‘Passio Iudeorum Pragensium’, a late fourteenth–century pogrom narrative from Bohemia, provides many unique insights into the medieval tradition of pogrom narratives. It is preserved in the form of a number of related but distinct textual units that allow us to examine the discursive nature of texts such as these. This discursiveness is illus…[Read more]

In reconstructing the events leading to the Prague Easter massacre of 1389, perhaps the deadliest anti-Jewish pogrom in the Bohemian lands prior to WWII, modern historian relied for the most part on literary sources. Yet, these sources composed in Latin, Czech, German and Hebrew pose many problems. Not only are there few historians who can…[Read more]

This document provides the description and transcript of a set of liturgical fragments from the holdings of University Library in Utrecht. The fragments belong to a twelfth-century breviary, probably from St. Paul’s Abbey in Utrecht.

Es bien conocido que la Relación sumaria de la Historia verdadera del Rey Don Pedro (PhiloBiblon BETA Texid 3377) es una de las obras de mayor complejidad analítica en toda la literatura hispánica de finales de la Edad Media y comienzo del Renacimiento. No solo en lo que concierne a su laberíntico entramado ecdótico, del que se han ocupado inve…[Read more]

Edition von 41 Farb- und Tintenrezepten zur Buchherstellung aus der Handschrift Hamburg, Staats- und Universitätsbibliothek, Cod. germ. 1 mit einem textgeschichtlichen Kommentar.

Marco Heiles, Die Farb- und Tintenrezepte des Cod. germ. 1 der Staats- und Universitätsbibliothek Hamburg und ihre Vorlagen, in: Mittelalter. Interdisziplinäre Fo…[Read more]

English title: “Transmedia Storytelling in the narrative universe of ‘Game of Thrones'” — This essay’s aim is to briefly introduce the concept of Transmedia Storytelling and to provide a showcase analysis and review of the serial TV narrative of GAME OF THRONES in order to show how a television series’ narrative universe, driven by both producers…[Read more]

Syllabus of BA seminar “Historische Entwicklung US-amerikanischer Fernsehserien von 1950 bis heute” aka. “TV or not TV? Historical Development of US American Serial Television from the 1950s up to today” held during Winter semester 2013/14 at Universität Hamburg, Germany.

Syllabus of BA seminar “Historische Entwicklung US-amerikanischer Fernsehserien von 1950 bis heute” aka. “TV or not TV? Historical Development of US American Serial Television from the 1950s up to today” held during Winter semester 2013/14 at Universität Hamburg, Germany.

Considerar La Celestina como un cancionero, aun con toda la controversia de la definición
de este término (Severin 1994, 97), ya fue puesto en marcha por Deyermond en su pionero
trabajo sobre tal consideración. Más allá del número de poemas cancioneriles contenidos
tanto en la Comedia como en la Tragicomedia, que fue el argumento princ…[Read more]

Spaniards often feel surprised when they visualise the renowned drawing reproduced below, ascribed (erroneously as it seems, but that is another story) to Lucas Cornelisz van Kunst, the successful Dutch painter of the Tudor era. A brief glance to John of Gaunt’s portrait suffices to notice the distinctive coat of arms of the English members of t…[Read more]

Yvonne Seale on a bizarre and fanciful piece of genealogical scholarship and what it tells us about identity in late 19th-century America.

Review of the collected volume Court Ceremonies and Rituals of Power in Byzantium and the Eastern Mediterranean.

From Constantinople to the Frontier: The City and the Cities provides twenty-five articles addressing the concept of centres and peripheries in the late antique and Byzantine worlds, focusing specifically on urban aspects of this paradigm. Spanning from the fourth to thirteenth centuries, and ranging from the later Roman empires to the early…[Read more]

Introduction to special journal edition of Medieval Worlds, focused on revisiting and reframing the debate over ethnicity and nationhood before modernity.

Legion, one of the most recent iterations of the Marvel Cinematic Universe (MCU) on television, takes an unconventional road to remediating the 1960s as a cultural period.

This CSTOnline blog post takes a look at the current resurgence of science fiction on television, and discusses these recent trends along the example of The Expanse, an adaptation of the successful space opera penned by scifi author James S. A. Corey.

The X-Files may be one of the most popular forms of historiographic metafiction, as Linda Hutcheon defines the term, ever produced. The show is, among other things, an extended meditation on the inescapability and elusiveness of history, both personal and public. At the center of the show is Fox Mulder’s personal history—his obsession with the mem…[Read more]