but forces that woman to join the coven in recompense. In…[Read more]

Instead of asking what evil is, let us see where evil takes us. Based on many conversations on the topic of witchcraft in northwest Zambia, Africa—conversations in which witchcraft is presented from the perspective of the bewitched—the concept of evil takes us to a ghastly realm of destruction and transfiguration where the discourse of mor…[Read more]

Instead of asking what evil is, let us see where evil takes us. Based on many conversations on the topic of witchcraft in northwest Zambia, Africa—conversations in which witchcraft is presented from the perspective of the bewitched—the concept of evil takes us to a ghastly realm of destruction and transfiguration where the discourse of mor…[Read more]

Instead of asking what evil is, let us see where evil takes us. Based on many conversations on the topic of witchcraft in northwest Zambia, Africa—conversations in which witchcraft is presented from the perspective of the bewitched—the concept of evil takes us to a ghastly realm of destruction and transfiguration where the discourse of mor…[Read more]

Instead of asking what evil is, let us see where evil takes us. Based on many conversations on the topic of witchcraft in northwest Zambia, Africa—conversations in which witchcraft is presented from the perspective of the bewitched—the concept of evil takes us to a ghastly realm of destruction and transfiguration where the discourse of mor…[Read more]

Samuzala lived through colonialism in Angola, the liberation war, the civil war that followed independence, forced displacement to Zambia, and a landmine accident resulting in amputation. At different points in his life, Samuzala was a trader, a migrant, a refugee, and an amputee. In engaging with Samuzala’s life story, a narrative of movement, w…[Read more]

Samuzala lived through colonialism in Angola, the liberation war, the civil war that followed independence, forced displacement to Zambia, and a landmine accident resulting in amputation. At different points in his life, Samuzala was a trader, a migrant, a refugee, and an amputee. In engaging with Samuzala’s life story, a narrative of movement, w…[Read more]

Samuzala lived through colonialism in Angola, the liberation war, the civil war that followed independence, forced displacement to Zambia, and a landmine accident resulting in amputation. At different points in his life, Samuzala was a trader, a migrant, a refugee, and an amputee. In engaging with Samuzala’s life story, a narrative of movement, w…[Read more]

Reification, fetishism, alienation, mastery, and control – these are some of the key concepts of modernity that have been battered and beaten by postmoderns and nonmoderns alike, with Bruno Latour, a nonmodern, discarding them most recently. Critical of this approach, which creates a rift between moderns and nonmoderns, the author engages in d…[Read more]

Reification, fetishism, alienation, mastery, and control – these are some of the key concepts of modernity that have been battered and beaten by postmoderns and nonmoderns alike, with Bruno Latour, a nonmodern, discarding them most recently. Critical of this approach, which creates a rift between moderns and nonmoderns, the author engages in d…[Read more]

Reification, fetishism, alienation, mastery, and control – these are some of the key concepts of modernity that have been battered and beaten by postmoderns and nonmoderns alike, with Bruno Latour, a nonmodern, discarding them most recently. Critical of this approach, which creates a rift between moderns and nonmoderns, the author engages in d…[Read more]

Reification, fetishism, alienation, mastery, and control – these are some of the key concepts of modernity that have been battered and beaten by postmoderns and nonmoderns alike, with Bruno Latour, a nonmodern, discarding them most recently. Critical of this approach, which creates a rift between moderns and nonmoderns, the author engages in d…[Read more]

Reification, fetishism, alienation, mastery, and control – these are some of the key concepts of modernity that have been battered and beaten by postmoderns and nonmoderns alike, with Bruno Latour, a nonmodern, discarding them most recently. Critical of this approach, which creates a rift between moderns and nonmoderns, the author engages in d…[Read more]

Sónia Silva is an Associate Professor of anthropology at Skidmore College. Drawing on ethnographic fieldwork in Zambia, as well as museum work in Europe and the USA, Silva’s research deals with materiality, material religion, the notion of the fetish, ritual and religion, divination, witchcraft, violence, and museums. Silva is the author of Alon…[Read more]

Sónia Silva is an Associate Professor of anthropology at Skidmore College. Drawing on ethnographic fieldwork in Zambia, as well as museum work in Europe and the USA, Silva’s research deals with materiality, material religion, the notion of the fetish, ritual and religion, divination, witchcraft, violence, and museums. Silva is the author of Alon…[Read more]

Sónia Silva is an Associate Professor of anthropology at Skidmore College. Drawing on ethnographic fieldwork in Zambia, as well as museum work in Europe and the USA, Silva’s research deals with materiality, material religion, the notion of the fetish, ritual and religion, divination, witchcraft, violence, and museums. Silva is the author of Alon…[Read more]