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Gavin Lee edited the doc BIBLIOGRAPHY in the group
Global Musical Modernisms on Humanities Commons 5 years, 11 months ago -
Gavin Lee created the doc BIBLIOGRAPHY in the group
Global Musical Modernisms on Humanities Commons 5 years, 11 months ago -
Gavin Holman deposited Brass bands in Africa – a brief introduction to a continent-wide topic in the group
Ethnomusicology on Humanities Commons 5 years, 11 months agoBrass bands in Africa have been in existence since the 19th century after the various colonial powers had established their presence across the continent. The history of such bands is very sketchy and limited, and the small amount of information I have collected so far is presented here. I hope that future researchers will be able to open up much…[Read more]
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Christine Boone replied to the topic Popular Music Interest Group Examples Database in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years, 12 months agoHi Peter,
We’re going to send a message to the whole group, but I wanted to respond to you here first.
We write to you with bad news – the PMIG Examples Database Google Sheet has disappeared. Alyssa has been in touch with past officers and tried to recover it, but what appears to have happened is the owner of the sheet either deleted or closed…[Read more]
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Megan Lavengood uploaded the file: Analysis of Popular Music Spring 2020 to
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 6 years agoThis is just the syllabus but the entire course can be viewed at http://popclass.meganlavengood.com
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Mark Anson-Cartwright replied to the topic Analysis of the bridge in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years agoThanks to all of you—Keith, Christine, and David—for pointing out this literature to me. I will look into these leads.
Best,
Mark
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Valeria Graziano deposited Recreation at stake in the group
Festivals, Rituals, Public Spectacles, and Popular Culture on Humanities Commons 6 years agoExtending Audre Lorde’s intuition around the polysemy of the term recreation, I put forward this concept as an organizational principle. Via the framework of recreation, I want to think about some of the main political stakes of the forms used by collectivities able to act politically in the present. I transpose the double binding that Lorde a…[Read more]
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Amadeu Corbera Jaume deposited Dues dones recol·lectores de cançons: la relació entre Maria Antònia Salvà i Palmira in the group
Ethnomusicology on Humanities Commons 6 years agoEn aquest article presentam la relació entre Maria Antònia Salvà i Palmira Jaquetti, dues dones que des de perspectives i amb finalitats diferents, s’acostaren i s’interessaren pel món de la cançó popular.
http://www.escolademallorqui.cat/wp-content/uploads/2020/01/PAPERS-DE-SA-TORRE-72.pdf
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David Carson Berry replied to the topic Analysis of the bridge in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years agoHello Mark,
You might also check: John Graziano, Compositional Strategies in Popular Song Form of the Early Twentieth Century,” in A Music-Theoretical Matrix: Essays in Honor of Allen Forte (Part V), ed. David Carson Berry, Gamut 6/2 (2013): 95–131. It’s online.
As Graziano writes: “In this essay, I am interested in exploring the expansion of…[Read more]
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Christine Boone replied to the topic Analysis of the bridge in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years agoMark, there is a lot of stuff on form more generally, which may contain info about bridges within each article. (The only one I know entirely about the bridge is the one that Keith mentions above.) Check out the stuff on form in our bibliography: https://hcommons-staging.org/docs/popular-music-bibliography/
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Keith Salley replied to the topic Analysis of the bridge in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years agoHi Mark
The first thing that comes to mind is Steve Larson’s article “What Makes a Good Bridge,” from the Dutch Journal of Music Theory (8: 1–15). If memory serves, it explores ‘bridge’ as a metaphor, and uses Gershwin’s “I Got Rhythm” as an example. Perhaps this isn’t the repertoire you’re really looking for, but it’s worth reading.
Best of luck.
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Peter Knapp replied to the topic Popular Music Interest Group Examples Database in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years agoHello! Inquiring if there has been any update on the examples database? Thank you for your work! Peter
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Mark Anson-Cartwright started the topic Analysis of the bridge in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 6 years agoDear collective wisdom,
Can anyone recommend literature on the bridge in popular song form? I am thinking of analyses of specific songs, where the bridge (B section) might have some special relation to the A section, or articulate some significant climax, and so on. Thank you.
Mark Anson-Cartwright
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Gavin Lee started the topic How can we increase the visibility of global musical modernisms? in the discussion
Global Musical Modernisms on Humanities Commons 6 years agoHow can we increase the visibility of global musical modernisms?
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Frans Prasetyo deposited Half bowl ritual, half public-private : Space and Place Skateboard in the group
Festivals, Rituals, Public Spectacles, and Popular Culture on Humanities Commons 6 years agoSkateboards have unique character complexities in the city, as multiface, multispace and multiplace. Spatialization of style to Stylization of space is a how skareboard create youth culture and a part of sub-culture. Looking ritual a play skateboard in the city more have dimension of style, space and place, as happened in bowl skatepark.
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