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Rebecca Ruth Gould deposited “Sweetening the Heavy Georgian Tongue: Jāmī in the Georgian-Persianate World” in the group
Poetics and Poetry on Humanities Commons 7 years, 5 months agoThe poetry of Teimuraz I’s marks a turning point in Georgian literary history. From 1629–34, the poet-king of Kartli and Kaxetia (eastern Georgia) undertook to produce a Georgian equivalent to Niẓāmī Ganjevī’s famed quintet (khamsa) that stands as one of the major achievements of classical Persian literature. While Teimuraz I imitated the form…[Read more]
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Rebecca Ruth Gould deposited “Sweetening the Heavy Georgian Tongue: Jāmī in the Georgian-Persianate World” in the group
Literary Translation on Humanities Commons 7 years, 5 months agoThe poetry of Teimuraz I’s marks a turning point in Georgian literary history. From 1629–34, the poet-king of Kartli and Kaxetia (eastern Georgia) undertook to produce a Georgian equivalent to Niẓāmī Ganjevī’s famed quintet (khamsa) that stands as one of the major achievements of classical Persian literature. While Teimuraz I imitated the form…[Read more]
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Rebecca Ruth Gould deposited “Sweetening the Heavy Georgian Tongue: Jāmī in the Georgian-Persianate Ecumene” on Humanities Commons 7 years, 5 months ago
The poetry of Teimuraz I’s marks a turning point in Georgian literary history. From 1629–34, the poet-king of Kartli and Kaxetia (eastern Georgia) undertook to produce a Georgian equivalent to Niẓāmī Ganjevī’s famed quintet (khamsa) that stands as one of the major achievements of classical Persian literature. While Teimuraz I imitated the form…[Read more]
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Hania A.M. Nashef deposited Resisting the cul-de-sac in Disgrace, Master of Petersburg and Life & Times of Michael K in the group
GS Prose Fiction on MLA Commons 7 years, 5 months agoSamuel Beckett’s Waiting for Godot ends in both acts with the two tramps not moving in spite of agreeing that they should leave. Even though Vladimir and Estragon realize the futility of their wait, they remain adamant in the hope that Godot may arrive. Likewise, the Unnamable who cannot go on chooses to go on. What essentially translates in b…[Read more]
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Hania A.M. Nashef deposited Resisting the cul-de-sac in Disgrace, Master of Petersburg and Life & Times of Michael K in the group
Critical Studies in World Literature on MLA Commons 7 years, 5 months agoSamuel Beckett’s Waiting for Godot ends in both acts with the two tramps not moving in spite of agreeing that they should leave. Even though Vladimir and Estragon realize the futility of their wait, they remain adamant in the hope that Godot may arrive. Likewise, the Unnamable who cannot go on chooses to go on. What essentially translates in b…[Read more]
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Hania A.M. Nashef deposited Resisting the cul-de-sac in Disgrace, Master of Petersburg and Life & Times of Michael K in the group
CLCS 20th- and 21st-Century on MLA Commons 7 years, 5 months agoSamuel Beckett’s Waiting for Godot ends in both acts with the two tramps not moving in spite of agreeing that they should leave. Even though Vladimir and Estragon realize the futility of their wait, they remain adamant in the hope that Godot may arrive. Likewise, the Unnamable who cannot go on chooses to go on. What essentially translates in b…[Read more]
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Hania A.M. Nashef deposited Resisting the cul-de-sac in Disgrace, Master of Petersburg and Life & Times of Michael K on MLA Commons 7 years, 6 months ago
Samuel Beckett’s Waiting for Godot ends in both acts with the two tramps not moving in spite of agreeing that they should leave. Even though Vladimir and Estragon realize the futility of their wait, they remain adamant in the hope that Godot may arrive. Likewise, the Unnamable who cannot go on chooses to go on. What essentially translates in b…[Read more]
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Hania A.M. Nashef deposited Resisting the cul-de-sac in Disgrace, Master of Petersburg and Life & Times of Michael K in the group
TM Literary Criticism on MLA Commons 7 years, 6 months agoSamuel Beckett’s Waiting for Godot ends in both acts with the two tramps not moving in spite of agreeing that they should leave. Even though Vladimir and Estragon realize the futility of their wait, they remain adamant in the hope that Godot may arrive. Likewise, the Unnamable who cannot go on chooses to go on. What essentially translates in b…[Read more]
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Hania A.M. Nashef deposited Resisting the cul-de-sac in Disgrace, Master of Petersburg and Life & Times of Michael K in the group
CLCS 20th- and 21st-Century on MLA Commons 7 years, 6 months agoSamuel Beckett’s Waiting for Godot ends in both acts with the two tramps not moving in spite of agreeing that they should leave. Even though Vladimir and Estragon realize the futility of their wait, they remain adamant in the hope that Godot may arrive. Likewise, the Unnamable who cannot go on chooses to go on. What essentially translates in b…[Read more]
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Hania A.M. Nashef deposited Resisting the cul-de-sac in Disgrace, Master of Petersburg and Life & Times of Michael K on MLA Commons 7 years, 6 months ago
Samuel Beckett’s Waiting for Godot ends in both acts with the two tramps not moving in spite of agreeing that they should leave. Even though Vladimir and Estragon realize the futility of their wait, they remain adamant in the hope that Godot may arrive. Likewise, the Unnamable who cannot go on chooses to go on. What essentially translates in b…[Read more]
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Hania A.M. Nashef deposited Coming of Age in Troubled Times: Son of Babylon and Theeb in the group
TC Popular Culture on MLA Commons 7 years, 6 months agoJordan and Iraq are not countries that are often associated with a local film culture. Recently, however, a nascent film industry has started to grow in both Iraq and Jordan, producing films that have been shown in international film festivals. Even though the Jordanian film industry remains in its infancy, the films that have emerged of late…[Read more]
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Hania A.M. Nashef deposited Coming of Age in Troubled Times: Son of Babylon and Theeb in the group
TC Memory Studies on MLA Commons 7 years, 6 months agoJordan and Iraq are not countries that are often associated with a local film culture. Recently, however, a nascent film industry has started to grow in both Iraq and Jordan, producing films that have been shown in international film festivals. Even though the Jordanian film industry remains in its infancy, the films that have emerged of late…[Read more]
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Hania A.M. Nashef deposited Coming of Age in Troubled Times: Son of Babylon and Theeb in the group
Postcolonial Studies on Humanities Commons 7 years, 6 months agoJordan and Iraq are not countries that are often associated with a local film culture. Recently, however, a nascent film industry has started to grow in both Iraq and Jordan, producing films that have been shown in international film festivals. Even though the Jordanian film industry remains in its infancy, the films that have emerged of late…[Read more]
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Hania A.M. Nashef deposited Coming of Age in Troubled Times: Son of Babylon and Theeb in the group
MS Screen Arts and Culture on MLA Commons 7 years, 6 months agoJordan and Iraq are not countries that are often associated with a local film culture. Recently, however, a nascent film industry has started to grow in both Iraq and Jordan, producing films that have been shown in international film festivals. Even though the Jordanian film industry remains in its infancy, the films that have emerged of late…[Read more]
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Hania A.M. Nashef deposited Coming of Age in Troubled Times: Son of Babylon and Theeb in the group
LLC Arabic on MLA Commons 7 years, 6 months agoJordan and Iraq are not countries that are often associated with a local film culture. Recently, however, a nascent film industry has started to grow in both Iraq and Jordan, producing films that have been shown in international film festivals. Even though the Jordanian film industry remains in its infancy, the films that have emerged of late…[Read more]
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Hania A.M. Nashef's profile was updated on MLA Commons 7 years, 6 months ago
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Hania Nashef deposited Coming of Age in Troubled Times: Son of Babylon and Theeb on MLA Commons 7 years, 6 months ago
Jordan and Iraq are not countries that are often associated with a local film culture. Recently, however, a nascent film industry has started to grow in both Iraq and Jordan, producing films that have been shown in international film festivals. Even though the Jordanian film industry remains in its infancy, the films that have emerged of late…[Read more]
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