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Charles Gleek deposited Deck Lee and the Location of The Professor in Post Soul Literary Plots on Humanities Commons 8 years, 1 month ago
The professor character is no stranger to readers of contemporary African American literature. Indeed, the variety and ubiquity of a professorial character across a range of post soul fictional novels is not simply a curiosity to comment on, but phenomena available for critical interrogation. This analysis explores the location of Deck Lee’s c…[Read more]
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Postcolonial theory has a people problem. By this, I am unabashedly suggesting that postcolonial theoreticians’ overemphasis on people as the site of analysis lies at the heart of the limitations of the field’s key terms, epistemological boundaries, and approach to understanding phenomena as a whole. Indeed, if postcolonial theory and its rel…[Read more]
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Anne Donlon's profile was updated on Humanities Commons 8 years, 1 month ago
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Anne Donlon deposited What Can You Do with a Digitized Book? in the group
Digital Books on Humanities Commons 8 years, 1 month agoGuest presentation in Projects in Rare Book Digitization course (Pratt University, LIS 666) on analyzing digitized books and printed materials with digital humanities methods (primarily text analysis).
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Anne Donlon's profile was updated on Humanities Commons 8 years, 1 month ago
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Anne Donlon deposited What Can You Do with a Digitized Book? on Humanities Commons 8 years, 1 month ago
Guest presentation in Projects in Rare Book Digitization course (Pratt University, LIS 666) on analyzing digitized books and printed materials with digital humanities methods (primarily text analysis).
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Anne Donlon posted an update in the group
dada on Humanities Commons 8 years, 1 month agoThis chapter “Cut-up” by Janneke Adema (recently deposited in CORE) might be of interest: http://dx.doi.org/10.17613/M64V68.
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Charles Gleek deposited Looking Anywhere But At You: The Gaze in Kara Walker’s Silhouettes in the group
TM Literary and Cultural Theory on MLA Commons 8 years, 2 months agoThe silhouetted cutouts in Kara Walker’s Gone: An Historical Romance of a Civil War as It Occurred b’tween the Dusky Thighs of One Young Negress and Her Heart are fine with being seen but care little for the actual presence of the viewer. They’re kissing and sucking, fucking and birthing, playing and pillorying all without shame or service to the…[Read more]
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Charles Gleek deposited Looking Anywhere But At You: The Gaze in Kara Walker’s Silhouettes in the group
MS Visual Culture on MLA Commons 8 years, 2 months agoThe silhouetted cutouts in Kara Walker’s Gone: An Historical Romance of a Civil War as It Occurred b’tween the Dusky Thighs of One Young Negress and Her Heart are fine with being seen but care little for the actual presence of the viewer. They’re kissing and sucking, fucking and birthing, playing and pillorying all without shame or service to the…[Read more]
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Charles Gleek deposited Of Unfettered Light and Limitless Energy: An Ecocritical Reading of Gregory Crewdson’s Beneath the Roses in the group
TC Ecocriticism and Environmental Humanities on MLA Commons 8 years, 2 months agoGregory Crewdson’s cinematic, tableaux photographs often depict an anonymous, banal, and tension-filled life in suburban and rural communities. Working as a self-described American realist and strongly influenced by a tradition of American vernacular artists, including work by Arbus, Eggleson, Friedlander, and Hopper, Crewdson actively seeks to c…[Read more]
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Charles Gleek deposited Of Unfettered Light and Limitless Energy: An Ecocritical Reading of Gregory Crewdson’s Beneath the Roses in the group
MS Visual Culture on MLA Commons 8 years, 2 months agoGregory Crewdson’s cinematic, tableaux photographs often depict an anonymous, banal, and tension-filled life in suburban and rural communities. Working as a self-described American realist and strongly influenced by a tradition of American vernacular artists, including work by Arbus, Eggleson, Friedlander, and Hopper, Crewdson actively seeks to c…[Read more]
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Charles Gleek deposited Looking Anywhere But At You: The Gaze in Kara Walker’s Silhouettes on Humanities Commons 8 years, 2 months ago
The silhouetted cutouts in Kara Walker’s Gone: An Historical Romance of a Civil War as It Occurred b’tween the Dusky Thighs of One Young Negress and Her Heart are fine with being seen but care little for the actual presence of the viewer. They’re kissing and sucking, fucking and birthing, playing and pillorying all without shame or service to the…[Read more]
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Charles Gleek deposited Of Unfettered Light and Limitless Energy: An Ecocritical Reading of Gregory Crewdson’s Beneath the Roses on Humanities Commons 8 years, 2 months ago
Gregory Crewdson’s cinematic, tableaux photographs often depict an anonymous, banal, and tension-filled life in suburban and rural communities. Working as a self-described American realist and strongly influenced by a tradition of American vernacular artists, including work by Arbus, Eggleson, Friedlander, and Hopper, Crewdson actively seeks to c…[Read more]
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Charlie Gleek's profile was updated on Humanities Commons 8 years, 2 months ago
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Anne Donlon deposited AAR 2017: Using Humanities Commons to Curate Your Online Presence, Increase the Impact of Your Scholarship, and Tell the Story of Your Work on Humanities Commons 8 years, 2 months ago
Run by a nonprofit consortium of scholarly societies, Humanities Commons wants to help you curate your online presence, expand the reach of your scholarship—whatever form it may take—and connect with other scholars who share your interests. The presentation introduces Humanities Commons and the power linking CORE, our open access repository, wit…[Read more]
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Anne Donlon's profile was updated on Humanities Commons 8 years, 2 months ago
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Charles Gleek deposited Of Unfettered Light and Limitless Energy: An Ecocritical Reading of Gregory Crewdson’s “Beneath the Roses” in the group
TC Ecocriticism and Environmental Humanities on MLA Commons 8 years, 2 months agoGregory Crewdson’s cinematic, tableaux photographs often depict an anonymous, banal, and tension-filled life in suburban and rural communities. Working as a self-described American realist and strongly influenced by a tradition of American vernacular artists, including work by Arbus, Eggleson, Friedlander, and Hopper, Crewdson actively seeks to c…[Read more]
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Charles Gleek deposited Of Unfettered Light and Limitless Energy: An Ecocritical Reading of Gregory Crewdson’s “Beneath the Roses” in the group
MS Visual Culture on MLA Commons 8 years, 2 months agoGregory Crewdson’s cinematic, tableaux photographs often depict an anonymous, banal, and tension-filled life in suburban and rural communities. Working as a self-described American realist and strongly influenced by a tradition of American vernacular artists, including work by Arbus, Eggleson, Friedlander, and Hopper, Crewdson actively seeks to c…[Read more]
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