In the valuation of works of art, the setting of a price is the last step, the result of a discursive attribution of quality; in this regard, aesthetic and commercial evaluations merge. The structure of this mediation is characterised by the concept of the “knowledge market;” knowledge that is ordered and able to spread is essential in order to…[Read more]

Digital images with metadata contain unique potential for research into the history of the art market. The embedding of digital images in a database allows for the possibility of an association with their historical context due to the presence of metadata, which includes economic data, such as the provenance chain, as well as information about…[Read more]

Henri Matisse’s images in Jazz, created during the disruption of the German Occupation of France, were embedded with symbols of cultural resistance, while his text, which he composed after the defeat of the Germans, reflected the transition to a post-Liberation France. The wartime symbols and allusions camouflaged within these images are readily r…[Read more]

This published Japanese-English guidebook to the island of Shikoku, emphasizing its culture and history, has been available by permission on the Web in French, Spanish, and Dutch at European Websites, as well as this English-Japanese version since 1997. Most of the chapters are bilingual, with English and Japanese alternating for those studying…[Read more]

Mindfulness of breathing or ānāpānasati has a prominent place among the meditation methods taught by the Buddha. This doesn’t come as a surprise, if we know this is exactly the method the Teacher used to attain his own enlightenment, but also to “generally dwell during rains residence”. Therefore, he qualified this type of mental training as a n…[Read more]

Udāna is the third book of the Khuddaka Nikāya, the last of the five nikāyas in the Sutta Pitaka. It consists of eight vaggas, with ten suttas in each, 80 suttas in total. Similarly to some other books of the Pāli Canon, in this collection each sutta is a combination of prose and verses called udānas, inspired utterances or uplifting utte…[Read more]

This study argues for the importance of competitive discourse in placing the study of the ars dictaminis within the cosmopolitan tradition of humanistic Latin literature in the Middle Ages, particularly as it is expressed in the writing of Boncompagno da Signa and Guido Faba at Bologna in the first decades of the thirteenth century. Examining…[Read more]

The tale of Óðinn and Rindr is a complex one, but in its version found in the early thirteenth-century Gesta Danorum, we can see how Óðinn’s gender fluidity has become simplified into transvestism. From a being capable of changing gender, Óðinn now simply adopts the disguise of a woman. With this disguise, Óðinn rapes the woman Rindr in order ful…[Read more]

A cultural, historical, and practical guidebook to Kagawa Prefecture on the island of Shikoku across the narrow Seto Inland Sea from the main island of Japan. Formerly the province of Sanuki, a compact area with convenient train lines, it has great potential for tourism. An active region culturally for more than 2,000 years, it was the birthplace…[Read more]

This is an outline of how the Leys d’amors, a fourteenth-century troubadour treatise of huge influence on post-troubadour poetry, catalogued rhymes according to merit. It is used in my classes of 35399 Medieval Catalan Literature II, degree in Catalan Philology, at the Universitat de València (http://go.uv.es/ozQkp3H).

It has been widely acknowledged that reinstallations and re-executions of contemporary artworks substantially rely on available documentation. Especially for installations and performances it is crucial to record the artist’s intent, past iterations, and tacit knowledge involved in staging the artwork. The growing presence of contemporary a…[Read more]

Marco Heiles: Topography of German Humanism 1470–1550. An Approach, Essay, University of Oxford 2010.
The maps are also available as website: Marco Heiles, Topography of German Humanism 1470–1550 (2011),
https://topography-german-humanism.artesliteratur.de/index.html.

This article explores three facets of green space within a medieval monastic context: its origin, its effects and properties and the way it was shaped into an expression of power. We learn a great deal about the history of green space through the nuances of monastic thought and vice versa. The term ‘green space’ in a medieval context may ini…[Read more]

Subtitled “Symbols of Self-Realization in the Kanfugen-gyo [the meditation practice of the Lotus Sutra trilogy],” this was a presentation at the conference on Jungian Perspectives on Creativity and the Unconscious at Miami University, Oxford, Ohio in 1979. Having researched dreams and legends surrounding the Buddha, the view of the author…[Read more]

Although the ultimate theme of “The Seven Sleepers” can be located in its medieval Christian doctrine—the bodily resurrection is real, and therefore it is in the afterworld where one finally, really “lives,” with shining body and soul together—I would like to argue that, in the Old English version’s emphasis on the highly individualized emotion…[Read more]

Through an analysis of Tony Kushner’s 2001 play “Homebody/Kabul” and the Old English “Ruin” poem, this essay explores the tension, anxiety, and isolation inherent in the aesthetic and philosophical enterprises of measuring the distance that separates myth from real being (a project that takes place, I would argue, against Levinas, not just o…[Read more]

Two papers on the Jungian psychology of Asian religions from M.A. coursework at the University of Hawaii in 1978. “Equations of Freedom with Enlightenment” analyzes Chinese Buddhism, Taoism, and Zen as to the meaning of liberation. Then “This World as a Symbolic Body of the Buddha” analyzes the Shingon Buddhist cosmology of Kukai and its Tantric…[Read more]

A text on feminist 1970s avant-garde performance for the camera (Hannah Wilke, Birgit Jürgenssen, Ana Mendieta, Eleanor Antin) and the implications of the “wall” (lense) for the relationship between work and audience, as well as a text on VALIE EXPORT’s Touch Cinema (1968).

Hashikuradera, the inner sanctuary of Kompira-san on Shikoku island, defied the Meiji government and has kept Buddhism and Shinto on the same hallway to this day. This old map depicts the syncretic divinity Kompira Daigongen whirling through the air from Kompira-san or Elephant’s Head Mountain (upper left) to meet Kukai, just labeled the great…[Read more]

Through a comparative analysis of Chaucer’s “The Clerk’s Tale” and Lars von Trier’s film “Breaking the Waves,” this essay wonders what happens when two texts and one reader happen to each other and open up a singular adventure that is also a moment of ‘futurition’ that opens up new horizons of meaning, both human and inhuman. How can we reckon the…[Read more]