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Hania Nashef deposited “Not to Get Lost in the Loss”: Narrating the Story in Mourid Barghouti’s I Was Born There, I Was Born Here and in Deborah Rohan’s The Olive Grove – A Palestinian Story." in the group
GS Prose Fiction on MLA Commons 9 years, 10 months agoIn his introduction to Mourid Barghouti novel, I saw Ramallah, Edward Said refers to the Palestinians as a displaced and a misplaced people. Regardless of the nationalities they carry or countries they live in, they carry with them the trauma of events that led to the loss of their homeland, and the grief of this loss and endless displacement.…[Read more]
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Hania Nashef deposited “Not to Get Lost in the Loss”: Narrating the Story in Mourid Barghouti’s I Was Born There, I Was Born Here and in Deborah Rohan’s The Olive Grove – A Palestinian Story." in the group
CLCS Global Arab and Arab American on MLA Commons 9 years, 10 months agoIn his introduction to Mourid Barghouti novel, I saw Ramallah, Edward Said refers to the Palestinians as a displaced and a misplaced people. Regardless of the nationalities they carry or countries they live in, they carry with them the trauma of events that led to the loss of their homeland, and the grief of this loss and endless displacement.…[Read more]
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Hania Nashef deposited “Not to Get Lost in the Loss”: Narrating the Story in Mourid Barghouti’s I Was Born There, I Was Born Here and in Deborah Rohan’s The Olive Grove – A Palestinian Story." in the group
CLCS 20th- and 21st-Century on MLA Commons 9 years, 10 months agoIn his introduction to Mourid Barghouti novel, I saw Ramallah, Edward Said refers to the Palestinians as a displaced and a misplaced people. Regardless of the nationalities they carry or countries they live in, they carry with them the trauma of events that led to the loss of their homeland, and the grief of this loss and endless displacement.…[Read more]
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Hania Nashef deposited “Not to Get Lost in the Loss”: Narrating the Story in Mourid Barghouti’s I Was Born There, I Was Born Here and in Deborah Rohan’s The Olive Grove – A Palestinian Story." on MLA Commons 9 years, 10 months ago
In his introduction to Mourid Barghouti novel, I saw Ramallah, Edward Said refers to the Palestinians as a displaced and a misplaced people. Regardless of the nationalities they carry or countries they live in, they carry with them the trauma of events that led to the loss of their homeland, and the grief of this loss and endless displacement.…[Read more]
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Hania Nashef deposited "Let the Demon in: Death and Guilt in The Master of Petersburg." in the group
TM Literary Criticism on MLA Commons 9 years, 10 months agoUnlike his earlier novels, J.M. Coetzee’s The Master of Petersburg, has not received the attention that it deserves from the critics. The novel, which is set in Russia not only draws on real aspects of Fyodor Dostoevsky’s life but also on certain events in the Russian author’s novels, specifically The Devils. Coetzee’s Dostoevsky is an aging a…[Read more]
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Hania Nashef deposited "Let the Demon in: Death and Guilt in The Master of Petersburg." in the group
TC Psychology, Psychoanalysis, and Literature on MLA Commons 9 years, 10 months agoUnlike his earlier novels, J.M. Coetzee’s The Master of Petersburg, has not received the attention that it deserves from the critics. The novel, which is set in Russia not only draws on real aspects of Fyodor Dostoevsky’s life but also on certain events in the Russian author’s novels, specifically The Devils. Coetzee’s Dostoevsky is an aging a…[Read more]
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Hania Nashef deposited "Let the Demon in: Death and Guilt in The Master of Petersburg." in the group
LLC 20th- and 21st-Century English and Anglophone on MLA Commons 9 years, 10 months agoUnlike his earlier novels, J.M. Coetzee’s The Master of Petersburg, has not received the attention that it deserves from the critics. The novel, which is set in Russia not only draws on real aspects of Fyodor Dostoevsky’s life but also on certain events in the Russian author’s novels, specifically The Devils. Coetzee’s Dostoevsky is an aging a…[Read more]
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Hania Nashef deposited "Let the Demon in: Death and Guilt in The Master of Petersburg." in the group
GS Prose Fiction on MLA Commons 9 years, 10 months agoUnlike his earlier novels, J.M. Coetzee’s The Master of Petersburg, has not received the attention that it deserves from the critics. The novel, which is set in Russia not only draws on real aspects of Fyodor Dostoevsky’s life but also on certain events in the Russian author’s novels, specifically The Devils. Coetzee’s Dostoevsky is an aging a…[Read more]
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Hania Nashef deposited "Let the Demon in: Death and Guilt in The Master of Petersburg." in the group
CLCS 20th- and 21st-Century on MLA Commons 9 years, 10 months agoUnlike his earlier novels, J.M. Coetzee’s The Master of Petersburg, has not received the attention that it deserves from the critics. The novel, which is set in Russia not only draws on real aspects of Fyodor Dostoevsky’s life but also on certain events in the Russian author’s novels, specifically The Devils. Coetzee’s Dostoevsky is an aging a…[Read more]
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Hania Nashef deposited "Let the Demon in: Death and Guilt in The Master of Petersburg." on MLA Commons 9 years, 10 months ago
Unlike his earlier novels, J.M. Coetzee’s The Master of Petersburg, has not received the attention that it deserves from the critics. The novel, which is set in Russia not only draws on real aspects of Fyodor Dostoevsky’s life but also on certain events in the Russian author’s novels, specifically The Devils. Coetzee’s Dostoevsky is an aging a…[Read more]
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Hania Nashef deposited The abject/the terrorist/the reel Arab – a point of intersection in the group
TC Popular Culture on MLA Commons 9 years, 10 months agoMedia representations of Arabs and terrorists.
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Hania Nashef deposited The abject/the terrorist/the reel Arab – a point of intersection in the group
MS Visual Culture on MLA Commons 9 years, 10 months agoMedia representations of Arabs and terrorists.
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Hania Nashef deposited The abject/the terrorist/the reel Arab – a point of intersection on MLA Commons 9 years, 10 months ago
Media representations of Arabs and terrorists.
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Hania Nashef deposited The blurring of boundaries: images of abjection as the terrorist and the reel Arab intersect in the group
TC Postcolonial Studies on MLA Commons 9 years, 10 months agon her treatise on abjection, Julia Kristeva argues that the abject is located outside the self, remaining in a state of repulsion that threatens to destroy the self. Abject representations are prevalent in the way terrorists have been portrayed in the Western news media post-September 11, 2001. These images of abjection are problematic, as they…[Read more]
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Hania Nashef deposited The blurring of boundaries: images of abjection as the terrorist and the reel Arab intersect in the group
TC Popular Culture on MLA Commons 9 years, 10 months agon her treatise on abjection, Julia Kristeva argues that the abject is located outside the self, remaining in a state of repulsion that threatens to destroy the self. Abject representations are prevalent in the way terrorists have been portrayed in the Western news media post-September 11, 2001. These images of abjection are problematic, as they…[Read more]
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Hania Nashef deposited The blurring of boundaries: images of abjection as the terrorist and the reel Arab intersect in the group
MS Visual Culture on MLA Commons 9 years, 10 months agon her treatise on abjection, Julia Kristeva argues that the abject is located outside the self, remaining in a state of repulsion that threatens to destroy the self. Abject representations are prevalent in the way terrorists have been portrayed in the Western news media post-September 11, 2001. These images of abjection are problematic, as they…[Read more]
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Hania Nashef deposited The blurring of boundaries: images of abjection as the terrorist and the reel Arab intersect in the group
MS Screen Arts and Culture on MLA Commons 9 years, 10 months agon her treatise on abjection, Julia Kristeva argues that the abject is located outside the self, remaining in a state of repulsion that threatens to destroy the self. Abject representations are prevalent in the way terrorists have been portrayed in the Western news media post-September 11, 2001. These images of abjection are problematic, as they…[Read more]
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Hania Nashef deposited The blurring of boundaries: images of abjection as the terrorist and the reel Arab intersect in the group
LLC Arabic on MLA Commons 9 years, 10 months agon her treatise on abjection, Julia Kristeva argues that the abject is located outside the self, remaining in a state of repulsion that threatens to destroy the self. Abject representations are prevalent in the way terrorists have been portrayed in the Western news media post-September 11, 2001. These images of abjection are problematic, as they…[Read more]
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Hania Nashef deposited The blurring of boundaries: images of abjection as the terrorist and the reel Arab intersect on MLA Commons 9 years, 10 months ago
n her treatise on abjection, Julia Kristeva argues that the abject is located outside the self, remaining in a state of repulsion that threatens to destroy the self. Abject representations are prevalent in the way terrorists have been portrayed in the Western news media post-September 11, 2001. These images of abjection are problematic, as they…[Read more]
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Hania Nashef deposited اهلا, hello and bonjour: a postcolonial analysis of Arab media's use of code switching and mixing and its ramification on the identity of the self in the Arab world in the group
TC Postcolonial Studies on MLA Commons 9 years, 10 months agoCode switching is a practice exercised by multilingual speakers. Linguists define the term as the simultaneous use of more than one language. Code switching is prevalent in postcolonial countries in which the colonial language has continued to exist alongside the native language. In the past, code switching in the Arab world has been confined to…[Read more]
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