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Olivier Dufault deposited Early Greek Alchemy, Patronage and Innovation in Late Antiquity in the group
Ancient Greece & Rome on Humanities Commons 3 years, 3 months agoNew evidence on scholarly patronage under the Roman empire can be garnered by analyzing the descriptions of learned magoi in several texts from the second to the fourth century CE. Since a common use of the term magos connoted flatterer-like figures (kolakes), it is likely that the figures of “learned sorcerers” found in texts such as Luc…[Read more]
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Thomas J. Nelson deposited Iphigenia in the Iliad and the Architecture of Homeric Allusion in the group
Ancient Greece & Rome on Humanities Commons 3 years, 4 months agoIn this paper, I argue that the traditional narrative of Iphigenia’s sacrifice lies allusively behind the opening scenes of the Iliad (1.8–487). Scholars have long suspected that this episode is evoked in Agamemnon’s scathing rebuke of Calchas (1.105–8), but I contend that this is only one moment in a far more sustained allusive dialogue: both th…[Read more]
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Thomas J. Nelson deposited Beating the Galatians: Ideologies, Analogies and Allegories in Hellenistic Literature and Art in the group
Ancient Greece & Rome on Humanities Commons 3 years, 4 months agoHellenistic literature and art commemorated victories over the Galatians through a variety of analogies and allegories, ranging from the historical Persian Wars to the cosmic Gigantomachy: each individual victory was incorporated into a larger sequence in which order constantly quelled the forces of chaos. This paper explores this analogical…[Read more]
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Thomas J. Nelson deposited Intertextual Agōnes in Archaic Greek Epic: Penelope vs. the Catalogue of Women in the group
Ancient Greece & Rome on Humanities Commons 3 years, 4 months agoArchaic Greek epic exhibits a pervasive eristic intertextuality, repeatedly positioning its heroes and itself against pre-existing traditions. Here I focus on a specific case study from the Odyssey: Homer’s agonistic relationship with the Catalogue of Women tradition. Hesiodic-style Catalogue poetry has long been recognized as an important i…[Read more]
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Thomas J. Nelson deposited Archilochus’ Cologne Epode and Homer’s Quivering Spear (fr. 196a.52 IEG2) in the group
Ancient Greece & Rome on Humanities Commons 3 years, 4 months agoIn this note, I highlight a hitherto unrecognized literary resonance in the climactic final verses of Archilochus’ First Cologne Epode: Archilochus parodically and subversively reworks the Homeric description of a quivering spear. This Homeric resonance caps the poem’s ongoing clash between the generic conventions of epic and iambus, while also…[Read more]
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Thomas J. Nelson deposited Repeating the Unrepeated: Allusions to Homeric Hapax Legomena in Archaic and Classical Greek Poetry in the group
Ancient Greece & Rome on Humanities Commons 3 years, 4 months agoIn this paper, I investigate the repetition of Homeric hapax legomena in archaic and classical Greek poetry. Scholars frequently assume that fine-grained engagement with Homeric rarities is a distinctive feature of the Hellenistic period, but I reveal the significant precedent for this phenomenon in earlier poetry. Proceeding through comedy,…[Read more]
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Thomas J. Nelson deposited Tragic Noise and Rhetorical Frigidity in Lycophron’s Alexandra in the group
Ancient Greece & Rome on Humanities Commons 3 years, 4 months agoThis paper seeks to shed fresh light on the aesthetic and stylistic affiliations of Lycophron’s Alexandra, approaching the poem from two distinct but complementary angles. First, it explores what can be gained by reading Lycophron’s poem against the backdrop of Callimachus’ poetry. It contends that the Alexandra presents a radical and polem…[Read more]
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Thomas J. Nelson deposited The Coma Stratonices: Royal Hair Encomia and Ptolemaic-Seleucid Rivalry? in the group
Ancient Greece & Rome on Humanities Commons 3 years, 4 months agoIn this paper, I investigate how Ptolemaic poets’ presentation of their queens compares with and relates to the practice of their major rivals, the Seleucids. No poetic celebration of a Seleucid queen survives extant, but an anecdote preserved by Lucian sheds intriguing light on Seleucid poetic practice (Pro Imaginibus 5): queen Stratonice, bald…[Read more]
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Thomas J. Nelson deposited Achilles’ Heel: (Im)mortality in the Iliad in the group
Ancient Greece & Rome on Humanities Commons 3 years, 4 months agoIn this article for sixth-formers and school teachers, I explore the story of Achilles’ heel and Homer’s likely suppression of the myth in the Iliad. Homer’s Iliad appears to acknowledge, but simultaneously reject, an alternative tradition in which Achilles was more than mortal, part of a broader downplaying of heroic invulnerability and…[Read more]
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Alvin Alagao deposited Country, God, and the Sublime: Imaginative Reflections on the Life and Works of the Philippine Painter Ricarte Puruganan in the group
History of Art on Humanities Commons 3 years, 4 months agoThis study focuses on the Philippine artist Ricarte Puruganan’s reckoning with the ideas of “country,” “God,” and “the sublime.” It does so through a hermeneutic reading of the artist’s works as a cultural text. In order to fill the gaps in the historiographic record and to enrich the material on the artist that was already available, the…[Read more]
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Sarah Bond deposited “Chapter 7: Maintaining the City Enslaved Labor and Trade in Roman Philippi” in the group
Ancient Greece & Rome on Humanities Commons 3 years, 5 months ago“Chapter 7: Maintaining the City Enslaved Labor and Trade in Roman Philippi” in Philippi, From Colonia Augusta to Communitas Christiana: Religion and Society in Transition, edited by Steven J. Friesen, Michalis Lychounas, and Daniel N. Schowalter (Leiden: Brill, 2021).
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Sam Rose deposited Interpreting Art in the group
History of Art on Humanities Commons 3 years, 5 months agoHow do people make sense of works of art? And how do they write to make others see the same way? There are many guides to looking at art, histories of art history and art criticism, and accounts of various ‘theories’ and ‘methods’, but this book offers something very unlike the normal search for difference and division: it examines the general…[Read more]
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Johannes Bernhardt deposited From Homer to Solon. Continuity and Change in Archaic Greece in the group
Ancient Greece & Rome on Humanities Commons 3 years, 5 months agoThe study of Archaic Greece has undergone a fundamental transformation in recent decades. Whereas studies up to the 1980s had favoured narratives that converged on the more tangible reality of the Classical period and emphasized radical change, the increase in archaeological data and the cultural turn have led to an emphasis on long-term…[Read more]
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Heather Rosmarin started the topic Free virtual conference: Opening the Ancient World: “Who Has the Power?”… in the discussion
Roman archaeology on Humanities Commons 3 years, 5 months agoHi Everyone – Save Ancient Studies Alliance (SASA) is hosting a free virtual conference: Opening the Ancient World: “Who Has the Power? Leaders and Leadership in the Ancient World” from August 14 – August 15, 2022. In addition to presentations, there will be several sessions / workshops focused on independent scholars. Learn more here: <…[Read more]
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Nikos Pegioudis deposited The Redundant Avant-Garde: Walter Benjamin and the Intelligentsia in the Age of Its Disappearance in the group
History of Art on Humanities Commons 3 years, 6 months agoWalter Benjamin had much to say about the intelligentsia, from vicious reviews such as “Left-Wing Melancholy” to the more programmatic essays “Author as Producer” and the Artwork essay. But while the specific allegiances, the “strategies” in the literary battle have been plotted with great precision, a larger debate in which these texts repre…[Read more]
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Dora Apel deposited The Auschwitz Memorial Museum and the Case of the Gypsy Portraits in the group
History of Art on Humanities Commons 3 years, 7 months agoA unique dispute over ownership rights to artwork in the case of the Auschwitz Memorial Museum vs. former camp prisoner Dinah Gottliebova Babbitt illuminates underlying moral questions about the Holocaust and post-Holocaust culture.
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Dora Apel deposited War Culture and the Contest of Images (Introduction) in the group
History of Art on Humanities Commons 3 years, 7 months agoWar Culture and the Contest of Images analyzes the relationships among contemporary war, documentary practices, and democratic ideals. Dora Apel examines a wide variety of images and cultural representations of war in the United States and the Middle East, including photography, performance art, video games, reenactment, and social media images.…[Read more]
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Dora Apel deposited Dislodged from History, Confronted by Walls: Picturing Migration as a Global Emergency in the group
History of Art on Humanities Commons 3 years, 7 months agoThis essay examines select visual representations of refugees and migrants as embodied subjects in photography, art, and video. It focuses on American asylum politics and explores the questions of free movement, the right to have rights, and the ethics and efficacy of border walls. I argue that the catastrophe of global forced displacement makes…[Read more]
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Maximilian Kaiser deposited Leitfaden für die Annotation von Named Entities (NE) in Biographien in the group
Digital Art History on Humanities Commons 3 years, 7 months agomanual guide for the annotation of biographies
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Özkan Karaca deposited Tarihin İz Dokunduğu ve Ses Verdiği Güzergah İpek Yolu in the group
History of Art on Humanities Commons 3 years, 8 months agoTarih boyunca kentler, kültür ve medeniyetlerin doğduğu, geliştiği ve yayıldığı yerler olmuştur. Kentler, tarihsel süreçte insanların çeşitli gereksinimlerinin ürünü olarak sürekli bir gelişme göstermiştir. Bu gelişme sürecinde hem insanlığın birikiminin gelecek kuşaklara taşıyıcısı, hem de taşıdığı uygarlık birikimi ile insanoğlunun geleceğini şe…[Read more]
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