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Pramod Ranjan deposited महिषासुर एक जननायक in the group
Festivals, Rituals, Public Spectacles, and Popular Culture on Humanities Commons 3 years agoप्रमोद रंजन द्वारा संपादित पुस्तक “महिषासुर एक जननायक” का उद्देश्य यह स्पष्ट करना है कि आखिर महिषासुर नाम से शुरू किया गया यह आन्दोलन है क्या? इसकी आवश्यकता क्यों पड़ी? इसके निहितार्थ क्या हैं? इस पुस्तक में प्रश्न उठाया गया है कि जब असुर एक प्रजाति है तो उसकी हार या उसके नायक की ह्त्या का उत्सव किस सांस्कृतिक मनोवृत्ति का परिचायक…[Read more]
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Pramod Ranjan deposited महिषासुर मिथक व परंपराएं in the group
Festivals, Rituals, Public Spectacles, and Popular Culture on Humanities Commons 3 years agoमहिषासुर से संबंधित बहुजन समाज के मिथकों व परंपराओं , पौराणिक मिथकों और आधुनिक युग में गढे़ गए मिथकों के अर्थों को खोलने वाली इस पुस्तक का संपादक प्रमोद रंजन ने किया है। इस पुस्तक में पहली बार महिषासुर शहादत/स्मरण दिवस की विस्तृत सैद्धांतिकी भी प्रस्तुत की गई है तथा इस संबंध में उठने वालो सभी सवालों के उत्तर प्रस्तुत किये गये हैं।…[Read more]
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Pramod Ranjan deposited हिमाचल का साहित्यिक परिदृश्य: शिमला डायरी in the group
Festivals, Rituals, Public Spectacles, and Popular Culture on Humanities Commons 3 years agoशिमला डायरी हिंदी पत्रकार और लेखक प्रमोद रंजन के संस्मरणों की पुस्तक है, जिसका केंद्रबिंदु साहित्यिक गतिविधियां हैं। यह पुस्तक 21वीं सदी की शुरुआत में पत्रकारिता के नैतिक पतन की कहानी भी कहती है। हिमाचल प्रदेश पर केंद्रित इस पुस्तक में तत्कालीन राजनीति की भी झलक है।
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Susanne Wosnitzka deposited Beethovens und Mozarts verschollene Oboenkonzert-Manuskripte: Eine gemeinsame ‘heiße Spur’ in Augsburg in the group
Ethnomusicology on Humanities Commons 3 years, 1 month agoIm Jahr 2002 kam die fast verzweifelte Suche nach Beethovens verschollenem Oboenkonzert zu einem vorläufigen Ende, weil die Forschung an dieser Stelle nicht weiterkam. Jetzt habe ich neue Hinweise auf das autographe Dokument gefunden – und auch auf Mozarts verschollenes Oboenkonzert sowie auf eine unbekannte Oper von Joseph Haydn. Es ist kein Zu…[Read more]
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Susanne Wosnitzka deposited Beethoven’s and Mozart’s Lost Oboe Concerto Manuscripts: A New Lead in Augsburg in the group
Ethnomusicology on Humanities Commons 3 years, 1 month agoIn 2002 the research for Beethoven’s lost oboe concerto came to a temporary end. Now I’ve found new leads to the autograph manuscript – and to Mozart’s lost oboe concerto, too, and to a lost opera of Joseph Haydn. It is no coincidence that all autograph manuscripts are missing at the same time: They were together and possibly are, played in a c…[Read more]
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Oksana Nesterenko started the topic CFP Special Session on Decolonizing New Music in the Post-Soviet space in the discussion
Global Musical Modernisms on Humanities Commons 3 years, 1 month agoUntil recently, studies about Russian composers have dominated music scholarship on the countries of the former Soviet Union. Postcolonial theory can provide a useful framework to expanding research on music repertoire from the former Soviet Republics. The SMT Global Interculturalism and Musical Peripheries Interest Group is planning to propose a…[Read more]
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Marcello Messina deposited The Internet of Musical Stuff (IoMuSt): ubimus perspectives on artificial scarcity, virtual communities and (de)objectification in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 3 years, 1 month agoPart of the recent developments in Ubiquitous Music (ubimus) research involve the proposal of the Internet of Musical Stuff (IoMuSt) as an expansion and complement to the Internet of Musical Things (IoMusT). The transition from IoMusT to IoMuSt entails a critique of blockchain and non-fungible tokens (NFTs) as technologies for allotment,…[Read more]
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Landon Morrison started the topic CFP: “Instruments, Interfaces, Infrastructures” (Harvard, May 11-13, 2023) in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 3 years, 1 month agoCALL FOR PAPERS
“Instruments, Interfaces, Infrastructures: An Interdisciplinary Conference on Musical Media”
Harvard University Department of Music, May 11-13, 2023
Deadline for submissions: Friday, January 13, 2023
We are pleased to announce a three-day conference bringing together researchers and artists from a variety of music-related disci…[Read more]
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Pramod Ranjan deposited ‘हिंदी साहित्येतिहास का बहुजन पक्ष’, ‘बहुजन साहित्य की प्रस्तावन’ व ‘महिषासुर एक जननायक’: नई सांस्कृतिक-साहित्यिक दृष्टि की प्रस्तावना in the group
Festivals, Rituals, Public Spectacles, and Popular Culture on Humanities Commons 3 years, 2 months agoबहुजन साहित्य और संस्कृति की अवधारणा ने पिछले कुछ वर्षों में आकार लेना शुरू किया है। अभी हाल (2016) में आए प्रमोद रंजन द्वारा संपादित तीन संकलन- ‘बहुजन साहित्य की प्रस्तावना’, ‘हिन्दी साहित्येतिहास का बहुजन पक्ष’और ‘महिषासुर एक जननायक’- बहुजन साहित्यिक-सांस्कृतिक आंदोलन की प्रस्तावना और अवधारणा को सामने रखते हैं और इसे पल्लवित-पुष्पित तथा विकसित क…[Read more]
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Katie Lakner started the topic Transcription Help Needed in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 3 years, 2 months agoHello! I hope everyone had a great conference this weekend. I’ll be honest: my aural skills are terrible and very rusty. Furthermore, my guitar knowledge is practically nonexistent. Still, I love rock music.
I am looking for someone who can transcribe “Beautiful Blue” by Mudcrutch. I plan to use the transcription for personal analytical use.…[Read more]
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Pramod Ranjan deposited Providing a voice to the dispossessed majority – Interview with Pramod Ranjan in the group
Festivals, Rituals, Public Spectacles, and Popular Culture on Humanities Commons 3 years, 2 months agoIn this interview with The Hindu, Pramod Ranjan shared his view on Dalits and OBCs in Indian newsrooms, Phule-Ambedkarism, Bahujan literature, Dalit literature, Mahishasura Movement and the role of myth in a caste-based society.
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Matthew Ferrandino started the topic IASPM-US 2023 CFP in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 3 years, 2 months agoIASPM-US is hosting the international IASPM conference next year at the University of Minneapolis — Twin Cities, June 26–30, 2023. The CFP is due by November 18.
https://iaspm-us.wildapricot.<wbr />org/IASPM-International-2023
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Pramod Ranjan deposited Unearthing history by reinterpreting myths and traditions ( Book Review By Ish Mishra) in the group
Festivals, Rituals, Public Spectacles, and Popular Culture on Humanities Commons 3 years, 2 months agoBrahmanical history is based on myths. It neither has been constructed chronologically nor is factually correct. It has eclipsed the reality with a cobweb of myths. To establish a new creed, established dogmas must be disproven. Ish Mishra reviews ‘Mahishasur: Mithak va Paramparayen’ :
The book Mahishasur: Mithak va Paramparayen (Ma…[Read more]
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Pramod Ranjan deposited Is Mahishasur a myth (Book Review by Kanwal Bharti) in the group
Festivals, Rituals, Public Spectacles, and Popular Culture on Humanities Commons 3 years, 2 months agoRecently, an important book, Mahishasur: Mithak va Paramparayen (Mahishasur: Myth and Traditions), edited by Pramod Ranjan, was published by Forward Press in collaboration with Marginalised Publication. The book lets the reader travel through the living history of the myths of Durga and Mahishasur. The book is divided into five parts – ‘Yatra Vri…[Read more]
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Matthew Ferrandino started the topic 2022 PMIG Session Schedule in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 3 years, 2 months ago2022 SMT PMIG Schedule
Friday, Nov. 11, 12:30–2:00pm
Chair: Matthew Ferrandino; Secretary: Emily Milius; Webmaster: Jacob Cupps
12:30–35 – Intro/Welcome
12:35–1:35 – Presentations (details below)
1:35–1:50 – Q&A
1:50–1:55 – Trevor de Clercq, PMIG “Splinter Groups”
1:55–2:00 – AK and OP award recipients [Read more]
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Gavin Holman deposited A fanfare of orphans – the brass band of the St-Georges-de-l’Isle orphanage in Saint-Fraimbault-de-Prières in the group
Ethnomusicology on Humanities Commons 3 years, 4 months agoAn example of the brass bands established by various children’s homes, orphanages and similar institutions, around the world in the early 20th century. This French orphanage fanfare band was founded on charitable principles, to give the children musical training and discipline, and to help raise funds for the home.
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