Publications

“Refusing Resonance: On the Whiteness of Edmund Kean.” The Hare 5.2 (2021).

“The Long Run of Victorian Theater.” Victorian Literature and Culture 48.3 (Fall 2020): 623-31.

“Reviewing Ira Aldridge: Red Velvet and Revisionist Narrative.” Borrower’s and Lenders 13.1 (2020).

“Epistolary Liveness: Narrative Presence and the Victorian Actress in Letters.” Theatre Survey 60.2 (2019): 237-60.

“Audiences Writing Race in Shakespeare Performance.” Shakespeare Studies 47 (2019): 112-119.

“Shakespeare, Spectators, and the Meaning of Race on Stage.” Shakespeare On Stage and Off. Eds. Alysia Kolentsis and Kenneth Graham. Kingston: McGill-Queen’s University Press, 2019.

“Keyword: Performance.” Victorian Literature & Culture 46.3/4 (Fall/Winter 2018): 795-99.

“‘Mere Lookers-on at Life’: Point of View and Spectator Narrative.” Nineteenth Century Theatre and Film 44.2 (2017): 154-72.

“Becoming Caliban: Monster Methods and Performance Theories.” In The Oxford Handbook of Shakespeare and Embodiment, ed. Valerie Traub. Oxford: Oxford University Press, 2016.