This article describes the development of the typographical phenomenon of “small capitals” during the fifteenth- and early sixteenth-century.

De Moretussen wisten wat feesten was. Met hun tafels en buiken bourgondisch bol maakten ze er een waar schouwspel van. Ter gelegenheid van het huwelijk van Balthasar II Moretus (1615–1674) met de achttienjarige Anna Goos (1627–1691) kwamen de drukpersen zowaar tot leven! Onder impuls van de Antwerpse jezuïet Jacob de Cater droeg elke drukpers van…[Read more]

Desde que Alan Deyermond, entre los años 70 y 80 del siglo pasado , consiguiera vencer toda reticencia académica para que la obra de Leonor López de Córdoba pasase de ser una delicada rareza literaria a ser introducida con pleno derecho en el canon de la literatura hispánica medieval , la investigación sobre la autora nacida en Calatayud, aunqu…[Read more]

Twenty-five years ago, my colleagues Miyuki Kamachi and Jiro Gyoba and I designed and photographed JAFFE, a set of facial expression images intended for use in a study of face perception. In 2019, without seeking permission or informing us, Kate Crawford and Trevor Paglen exhibited JAFFE in two widely publicized art shows. In addition, they…[Read more]

Con mucha frecuencia, las vías que a diario son solo holladas por pacíficos caminantes se tornan en sendas cuyo caminar obedece a razones diametralmente opuestas. Es el triste caso que vivimos en la Europa de nuestros días, marcada por el lamentable tránsito hacia el Viejo Continente de los que huyen de conflictos armados en Oriente Medio. Muy poc…[Read more]

The Abbey of St. Gallen was the foremost centre for the study of the Etymologiae of Isidore of Seville in the Carolingian period. Not only can more than twenty early medieval manuscripts transmitting material from the Etymologiaebe associated with Carolingian St. Gallen, but its scriptorium also produced two scholarly redactions of Isidore’s e…[Read more]

Gender roles in Shakespeare’s plays take on new meanings when they are embodied by Asian actors. Learning more about Asian approaches to performance not only enriches our worldview but also makes Asian cultures less abstract and Asian people more relatable as fellow human beings. Reflecting the idea that strength and empowerment can take many f…[Read more]

Heinsius jarig! Dat vieren we met wijn.

Daniel Heinsius (Heins – Δανιὴλ Εἱνσιάδης, 1580–1655) zag het levenslicht te Gent op 9 juni 1580, vandaag exact 441 jaar geleden. Omwille van hun protestantse geloof moesten zijn ouders echter al vroeg uitwijken naar Engeland; ze keerden na een tijdje terug naar de Lage Landen en vestigden zich in he…[Read more]

This is a PDF I made to aid in navigating the 1521 Baldus based on the 2 vol edition by Attilio Portioli (1882-9)

This is a PDF I made to aid in navigating the 1521 Baldus based on the 2 vol edition by Attilio Portioli (1882-9)

Here are four different versions of a traumatic scene from the life and times of Baldus, starting with the woodcut print of Folengo’s 1521 Macaronic Works

Here are four different versions of a traumatic scene from the life and times of Baldus, starting with the woodcut print of Folengo’s 1521 Macaronic Works

Scanned images of woodcut prints from subsequent editions of Folengo’s 1521 Macaronic Works

Scanned images of woodcut prints from subsequent editions of Folengo’s 1521 Macaronic Works

51 full-page woodcut prints illustrate Folengo’s 1521 epic poem Baldus

51 full-page woodcut prints illustrate Folengo’s 1521 epic poem Baldus

The greatly augmented and extremely popular 1521 ediion of Folengo’s Macaronic Works features many extras: angry letters, highly laudatory letters, an accusation of text theft, a revealing dialogue and more

The greatly augmented and extremely popular 1521 ediion of Folengo’s Macaronic Works features many extras: angry letters, highly laudatory letters, an accusation of text theft, a revealing dialogue and more

A letter from Folengo’s pseudonym-personality, Merlin, to the printer Paganini, claiming that he does not want to relinquish his own copy for publication; a response from Paganini telling him that he got a copy of the text from Federico Gonzaga (accompanied by the letter Gonzaga sent to Paganini, 1520); a letter to the reader from Paganini, and a…[Read more]