Through an engagement with theory from the fields of art history, anthropology, and sociology, this article examines the archival existence of medieval manuscripts and facilitates an understanding of archival practice and its effects on user experience from the perspective of the researcher, rather than from that of the archivist or information…[Read more]

Through a discussion of the materiality of photographic documents and the inherent qualities of digital objects, this article examines the viability of digitization as a method of archival photographic preservation. By exploring notions of surrogacy, originality, and aura, the author presents and deconstructs the popular argument that digital…[Read more]

Occasionally, the handlers of the past chose to leave marks more permanent than the everyday wear and tear. The deliberate traces left by past user(s) demand further inquiry, beseeching us to investigate more closely the relationship between our experiences of manuscripts today, and those responses of past readers who have left an indelible mark…[Read more]

Occasionally, the handlers of the past chose to leave marks more permanent than the everyday wear and tear. The deliberate traces left by past user(s) demand further inquiry, beseeching us to investigate more closely the relationship between our experiences of manuscripts today, and those responses of past readers who have left an indelible mark…[Read more]

The present paper is a continuation of research on terminology used in the Renaissance to identify and describe altarpieces. It treats Venetian painted altarpieces from c. 1350 to c. 1500 and follows last year’s study of Florentine and central Italian altarpieces. It focuses on multi-panel works, some of which survive intact, while most have b…[Read more]

In the original arrangement of the since-dismembered tomb, the costly life-size bronze panel of Roccabonella seated in his study faced the life-size bronze panel of the Virgin and Child adored by St. Francis and St. Peter; the two panels and their arrangement present Roccabonella’s erudition as well as his devotion to the holy figures depicted i…[Read more]

This article traces the gradual development of allegorical portraiture in Mughal Art under emperor Jahangir (1569–1627), by analyzing Mughal artists’ gradual adaptation of the European genres of portraiture and allegory through their encounter with European prints.

A capital with an unusual scene of the Baptism of Jesus has recently been excavated in the late twelfth-century cloister of San Juan de la Peña (Huesca). Remarkable for its depiction of a youthful Saviour seated in a footed baptismal font, the image deviates significantly from the traditional Romanesque formula of an adult Jesus baptized in the…[Read more]

Un poco antes de fallecer, recién rebasada la mitad del siglo XV (1454), el monarca castellano Juan II se atrevió a exponer en breves palabras la tremenda carga que suponía para
cualquier mortal el ejercicio del poder regio, es decir, lo que habitualmente se conoce con el modismo de «el peso de la púrpura»: “Naciera yo fijo de un labrador e fuera…[Read more]

Undergraduate Seminar on Medieval and Golden Spanish Literature

Graduate Seminar of Spanish Literature of the Middle Ages & Renaissance

Undergraduate Seminar in Medieval and Golden Age Spanish Literature

Review of Pontormo, Bronzino, and the Medici: The Transformation of the Renaissance Portrait in Florence by Carl Brandon Strehlke

Review of Medici Women: Portraits of Power, Love, and Betrayal by Gabrielle Langdon

Chapter in Witwenschaft in der frühen Neuzeit: fürstliche und adlige Witwen zwischen Fremd- und Selbstbestimmung

Chapter 8 in The Single Woman in Medieval and Early Modern England: Her Life and Representation

Ch 5 of Grief and Gender, 700-1700

Chapter 10 in Growing Old in Early Modern Europe: Cultural Representations

Chapter in Women and Portraits in Early Modern Europe: Gender, Agency and Identity

Afterword of Widowhood and Visual Culture in Early Modern Europe