Quinta das Ameias, Areeiro, LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98286048). Ruins. (Quinta das Ameias, aka Casal Vistoso, aka Antigo Solar da Boa Vista). 7 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and…[Read more]

Igreja do Antigo Convento de Arroios LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q74474004). Current Ukrainian Church in Lisbon. 25 May 2022. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of…[Read more]

Ermida de Sao Marcos, CACEM & SAO MARCOS, PORTUGAL, Photographed by Ph.G. de MENDONCA (Wikidata Q98427581). (Chapel / Church). Ermida de São Marcos, Cacém e São Marcos, PORTUGAL, Photographed by Ph.G. de MENDONCA (Wikidata Q98427581). 25 May 2022. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at…[Read more]

Campo dos Martires da Patria 11 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98969072). Palacete no Campo dos Mártires da Pátria 11 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98969072). 20 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the re…[Read more]

Antiga Fabrica de Gas da Matinha LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q90334721). Conjunto de estruturas industriais na área da antiga Fábrica de Gás da Matinha (gasómetro). 8 May 2022. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and comm…[Read more]

Palácio da Flor da Murta LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q10343989). 29 May 2022. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively w…[Read more]

Liceu Passos Manuel LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q10317952). 29 May 2022. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively with…[Read more]

Atrium Saldanha LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q757743). 6 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively with…[Read more]

Av. Duque d’Avila 28-30 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98462938). 6 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain…[Read more]

Av. Duque d’Avila 26 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98462943). 6 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively…[Read more]

The concept of objects and artefacts as documents has been explored by a variety of academics including Briet, Buckland, Latham and Lund from a broad conceptual perspective, with work undertaken by others considering how different object and artefact types can be considered documents. This project explores the existing literature relating to…[Read more]

The age-old search for an understanding of “consonance” has been hobbled from the beginning by the expectation that a silver bullet can be found. In this section from a book-in-progress, the historical searches are analyzed for their failings and a new approach is suggested based on observing the effects of tonal sounds within the context of…[Read more]

La presencia de la sífilis en La Lozana andaluza, esencial para la comprensión de la obra y de predominante protagonismo en sus tramas, se suele explicar recurriendo no solo a la consciencia individual de su autor, Francisco Delicado1, como representante de otros muchos que al igual que él padecieron el mal francés en la Roma del Quinientos, sin…[Read more]

El objetivo del presente trabajo investigativo es examinar el discurso teológico en la obra didáctica del prosista medieval y noble castellano Don Juan Manuel, en particular en la quinta parte de El Conde Lucanor, considerar el contexto cultural y sociopolítico en que se produjo, explorar sus pautas discursivas e indagar el texto desde la pe…[Read more]

Espigando el diverso y abigarrado contenido del primer artículo dedicado a la biografía de Mencía de Mendoza, es bastante curioso el hecho de que su humilde y opaco autor, que no se atrevió a firmar la pieza, otorgase veracidad a una supuesta conversación entre la dama y su marido. Según este relato, en una de las ocasiones en que el noble guerr…[Read more]

In this paper, presented at the 2022 H-Net Teaching Conference, I describe how I teach undergraduate students about disability in music through what I call disclosure-oriented pedagogy. This practice involves demonstrating cross-historical comparisons between my lived experiences of disability and the representations of disability in 19th-century…[Read more]

Presentation about the divinatory texts in the Bairische Bild-Enzyklopädie.

Manuscripts:
Erlangen, Universitätsbibliothek, MS.B 200, http://digital.bib-bvb.de/webclient/DeliveryManager?custom_att_2=simple_viewer&pid=5281832
Kraków, Biblioteka Jagiellońska, Rkp. Przyb. 35/64, http://jbc.bj.uj.edu.pl/dlibra/docmetadata?id=271106&from=FBC

Tal vez uno de los procesos más destacados de la historia de Europa en el siglo XIII sea la configuración de la primera época de esplendor de justas, torneos y todo tipo de espectáculos de riesgo. Aproximadamente entre los años 1170 y 1260, el Viejo Continente asistió a la explosión de estos encuentros, en los que brillaron con luz propia los no…[Read more]

El presente libro pretende establecer unas premisas básicas en el conocimiento que, desde la perspectiva historiográfica, puede realizarse del Cancionero de Baena, basándose en la inserción de gran parte de sus poemas en el contexto histórico en que fueron compuestos, además de acotar —hasta donde su autor le ha sido posible llegar— las biografía…[Read more]