Maros River, all ungherese – Gipsy tune – Maros vize folyik cszendesen – piano solo – pdf – sheetmusic

My notes (taken c. 1990) on Geoffrey Leech’s ‘Principles of Pragmatics’ (London: Longman, 1983). Pagination on the left; my parenthetical comments in italics.

This article presents a detailed examination of the benefits, challenges, and purpose of conducting a doctoral-level literature review. The article analyzes both the cognitive neurolinguistic processing challenges attending the assimilation and synthesis of large volumes of new information and the metacognitive knowledge strategies needed to…[Read more]

El año de la pandemia no murieron cuatro millones de personas. Murieron casi 60 millones, de diversas causas, entre ellas un número indeterminado por Covid-19. Las grandes cifras engañan mucho, y más si están intervenidas y subvencionadas.

English abstract: A vindication of the wide-ranging perspective of Herbert Spencer’s theories of cosmic evolutionism, as an intellectual enterprise far more ambitious and comprehensive than that of his contemporary Charles Darwin. (A retropost from 2011). _________________________________________________________________________________ Spanish…[Read more]

A bibliography on public corruption (moral, political, financial, judiciary) especially focusing on contemporary Spain. From ‘A Bibliography of Literary Theory, Criticism, and Philology’ (2021), http://bit.ly/abibliog

Comentamos en este artículo la figura de los cíclopes en Homero y en Vico, leyéndola como un arquetipo cultural y psicológico de la sociedad protohumana. Los dos aspectos complementarios del mito (como tradición cultural que se remonta a la prehistoria, y como estructura psicológica, referida a la socialización y al desarrollo psicológico individ…[Read more]

A bibliography on the Spanish political party Partido Socialista Obrero Español (PSOE) – from ‘A Bibliography of Literary Theory, Criticism and Philology’ http://bit.ly/abibliog

This chapter is a study of music and violence in action films set in Rio de Janeiro’s poorest neighborhoods. It traces how the Brazilian films Cidade de Deus [City of God] (2002) and Tropa de Elite [Elite Squad] (2007) rely both on visual language that emphasizes hyperrealistic slum violence, and on musical tropes that carry a local meaning l…[Read more]

One of the main arguments used to legitimise Christian military expansion in medieval Iberia was the location of the origin of the Christian Iberian kingdoms in the ancient Visigothic Kingdom of Toledo (507–711), which established a notion of political continuity between these entities. The legitimacy of the Visigothic Kingdom was reflected in t…[Read more]

Focusing on the work of John McWhorter and, to a lesser extent, Peter Trudgill, this paper critically examines some common themes in language complexity research from the perspective of intellectual history. The present-day conception that increase in language complexity is somehow a “natural” process which is disturbed under the “ab…[Read more]

While it has been known for a long time that human languages can change in various ways, it was only in the early 19th century that scholars realized that certain aspects of language change proceed in a surprisingly regular manner, allowing us to reconstruct historical stages of languages which have never been documented in written sources. The…[Read more]

Journal of Historical Linguistics, Volume 11, Issue 2, 357 – 366.

Desde que Alan Deyermond, entre los años 70 y 80 del siglo pasado , consiguiera vencer toda reticencia académica para que la obra de Leonor López de Córdoba pasase de ser una delicada rareza literaria a ser introducida con pleno derecho en el canon de la literatura hispánica medieval , la investigación sobre la autora nacida en Calatayud, aunqu…[Read more]

Kaluza’s law is a proposed restriction in the metre of Beowulf against the resolution of light-heavy sequences: words like cyning ‘king’ can only resolve and count as the equivalent of a single heavy syllable under more restricted circumstances than can words such as wudu ‘wood’. There has been debate about how to define these ‘restrict…[Read more]

Dance music is a medium and social practice that has in some cases functioned as a site of refuge for people and communities whom mainstream society marks “deviant” or “uncivilized. Foundational movements in dance music emerge from particular spaces and times where communities are able to center bodies and practices that subvert or contradict…[Read more]

Dance music is a medium and social practice that has in some cases functioned as a site of refuge for people and communities whom mainstream society marks “deviant” or “uncivilized. Foundational movements in dance music emerge from particular spaces and times where communities are able to center bodies and practices that subvert or contradict…[Read more]

(First paragraph): “Any DJ could tell you that you don’t know what music really means until you see it in people’s bodies. A DJ establishes a relationship between audio recordings and the crowd, responding to the speed and intensity of their movements, the symbolism of physical attitudes and gestures, their vocalizations, and the simple pre…[Read more]