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José Angel GARCÍA LANDA replied to the topic Women, Gender, & Film in the discussion
Film Studies on Humanities Commons 1 year, 11 months agoMartín Alegre, Sara. “Dana Scully: La heroína limitada.” Lectora 11 (2005): 115-29.* (The X-Files). http://revistes.ub.edu/index.php/lectora/article/download/7114/8993 2024
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Sarah Lowengard deposited “These Colors Don’t Run:” Chemistry, Politics and Red Textiles, 1870-2002 in the group
Science Studies and the History of Science on Humanities Commons 1 year, 11 months agoIn this presentation, I outline and reposition the entangled histories of certain objects, technologies, and rhetoric, to show how consumption and consumer identity are reflected in their combination and that each category is never far from the other two.
A narrated iteration of a recent presentation. I consider this an interim version as I…[Read more]
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José Angel GARCÍA LANDA replied to the topic Science Fiction Films in the discussion
Film Studies on Humanities Commons 1 year, 12 months ago_____. “Ghost in the Shell (2): Innocence: Nostalgia de la experiencia inmediata.” Net Sight de José Angel García Landa 4 Jan. 2023.* https://personal.unizar.es/garciala/publicaciones/ghostinthe.pdf 2024
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Ela Gezen started the topic Literary Alliances, Networks, and Solidarities across Minoritized Communities in the discussion
LLC 20th- and 21st-Century German on MLA Commons 2 years agoModern Language Association Conference
New Orleans, LA
January 9–12, 2025CfP Literary Alliances, Networks, and Solidarities across Minoritized Communities (organized by the 20th- and 21st-Century German Forum)
This panel series seeks to examine varied, sometimes intersecting forms, forums, and formats for facilitating, expressing, and p…[Read more] -
Ana Dumitran deposited Icoana Sfântului Ioan Botezătorul cu scene din viață de la Budești‑Josani in the group
Digital Art History on Humanities Commons 2 years agoIn the history of old Romanian painting, the icon of Saint John the Baptist with scenes from his life from Budești‑Josani occupies a very important place due to its exceptional artistic quality, as well as the Slavonic inscription with the master’s signature and date. The inscription, in a very poor state of preservation, has already been part…[Read more]
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Ana Dumitran deposited Le patriarche Sylvestre d’Antioche, son disciple spirituel Constantin César Dapóntes et l’histoire de leurs icônes in the group
Digital Art History on Humanities Commons 2 years agoThis study identified the icon of Virgin Moscovita and the icon of the Holy Mandylion, described in Konstantinos Dapontes’ writings, with the icon of the Virgin and the icon of the Holy Mandylion preserved in his family monastery Evangelistria in Skopelos island. We can now retrace the “biography”of these two artefacts, the history of their creat…[Read more]
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Ana Dumitran deposited The Chronology of the Murals in the Râmeț Monastic Church (Alba County, Romania) Based on a Reevaluation of the Dating of the Narthex Inscription in the group
Digital Art History on Humanities Commons 2 years agoLa découverte d’une inscription slavonne dans le narthex de l’église du monastère de Râmeț (comté d’Alba) en 1966, sa relecture avec des moyens techniques spéciaux en 1978 et sa publication officielle en 1985 ont porté à l’attention des historiens le nom du peintre (Mihul du Criș-Blanc), le nom de l’évêque fondateur (archevêque Gélase),…[Read more]
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José Angel GARCÍA LANDA replied to the topic The Film of the Book in the discussion
Film Studies on Humanities Commons 2 years agoOrtega Arévalo, Dolors. “Deterritorialising Patriarchal Binary Oppositions: Deleuze & Guattari, Virginia Woolf, Masculinities and Film Adaptations.” Ph.D. diss. supervisor: Ana Moya Gutiérrez. U of Barcelona, 2012. (Tesis Doctorals en Xarxa, 2013). Online at Academia.* (Mrs Dalloway, Orlando). https://www.academia.edu/113130438/ 2023
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José Angel GARCÍA LANDA replied to the topic Politics and film in the discussion
Film Studies on Humanities Commons 2 years agoKatyn y más horrores https://www.academia.edu/43865884/
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Ramzi Salti deposited Vivian and Her Son in the group
TC Sexuality Studies on MLA Commons 2 years agoThis short story, written by Dr. Ramzi Salti, was published as part of his book titled “The Native Informant and Other Stories: Six Tales of Defiance from the Arab World”. It has been turned into a short film titled “The 40th Day’–available on YouTube at https://youtu.be/fspvJSiSQkc. Complete E-Book now available on Google Play and Kindle.
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José Angel GARCÍA LANDA replied to the topic Experimental Films in the discussion
Film Studies on Humanities Commons 2 years agoLa Oreja (y la cámara) https://personal.unizar.es/garciala/publicaciones/laoreja.pdf
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Shashi Bhusan Nayak started the topic Call For Book Chapters: Beyond Networks of Domination: Rethinking Machinic Media in the discussion
Film Studies on Humanities Commons 2 years agoCall For Book Chapters: Beyond Networks of Domination: Rethinking Machinic Media, Digitality & Cinema of our Times
Editors: Ananya Roy Pratihar(IMIS,Bhubaneswar), Saswat Samay Das (IIT, Kharagpur) & Shashibhushan Nayak(GP Nayagarh)
The biopolitical schemas for restructuring machinic networks of Media, Digital, and cinema do not stand as…[Read more]
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José Angel GARCÍA LANDA replied to the topic Women, Gender, & Film in the discussion
Film Studies on Humanities Commons 2 years agoLove for Share: Historias de mujeres y de Sumisión: https://personal.unizar.es/garciala/publicaciones/loveforshare.pdf
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Alicia Colson deposited NFTs, AI, Ethics, and Indigenous Peoples. in the group
Digital Art History on Humanities Commons 2 years agoThe article is published in the official Journal of The Institute of Science and Technology (ISSN 2040-1868)
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Alicia Colson deposited Do not make snap decisions about what you are seeing: how digital analysis of the images from the Canadian Shield highlights the difficulties in classifying shapes in the group
Digital Art History on Humanities Commons 2 years agoThe act of classification has the widest implications for scholarship. Whatever the format, it involves the totality of our being. The use of our eyes indicates that decisions about whatever it is that we observe have already been made. Yet the interaction between the mechanical act of seeing and the mind or memory has rarely been registered. An…[Read more]
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Alicia Colson deposited AI generated images, photography and visual documentary evidence as sources: Thoughts on Boris Eldagsen’s Image, well ‘photograph’. in the group
Digital Art History on Humanities Commons 2 years agoSome thoughts on Boris Eldagsen’s Image, well ‘photograph’, an AI generated image.
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Alicia Colson deposited WHAT DO THESE SYMBOLS MEAN? A CRITICAL REVIEW OF THE IMAGES FOUND ON THE ROCKS OF THE CANADIAN SHIELD WITH SPECIFIC REFERENCE TO THE PICTOGRAPHS OF THE LAKE OF THE WOODS in the group
Digital Art History on Humanities Commons 2 years agoReview of the literature on pictograph sites in the Canadian Shield with specific reference to those found in the Lake of the Woods, in north-western Ontario, Canada.
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Anthony Cerulli deposited “Vies et renaissances des manuscrits en Asie du Sud” in the group
Archives on Humanities Commons 2 years agoarticle + 6 photographs from the Manuscriptistan Project
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José Angel GARCÍA LANDA replied to the topic Experimental Films in the discussion
Film Studies on Humanities Commons 2 years, 1 month agoDomínguez Cáceres, Roberto. (Escuela de Humanidades y Educación, Tecnológico de Monterrey). “La intertextualidad metaficcional como crítica del cine y sus creaciones.” In Encuadres del discurso cinematográfico. Puebla and Nuevo León: Benemérita Universidad Autónoma de Puebla / Instituto de Ciencias Sociales y Humanidades ‘Alfonso Vélez Pliego’ /…[Read more]
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José Angel GARCÍA LANDA started the topic Books in the discussion
Film Studies on Humanities Commons 2 years, 1 month agoGutiérrez Estupiñán, Raquel G., Jaime Villareal and Miguel Sáenz, eds. Encuadres del discurso cinematográfico. Puebla and Nuevo León: Benemérita Universidad Autónoma de Puebla / Instituto de Ciencias Sociales y Humanidades ‘Alfonso Vélez Pliego’ / Universidad Autónoma de Nuevo León, 2021. Online at Academia.* https://www.academia.edu/110133…[Read more]
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