Publications
VanHandel, L. (ed.)
The Routledge Companion to Music Theory Pedagogy (2020), an edited volume with Routledge Press.
VanHandel, L. (forthcoming 2022) “nPVI as a musicological tool.” In
The Oxford Handbook of Music and Corpus Studies, ed. by Daniel Shanahan, Ashley Burgoyne, and Ian Quinn.
Gotham, M., Jonas, P., Bower, B., Bosworth, W., Rootham, D., and
VanHandel, L. (2018) “Scores of Scores: an OpenScore project to encode and share sheet music.” In
Proceedings of the 5th International Conference on Digital Libraries for Musicology.
VanHandel, L. (2018) “Relation between melodic characteristics and tempo determination.” In
Proceedings of the International Conference on Music Perception and Cognition/European Society for the Cognition of Music.
VanHandel, L. (2016) “The war of the Romantics: An alternate hypothesis using nPVI for the quantitative anthropology of music.”
Empirical Musicology Review,, Vol. 11, No. 2.
VanHandel, L. (2014) Articles in Thomson, W.F.(Ed),
Music in the Social and Behavioral Sciences: An Encylopedia. (Articles: Chords. Modulation. Rules of voice-leading. Scales.) Sage Publications Inc., New York.
Temperley, D. and
VanHandel, L., Eds. (2013) Special Issues on Corpus Methods.
Music Perception, Vol. 31/1, September 2013, and Vol. 31/3, January 2014. [This is a two volume series focusing on corpus methods in music cognition and perception. Temperley and I served as co-editors of the two volumes.]
VanHandel, L. and Temperley, D. (2014) “Introduction to the Second Special Issue on Corpus Methods.”
Music Perception, Vol. 31/3, February 2014.
Temperley, D. and
VanHandel, L. (2013) “Introduction to the Special Issues on Corpus Methods.”
Music Perception, Vol. 31/1, September 2013.
VanHandel, L. (2013)
Music Theory Skill Builder: An online musical fundamentals environment. Oxford University Press.
VanHandel, L. (2012) “What can music theory pedagogy learn from mathematics pedagogy?”
Journal of Music Theory Pedagogy, Vol. 26.
VanHandel, L. and M. Callahan. (2012) “The role of phrase location in key identification by pitch class distribution.” In E. Cambouropoulos, C. Tsougras, K. Mavromatis, K. Pastiadis (Eds.),
Proceedings of ICMPC-ESCOM 12 (Thessaloniki, Greece).
VanHandel, L. (2012) “Using computer-based music fundamentals drills to reinforce learning with adaptive strategies.”
Tehnologii Informatice si de comunicatie in domeniul muzica (Information, Communication and Techcnology in Musical Fields. Music Academy Gheorghe Dima, Romania.
VanHandel, L. (2011) Supplemental electronic and online material for 2nd edition of Clendinning/Marvin,
The Musician’s Guide to Theory and Analysis. Contracted by W.W. Norton & Company.
VanHandel, L. and T. Song. (2010) “The role of meter in compositional style in 19th century French and German art song.”
Journal of New Music Research, 39(1), 1-11.
VanHandel, L., J. Wakefield, and W. Wilkins. (2011) “Towards the role of working memory in pitch processing in language and music.” In J. Hawkins, I. Cross, M. Rohrmeier and P. Rebuschat (Eds.),
Language and Music as Cognitive Systems. Oxford: Oxford University Press.
VanHandel, L. (2009) “National metrical types in nineteenth century art song.”
Empirical Musicology Review, 4(4), 134-145.
VanHandel, L. and B. Rhodes. (2009)
mfp: An online music fundamentals environment. Software produced in conjunction with Michigan State University’s
Virtual University Design and Technology group, licensed by Oxford University Press.
VanHandel, L. and T. Song (2009) “Influence of Linguistic Rhythm on Individual Compositional Style in 19th Century French and German Art Song.” In
Proceedings of ESCOM 2009: 7th Triennial Conference of the European Society for the Cognitive Sciences of Music, Jyväskylä, Finland, 2009. (download)
VanHandel, L. (2007) Supplemental electronic and online material for Clendinning/Marvin,
The Musician’s Guide to Theory and Analysis. Online and supplemental materials for the Clendinning/Marvin textbook series, W.W. Norton & Company. Electronic resource available online from W.W. Norton.
VanHandel, L. (2006) “Trends in/over time: Rhythm in speech and music in 19th century art song.” InProceedings of the 9th International Conference on Music and Perception and Cognition. Bologna, Italy: Bononia University Press, 2006.
VanHandel, L. (2006) “Trends in/over time: Rhythm in speech and musical melody in 19th century art song.” In SMC06: Third Sound and Music Computing Conference Proceedings. Marseille, France: GMEM – Centre National de Creation Musicale, 2006.
Larson, S., and
L. VanHandel. (2005) “Measuring Musical Forces,” Music Perception Vol. 23, No. 2, pp. 119-136.
