Together with the cathedrals of Valencia and Orihuela and the Seminary of Corpus Christi in Valencia, the Cathedral of Segorbe is one of the main musical centres of the Valencian Community. This article is an introduction to the origin of the diocese, its difficulties in establishing itself and, finally, its administrative structure and the main…[Read more]

Studiy about the role of music at the court of Alfonso X

Abstract submitted to Timbre 2023 conference. This abstract describes a new approach to understanding consonance and dissonance.

Research about the influence of the musicological outpput of relevant Researcher Constantin Floros

The present study, carefully edited, already announces in its title a very precise description of its subject. It is preceded by another, published in 2012 (La música en la Colegiata de Santa María la Mayor de Talavera de la Reina durante el siglo XVIII), in which the same author revealed the existence, until then little or not known, of an i…[Read more]

Introductory overview of musical theory and thought in Spain in the 17th and first half of the 18th century.
Panorama introductorio sobre la teoría y el pensamiento musicales de España en el siglo XVII y primera mitad del XVIII.

Before arriving in Spain, Francisco Corselli had developed an important career as opera composer and sacred music when he arrived in Spain in 1733 from Parma thanks to his previous relations with Isabella de Farnese, the future queen of Spain, and with the ducal house of Parma. At the Madrid court, he began his career as ‘maestro de música’ for…[Read more]

This article deals with reception Opera history and shows how influential the Spanish tenor was in bringing Mozart’s operas to audiences especially in Madrid, in London, and in Paris.

Im Jahr 2002 kam die fast verzweifelte Suche nach Beethovens verschollenem Oboenkonzert zu einem vorläufigen Ende, weil die Forschung an dieser Stelle nicht weiterkam. Jetzt habe ich neue Hinweise auf das autographe Dokument gefunden – und auch auf Mozarts verschollenes Oboenkonzert sowie auf eine unbekannte Oper von Joseph Haydn. Es ist kein Zu…[Read more]

In 2002 the research for Beethoven’s lost oboe concerto came to a temporary end. Now I’ve found new leads to the autograph manuscript – and to Mozart’s lost oboe concerto, too, and to a lost opera of Joseph Haydn. It is no coincidence that all autograph manuscripts are missing at the same time: They were together and possibly are, played in a c…[Read more]

The age-old search for an understanding of “consonance” has been hobbled from the beginning by the expectation that a silver bullet can be found. In this section from a book-in-progress, the historical searches are analyzed for their failings and a new approach is suggested based on observing the effects of tonal sounds within the context of…[Read more]

This dissertation develops a methodology for understanding tonality and tonal structures in Renaissance polyphony by exploring the ways that the modern-day analyst and listener experience tonal phenomena in this music through a historically-informed lens. Regarded as one of the most important composers of the late-sixteenth century, Tomás Luis de…[Read more]

In this paper, presented at the 2022 H-Net Teaching Conference, I describe how I teach undergraduate students about disability in music through what I call disclosure-oriented pedagogy. This practice involves demonstrating cross-historical comparisons between my lived experiences of disability and the representations of disability in 19th-century…[Read more]

An example of the brass bands established by various children’s homes, orphanages and similar institutions, around the world in the early 20th century. This French orphanage fanfare band was founded on charitable principles, to give the children musical training and discipline, and to help raise funds for the home.