Explores a passage of Angela Carter’s “The Company of Wolves.” Delineates how Carter makes play with such things as the dialogue between the subconsciously experienced meanings of actual words ostensibly serving as only overt alphabetic components within words, to dramatize the fitfulness of the protagonist’s emergence at the finish of the story…[Read more]

Daphne Marlatt’s “Healing” as a poem about re-cooperating from the infliction of a triggering, caustic word upon one’s mental composition, using efficacy, experience in knowing composure and competency, as a rebutting counter.

Argues that the way in which Marlow is presented, ensures that Joseph Conrad’s “Heart of Darkness” is vulnerable as a text that ostensibly helps justify the maintenance of separate spheres between men and women; argues that Marlow’s successful agency is more about his being craftily evasive, a man who doesn’t impose but dodges.

Exploration of how “Silas Marner” is George Eliot’s means to distinguish herself from those who are truly guilty of abandoning parental mores… ancestors, parents, themselves. An argument is made that the reason for the text is as provision for the author to temporarily relieve herself of guilt.

Exploration of how Elizabeth Gaskell uses her textual creation, “Cranford,” to insert a male “bomb” into specifically delineated memories of her pre-adult life, thereby effecting displaced matricide.

Analysis of how Jo creates her own femininity, apart from her mother’s, through effectively earning the trust and interest of increasingly impressive paternal imagos.

Exploration of how Aphra Behn uses her textual creation “Oronnoko” to engage in a guiltless sexual affair that bypasses all societal and inner-psychic censors.

Full collection of essays written during my undergraduate and graduate studies in literature.

This is the paper I gave at the Public Archaeology Twitter Conference 3 (2019). The conference theme was storytelling in archaeology.

The paper is an archaeological comic. Each panel of the comic was one tweet. The whole comic was composed by threading the tweets. The comic tells the story of the discovery and excavation (2014-15) of a site in…[Read more]

German version of Parables of Care (2017). Translated into German by Dr Andrea Hacker. Parables of Care presents true stories of creative responses to dementia care, told by carers, taken from a group of over 100 case studies available at http://carenshare.city.ac.uk/.

Creativity, emotional intelligence and common sense are amply shown in these…[Read more]

German version of Parables of Care (2017). Translated into German by Dr Andrea Hacker. Parables of Care presents true stories of creative responses to dementia care, told by carers, taken from a group of over 100 case studies available at http://carenshare.city.ac.uk/.

Creativity, emotional intelligence and common sense are amply shown in these…[Read more]

This is the abstract for my paper presented on 31 January 2019 in the third Public Archaeology Twitter Conference. The theme of this year’s conference is STORYTELLING. My paper is a re-telling of an archaeological excavation, inspired by John Swogger’s re-imagining of a peer-reviewed archaeological journal article in comic format. Read the…[Read more]

“Women Medical Writers/Writing Women’s Medicine” as English 160 (Introduction to Studies in Women’s Writing) at Illinois State University, Fall 2018.

In 1526, royal refiner and natural historian Gonzalo Fernández de Oviedo (1478-1557) praised the singular quality of the “muchos tesoros de oro labrado / en poder delos indios q̄ se hā cōquistado” (lxv, v). By 1535, however, he had to define what, exactly, he meant by gold: “No hablo aquí en el oro que se ha habido por rescates, o en la guerra, ni…[Read more]