In this article, I argue that Margaret Cavendish uses ‘Sociable Letters’ and the female friendship within its pages to intervene in early modern epistolary traditions and negotiate alternatives for conventional markers of intimacy between correspondents. Grounding the argument in current scholarly debates on familiar letter conventions, I…[Read more]

This special issue of Social Text takes as its starting point the generative tension between recovery as an imperative that is fundamental to historical writing and research, and the impossibility of recovery when engaged with archives whose very assembly and organization occlude certain historical subjects. Responding to recent debates among…[Read more]

This special issue of Social Text takes as its starting point the generative tension between recovery as an imperative that is fundamental to historical writing and research, and the impossibility of recovery when engaged with archives whose very assembly and organization occlude certain historical subjects. Responding to recent debates among…[Read more]

Late medieval culture tends to value pain highly and positively. Accordingly, much medievalist scholarship links pain with fear and emphasizes their usefulness in the period’s philosophy, literature, visual art, and drama. Yet, key moments in The York Play of the Crucifixion, The Second Shepherds’ Play, and The Tretise of Miraclis Pleyinge tro…[Read more]

This essay explores an unprecedented distinction between literary and popular writing that emerged in debates in Maṇikkoṭi and Āṉanta Vikaṭaṉ, two well-known Tamil magazines that were launched in the 1930s. Through short stories and critical essays, the writers who contributed to these magazines attempted to create new lenses through which to v…[Read more]

Situates the composition of Walt Whitman’s Democratic Vistas—from manuscript notes, source material, and pilot essays to its publication as an 84-page pamphlet—within the intellectual tendencies of the Reconstruction-era American social science movement to reveal Whitman’s text as an important case study in the nascent discipline. In his pro…[Read more]

Situates the composition of Walt Whitman’s Democratic Vistas—from manuscript notes, source material, and pilot essays to its publication as an 84-page pamphlet—within the intellectual tendencies of the Reconstruction-era American social science movement to reveal Whitman’s text as an important case study in the nascent discipline. In his pro…[Read more]

Reads William of Rubruck’s mission to Asia as an instance of premodern ethnographic representation and the shape of the precolonial European ethnographic gaze upon Asia.

The transfer of Saracen arms into Frankish ownership is a leitmotif of
many chansons de geste, but one whose significance for translatio imperii has yet to be
elucidated. In this essay, I focus on the Chanson d’Aspremont, a twelfth-century epic
set in Calabria that narrates the pre-history of Durendal, Roland’s sword of Song of
Roland fam…[Read more]

Reads William of Rubruck’s mission to Asia as an instance of premodern ethnographic representation and the shape of the precolonial European ethnographic gaze upon Asia.

The artist, collector, and critic Charles Ricketts (1866–1931) has often been characterised as a reactionary voice in early-twentieth-century debates about modern art. Although he responded conservatively to modern-art developments such as those embodied by the term ‘Post-Impressionism’, his work in book design and illustration exemplifies p…[Read more]

“‘Bruised with Adversity’: Reading Race in The Comedy of Errors” examines the role of the body, and of the somatic mark in particular, in the social production of both individual subjects and racial groups. In The Comedy of Errors, two sets of twins experience the benefits as well as the pitfalls of mistaken identity, revealing the ease with which…[Read more]

This article compares the 1950s and 1960s short story writing of two influential yet underexamined women writers, Mannu Bhandari (1931–) and R. Chudamani (1931–2010), who are considered key representatives of the Hindi and Tamil literary canons, respectively. Mani demonstrates that from within their specific geographic and historical contexts, Bha…[Read more]

This article compares the 1950s and 1960s short story writing of two influential yet underexamined women writers, Mannu Bhandari (1931–) and R. Chudamani (1931–2010), who are considered key representatives of the Hindi and Tamil literary canons, respectively. Mani demonstrates that from within their specific geographic and historical contexts, Bha…[Read more]