A historical overview of college football’s participants exemplifies the diversification of mainstream American culture from the late nineteenth century to the twenty-first. The same cannot be said for the sport’s audience, which remains largely white American. Gerald Gems maintains that football culture reinforces the construction of American…[Read more]

Spanish abstract: Notas, debates y comentarios con ocasión del congreso The “Holocaust Metaphor” (La ́Metáfora del Holocausto ́), en la Facultad de Filosofía y Letras de la Universidad de Zaragoza (a finales de mayo de 2013). _________________________________________________________________________

English abstract: Notes, debates and comm…[Read more]

Buena Risa Social Club es un performance humorístico-musical del cantautor cubano-mexicano Alejandro García Villalón “Virulo”, quién lo presentó en el Café Antropía (León de Los Aldama, Guanajuato, México) el 30 de noviembre de 2018. Al tener en cuenta los pocos estudios realizados sobre sus composiciones performativas, para la presente com…[Read more]

“El humor en estos tiempos da cólera” (ca. 1986) es uno de los performances que escribió, musicalizó y dirigió el cantautor Alejandro García Villalón Virulo para el Conjunto Nacional de Espectáculos de Cuba. De éste se conserva una adaptación televisiva del Instituto Cubano de Radio y Televisión, que no ha sido abordada en investigacion…[Read more]

En la actualidad se manifiesta una pluralidad discursiva en la música cubana, donde la diversificación de sus soportes de difusión juega un papel fundamental para que determinados músicos sean tenidos como populares. Bajo esa tesitura, los Premios Lucas brindan una variedad de fuentes primarias incomparables, poco abordadas como objetos de est…[Read more]

Con el presente trabajo se busca allanar la zanja que existe entre los abordajes tradicionales del discurso musical y los estudios de performance. Para la realización de investigaciones artísticas sobre performances musicales se debe tener en cuenta dicha expresión como subjetividad cambiante a lo largo de su devenir histórico, construido en las…[Read more]

La pluralidad discursiva manifiesta en la música cubana se ha encontrado enmarcada en una realidad estético-musical cambiante, causada por una postmodernidad social cada vez más abierta a la globalización de las expresiones culturales de los pueblos. Es dentro de esta dinámica creativa que se encontraron inmersos los performances musicales del…[Read more]

Essay analyzing Syrian wedding singer Omar Souleyman’s popularity in rave, techno, and other popular Western music markets.

In the first decade of the twenty-first century, a young generation of Syrian experimental composers conceived a space for musiqa mu‘asira, or contemporary art music. Informed by debates on critical aesthetics, modernity, and subjectivity in the Arab world and beyond, these composers drew on particular compositional devices and techniques to m…[Read more]

An introduction to music appreciation and history that emphasizes the political, cultural, and social influences on music from antiquity to the 20th century. Contents include sacred and secular, vocal and instrumental, and folk and art music from across the Western world, including modern popular song. No previous musical experience necessary. All…[Read more]

country, due to two reasons: one, the high growth of the economy determined by high oil revenues, two, the lack of
This article analyzes the immigration policy of the Venezuelan State during administration of Pérez Jiménez (1952-1958). From December 1952 until January 1958, Marcos Pérez Jiménez governs Venezuela, first as interim president (un…[Read more]

The following historiographical study is referred to the History of the Portuguese in Venezuela (1959), by Miguel Acosta Saignes, it hill analyze the work of critical and reflective way, both internally and externally, to elucidate its contribution to one of the process greatest historic modern Venezuela, such as immigration, as well as…[Read more]

This paper analyzes the public life of Ildefonso Riera Aguinagalde (1834-1882) as a writer and politician who participated in the vagaries of the construction of the national state in the Venezuela’s nineteenth century. Based on a systematic historiographical review and consultation of primary sources, the Riera Aguinagalde political action was r…[Read more]

These are the introductory chapter and chapter eight of the multi-authored book that I edited on food-music relations in various regions and periods. In the introduction I analyze the phenomenological basis of the unbalanced relations between food and music. Chapter 8 deals with song lyrics about food in Latin American and the Caribbean.

This article analyses the influence of the hermeneutics of Hans-Georg Gadamer (1900-2002) on the conceptual history of Reinhart Koselleck (1923-2006), as well as the intellectual relationship between them. In this sense, the main biographical features of both academics have been revised, and a re-examination of the ideas —of temporality and l…[Read more]

This essay analyzes from the perspective of historical revisionism the Communism during the first half of the twentieth century, based on the specialized historiography. It is part of the analysis of Communism as an ideology, system and use of political violence and it is compared with Nazism. In both, Nazism and Communism, similar features are…[Read more]

Continuation of documentary about concert spirituals categorized by song theme, from sorrow songs to songs of transcendence. Each category is followed by a recording:
– “Oh, Didn’t It Rain” (Ruby Elzy, soprano)
– “Every Time I Feel de Spirit” (Lawrence Brown, composer; Evelyn Dove, soprano)
– “My Soul’s Been Anchored in the Lord” (Florence…[Read more]

Documentary about concert spirituals categorized by song theme, from sorrow songs to songs of transcendence. Each category is followed by a recording: –
“I Cannot Stay Here by Myself” (Hall Johnson, composer; A. Grace Lee Mims, soprano)
– “Who’ll Be a Witness for My Lord” (John Rosamond Johnson, composer; Kenneth Spencer, baritone)
– “Steal…[Read more]

This work is a translation of my article “A cidade Remota de Atlântida” to English. It’s my first work about this city and its location.

This work uses Plato’s current geographical knowledge and original writings to search for the location of the remote city of Atlantis

The portuguese version of the article “The remote city of Atlantis”.
Este trabalho utiliza do conhecimento geográfico atual e os escritos originais de Platão para apurar a possível localização da cidade remota de Atlântida