Dear group members,

In the survey following our 2020 meeting, a majority of respondents indicated interest in the IG organizing a special session proposal for SMT 2022. To do this, we would need to choose a topic, determine the program committee, and send out the CFP in late summer or early fall 2021. The program committee would then s…[Read more]

Laura and I are delighted to announce that Robert Hasegawa has agreed to lead a workshop for our group at our meeting this November. The description is below, and we look forward to some preliminary conversations happening in this space before then!

Best wishes,

Tara

Post-1945 Music Analysis Interest Group

Workshop at SMT 2021: Diversity and…[Read more]

CFP  – attached Word document

Submissions will be accepted until April 30th, and people will be notified of their acceptance/rejection within one week of submitting. Those interested can visit https://mpcaaca.org/ for more information or contact Bryan Bove at bbove@bgsu.edu with any questions.

Well, it is expected that Spotify will launch new types of mixes from time to time. They through their algorithms at the music and see what happens. As a scholar, with MusicID you can see the stream counts. You can work out whether they’re selecting the right music, in your opinion. Read more at Music Ally…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Hi Everyone,

We had a bit of an issue with the new database defaulting to an Excel file rather than a Google Sheet. I’ve converted the database and you should be able to freely edit and add new examples! I will delete the old thread to avoid confusion, but include Christine’s original message…[Read more]

Hi!

I’m currently applying Megan Lavengood’s concept of the “novelty layer” in pop texture (see her 2020 MTO article) to King Crimson’s 1973 album Larks’ Tongues in Aspic.

Is anyone else out there doing work along these lines with selections from progressive rock? art rock? experimental pop? etc.?

Many thanks,

Brian