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Channan Willner started the topic New two-part Mozart study on my website in the discussion
Society for Music Theory on Humanities Commons 4 years, 10 months agoDear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” athttp://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]
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Channan Willner started the topic New two-part Mozart study on my website in the discussion
Society for Music Theory on Humanities Commons 4 years, 10 months agoDear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” athttp://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]
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Channan Willner started the topic New two-part Mozart study on my website in the discussion
Society for Music Theory on Humanities Commons 4 years, 10 months agoDear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” athttp://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]
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Channan Willner started the topic New two-part Mozart study on my website in the discussion
Society for Music Theory on Humanities Commons 4 years, 10 months agoDear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” athttp://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]
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Channan Willner started the topic New two-part Mozart study on my website in the discussion
Society for Music Theory on Humanities Commons 4 years, 10 months agoDear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” athttp://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]
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Alyssa Barna started the topic PMIG Examples Database in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 4 years, 11 months agoHi Everyone,
We had a bit of an issue with the new database defaulting to an Excel file rather than a Google Sheet. I’ve converted the database and you should be able to freely edit and add new examples! I will delete the old thread to avoid confusion, but include Christine’s original message…[Read more]
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Brian Robison started the topic Lavengood's "novelty layer" in experimental pop/rock? in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 4 years, 11 months agoHi!
I’m currently applying Megan Lavengood’s concept of the “novelty layer” in pop texture (see her 2020 MTO article) to King Crimson’s 1973 album Larks’ Tongues in Aspic.
Is anyone else out there doing work along these lines with selections from progressive rock? art rock? experimental pop? etc.?
Many thanks,
Brian
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Brian Robison replied to the topic Contour Segments in Pop? in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 4 years, 11 months agoI take it you’re looking for examples less than a decade old?
Both SZA’s “Broken clocks” (2017) and Azealia Banks’s “Anna Wintour” (2018) include melodic sequences that are constructed from pentatonic scales … so, the generic melodic intervals don’t necessarily match, but the csegs do.
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Claire Arthur replied to the topic IT'S TIME TO VOTE!!! in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 4 years, 11 months agoHi Christine, I just thought I’d mention that it’s not obvious which “way” the numbers are supposed to be ranked. I assumed #1 was top priority and #4 was lowest but someone else may have interpreted this differently! You may wish to reply here to clarify or include that note in the instructions themselves.
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Christine Boone started the topic IT'S TIME TO VOTE!!! in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 4 years, 11 months agoPlease share this with your PMIG friends who might not follow our Humanities Commons site!
We’re deciding on a topic/format for next fall’s SMT meeting, and we don’t yet know whether it will be in person or virtual. Please click on this link and let us know your preferences! (And please, only vote once.)
I will close the survey at 5:00 pm (EST)…[Read more]
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Christine Boone started the topic SOLICITING YOUR IDEAS! in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 5 years agoHi everyone! Your attendance and participation at our virtual session at SMT in November was much appreciated – I was overwhelmed with how smoothly everything went, with the superb presenters, and with the rich discussion.
So…IT’S TIME TO START BRAINSTORMING FOR NEXT YEAR!
Send me your ideas for a discussion/analysis panel! You can respond to…[Read more]
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Marcello Messina deposited Cartridge Music in the Quarantine: Presence, Absence, Contingency Setups and (De-)territorialised Performances in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 5 years agoBetween the end of May and the beginning of June, 2020, we performed individually, filmed, synced together, edited and presented a quarantine version of John Cage’s Cartridge Music. Uploaded on YouTube, the performance was broadcast on 1 June, as part of the 4th Research Colloquium of the Postgraduate Programme in Music of the Federal University o…[Read more]
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Marcello Messina deposited Editorial: Ubiquitous Music Making in COVID-19 Times in the group
Society for Music Theory – Popular Music Interest Group (SMT PMIG) on Humanities Commons 5 years, 1 month agoPicture a world with no mobility. Planes are landed. Urban transportation stopped. Large gatherings are non-existent and everybody is at home. That’s 2020, today. Most countries have reduced social interactions to a minimum. Food markets, drugstores and gas stations remain open. But shopping malls, cinemas, coffee shops and pubs have closed t…[Read more]
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Jeremy Coleman deposited ‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s Iphigénie en Aulide in the group
Society for Music Theory (SMT) on Humanities Commons 5 years, 1 month agoArticle on Wagner’s 1847 arrangement of Gluck’s _Iphigénie en Aulide_; adapted from, and may be read in conjunction with, Chapter 3 of Jeremy Coleman, _Richard Wagner in Paris: Translation, Identity, Modernity_ (The Boydell Press, 2019).
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Laura Emmery started the topic Call for nominations for the SMT Post-1945 Music Analysis IG Publication Award in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 5 years, 1 month agoDear scholars in post-1945 music,
Please consider submitting your published articles or book chapters for consideration for the SMT Post-1945 Music Analysis Interest Group Publication Award. Details below:
The Post-1945 Music Analysis Interest Group is a discursive space for scholars of music after 1945, with an emphasis on the modernist,…[Read more]
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Judd Danby replied to the topic List of All All-trichord Row-classes in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 5 years, 1 month agoWill do, and thank you!
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Anton Vishio replied to the topic List of All All-trichord Row-classes in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 5 years, 1 month agoHello Judd,
I have the list from Starr’s diss. To avoid having long lists of numbers and As and Bs heading to everyone’s inbox, please email me at VishioA@wpunj.edu and I’ll send it on.
Anton
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Judd Danby started the topic List of All All-trichord Row-classes in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 5 years, 1 month agoI’m hoping to be able to find a list of all all-trichord (or at least ten-trichord, omitting {036} and {048}) row-classes. I believe that Daniel Starr’s 1980 dissertation contained it in an appendix, but as an “independent scholar,” I have access only to journals through JPASS/JSTOR. Might anyone in the group have such a list to share?
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Laura Emmery started the topic Announcements (December 2020) in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 5 years, 1 month agoThank you, all, for your comments regarding the IG’s bylaws and for your participation in our survey.
Here are the main takeaways:- Bylaws were ratified on December 15, 2020 (by 11 votes, which is 15% of the current membership). If necessary, we can adjust/amend the wording at the next year’s business meeting. You can find the document on o…
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Joshua Banks Mailman replied to the topic Link to vote to ratify bylaws / participate in post-meeting survey in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 5 years, 1 month agoHi Tara,
I remember the discussion, and I thought the consensus was that the language needed to be tweaked. I don’t think it’s far off and I voted to ratify it as is. But I do think the question of tweaking should be considered in a future update to the bylaws.
Josh
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