Scholarship on the Sleeping Beauty tale has gone largely unappreciated. Underlying the story’s obvious themes and motifs—birth, death/sleep, rebirth—and complicating its gender dynamic is a preoccupation with orality and telling that gives the story a significant self-reflective dimension. This article examines how the tale reflects on story…[Read more]

Scholarship on the Sleeping Beauty tale has gone largely unappreciated. Underlying the story’s obvious themes and motifs—birth, death/sleep, rebirth—and complicating its gender dynamic is a preoccupation with orality and telling that gives the story a significant self-reflective dimension. This article examines how the tale reflects on story…[Read more]

Explores how children of war and adults reflecting on their violent wartime childhoods have had recourse to the space of fairy tales to interpret their traumatic physical environments and their emotional lives within them. To that end, the article (1) considers the nature of time and space in the classic fairy tale; (2) establishes how the…[Read more]

Explores how children of war and adults reflecting on their violent wartime childhoods have had recourse to the space of fairy tales to interpret their traumatic physical environments and their emotional lives within them. To that end, the article (1) considers the nature of time and space in the classic fairy tale; (2) establishes how the…[Read more]

The Grimms’ tale of “Brier Rose” (KHM 50) has self-reflexive characteristics of the Romantic literary fairy tale. In thematizing memory and alluding to the imagery used in the preface to the Grimm brothers’ collection of fairy tales, Wilhelm Grimm’s version of the story self-consciously reflects on its own origins and exhibits a self-awareness…[Read more]

This article focuses initially on a new strand of empirical research that deliberately utilizes folktales and fairy tales to make broader claims for the scientific method and to advocate for the application of evolutionary science to literature in general. After critiquing this work for is its unquestioning reliance on the problematic…[Read more]

A study of the use of proverbs in the film The Company of Wolves (dir. Neil Jordan; screenplay by Jordan and Angela Carter), based on Angela Carter’s adaptation of Little Red Riding Hood tales in her book The Bloody Chamber.

This article raises questions about the aesthetics of scale as they appear relative to genetically modified organisms in science fiction and especially in Paolo Bacigalupi’s The Windup Girl (2009). Bacigalupi makes the unusual choice of representing GMOs largely through science fictional tropes of automatism rather than the grotesque. Because of t…[Read more]

This article describes how the novelist David Mitchell employs the “topos of the cult,” a set of conventions that describe a mental state of unfreedom, in the novels Ghostwritten (1999) and Cloud Atlas (2004). This figuration of an unfree form of society—characterized by a group’s specialized language, closed social spaces, and charismatic leade…[Read more]

This paper will begin by looking at the historical theoretical relationship between science fiction and dystopia. It will then proceed to demonstrate how recent theorists have failed to adequately incorporate the practical changes authors have introduced to the genre, which includes the incorporation of aspects of magical realism. Brown Girl in…[Read more]

Lecture/class notes on George Orwell’s Nineteen Eigthy-Four. I’m sharing my teaching notes (rough) for works that may be helpful to others and are widely taught.

Pilot for a modular course in-person, hybrid, or online format. Texts and other materials available in digital and streaming formats.

‘The Selfish Giant’ by Oscar Wilde has a history rooted in Christianity. There are ample journals, books, and even some occasional movies that demonstrate Wilde’s work as a Christian allegory. In a Christian analysis, the giant is seen as either St. Christopher or an unknown man whereas the child who cries is the Christ child. A Christian readi…[Read more]

My paper concerns two radically distinct portrayals of genital injury. The first examples, drawn from legal and doctrinal narrative, describe the cultural norm of meaningful castration. The other, which provides my paper with its title, is from Peter of Cornwall’s Book of Revelations. This set of one is an analogous injury that may mean nothing: n…[Read more]

My paper concerns two radically distinct portrayals of genital injury. The first examples, drawn from legal and doctrinal narrative, describe the cultural norm of meaningful castration. The other, which provides my paper with its title, is from Peter of Cornwall’s Book of Revelations. This set of one is an analogous injury that may mean nothing: n…[Read more]

C. S. Lewis’s fourth Narnian chronicle is considered as detective fiction, illustrating principles for solving a murder mystery, especially alertness to the difference between appearance and reality. The human protagonists nearly fail through carelessness, overconfidence, and forgetfulness, combined with the deceit and magic of a shape-shifting v…[Read more]

Scott Westerfeld’s Uglies imagines a society where the body is under total control and the universal beauty of the body after dramatic reconstructive surgery at sixteen guarantees that everyone will be “equal.” To the young adult readership, such a world holds understandable appeal: the idea of avoiding the pains of coming to age in one’s own bod…[Read more]

Scott Westerfeld’s Uglies imagines a society where the body is under total control and the universal beauty of the body after dramatic reconstructive surgery at sixteen guarantees that everyone will be “equal.” To the young adult readership, such a world holds understandable appeal: the idea of avoiding the pains of coming to age in one’s own bod…[Read more]