Marco Heiles, Heinrich Kaufringer Bibliographie 1809–2017 (31.05.2018), in: Mittelalter. Interdisziplinäre Forschung und Rezeptionsgeschichte, https://mittelalter.hypotheses.org/9836.

Description of the German geomantic and astologic multiple text manuscript Oxford, Bodleian Library, MS Broxbourne 84.3 from 1469.

Marco Heiles, geomancia hais ich. Die geomantisch-astrologische Sammelhandschrift Oxford, Bodleian Library, MS Broxbourne 84.3, in: Mittelalter. Interdisziplinäre Forschung und Rezeptionsgeschichte 1 (2018),…[Read more]

Edition and commentary of an German chiromantic text from about 1464 in the manuscript Linz, Landesbibliothek, Hs. 139, fol. 1r-5r.

Marco Heiles, Eine bisher unbeachtete deutsche Chiromantie in der Landesbibliothek Linz, in: Zeitschrift für deutsches Altertum und deutsche Literatur 145 (2016), S. 70-81.

The development of the use of computers and software in art from the Fifties to the present is explained. As general aspects of the history of computer art an interface model and three dominant modes to use computational processes (generative, modular, hypertextual) are presented. The “History of Computer Art” features examples of early…[Read more]

The core of the Conceptual artists (Mel Bochner, Sol LeWitt; the Siegelaub group with Robert Barry, Douglas Huebler, Joseph Kosuth, Lawrence Weiner; English and American members of Art & Language) is situated in the art context of the late sixties and the first half of the seventies. The self-positioning of the Conceptual artists within the art…[Read more]

The outline of the development of Performance Art features happenings in New York and Vienna in the sixties as well as body art and performances with closed circuits in the seventies (among others). Action Art, Environmental Theater and Intermedia are the terms defining the main characteristics of the works discussed. The research method is mainly…[Read more]

German abstract of:
Marco Heiles, Das Losbuch. Manuskriptologie einer Textsorte des 14. bis 16. Jahrhunderts, Köln/Weimar/Wien: Böhlau 2018, ISBN 978341251292.

This paper articulates a model for examining medieval vernacular multi-text codices which
is based on the dynamics we see in the contemporary use of social media, particularly
personal blogs. Both media democratise the use of an existing specialised technology,
accelerate the development of this technology, and serve as vehicles for the…[Read more]

This paper discusses the literary, emotional and monastic relationship of Peter of Poitiers and Abbot Peter the Venerable, in particular looking at Peter of Poitier’s verse Panegyric in praise of his abbot, and Peter the Venerable’s subsequent verse Defence of his monk’s writings. The paper concludes that the Panegyric and its defence were part of…[Read more]

Transcription of a tract on the plague from a German manuscript from ca 1463, Hamburg, Staats- und Universitätsbibliothek, Cod. germ. 1, fol. 51ra-rb.

The Middle Commentary on Aristotle’s Poetics by the Andalusian philosopher Ibn Rushd (d. 1198) has been treated by commentators as wide-ranging as Borges, Renan, and Kilito as an exemplary case of the failure of translation. Critics who presume Ibn Rushd’s failure often concentrate on his rendering of Aristotle’s tragedy and comedy by praise…[Read more]

This dissertation examines the idea of ethical revaluation — taking things we normally see as good for our flourishing and seeing them as neutral or bad, and vice versa — in the Mahāyāna Buddhist thinker Śāntideva. It shows how Śāntideva’s thought on the matter is more coherent than it might otherwise appear, first by examining the consistency…[Read more]

Ken Wilber’s Integral Theory insists that valid knowledge must be derived from paradigms: sets of injunctions and social practices that lead to replicable experiences. Wilber claims that the theory still includes the essentials of premodern traditions, because the essentials of those traditions consist of a phenomenological core of practices l…[Read more]

From 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) – who held a stately sanctioned monopoly – organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]

The following text presents an online project, which has been developed since April 2007 with a duration of five years on the initiative of the Kunstgeschichtliches Institut in Frankfurt and the Kunsthistorisches Institut in Florence, together with the partner institutions Städel Museum and Historisches Museum in Frankfurt and jointly financed by…[Read more]

This dissertation considers how Peter the Venerable, the abbot of Cluny from 1122 to 1156, implemented reform through a textual program. Peter’s abbacy witnessed a period of fundamental reconstruction, in which not only the practices of Cluniac monasticism, but also its mentality and institutional ethos underwent dramatic change. This period e…[Read more]

This is a preprint draft of the chapter appearing in the De Gruyter volume, Friendship in the Middle Ages and Early Modern Age.

Drei digitale Kunstprojekte aus den Jahren 2015 und 2016 werden in diesem Text vorgestellt und verglichen, Game Over Facebook, WrongGrid und Curating Money. Ihnen ist gemeinsam, dass sie in Konfrontation zu ihrem jeweiligen technischen und ästhetischem Kontext stehen, beispielsweise zu den digitalen Plattformen, auf denen sie gespeichert sind,…[Read more]

Am 11.10.2014 erschien im Feuilleton der Frankfurter Allgemeinen Zeitung ein Artikel von Gina Thomas über die derzeitige Intensivierung der wissenschaftlichen Arbeit zum Kunstmarkt. Der Titel lautete: Wie der Kunsthandel die Wissenschaft erobert. Auf diese Bestimmung eines Verhältnisses und die gebrachten Beispiele soll hier reagiert werden.