In his fiction, journalism and letters, Dostoevsky recurrently mentions ethnicity of his protagonists. Russians, Poles, Englishmen, Germans, Turks, Greeks etc. never act as individuals with their personal life but rather as ‘carriers’ of some national idea. Amidst the nations represented in Dostoevsky’s oeuvre, there are some Jews. The fashi…[Read more]

Late medieval culture tends to value pain highly and positively. Accordingly, much medievalist scholarship links pain with fear and emphasizes their usefulness in the period’s philosophy, literature, visual art, and drama. Yet, key moments in The York Play of the Crucifixion, The Second Shepherds’ Play, and The Tretise of Miraclis Pleyinge tro…[Read more]

This essay explores an unprecedented distinction between literary and popular writing that emerged in debates in Maṇikkoṭi and Āṉanta Vikaṭaṉ, two well-known Tamil magazines that were launched in the 1930s. Through short stories and critical essays, the writers who contributed to these magazines attempted to create new lenses through which to v…[Read more]

This essay explores an unprecedented distinction between literary and popular writing that emerged in debates in Maṇikkoṭi and Āṉanta Vikaṭaṉ, two well-known Tamil magazines that were launched in the 1930s. Through short stories and critical essays, the writers who contributed to these magazines attempted to create new lenses through which to v…[Read more]

Nicholas of Cusa’s _De visione Dei sive de Icona_ (1453), in addition to its contribution to the question of the vision of God, engages with numerous debates concerning visibility in general, and thus addresses the dimensions of phenomenality–namely, questions concerning the icon as a type of phenomenon, the reversal of vision into a…[Read more]

Nicholas of Cusa’s _De visione Dei sive de Icona_ (1453), in addition to its contribution to the question of the vision of God, engages with numerous debates concerning visibility in general, and thus addresses the dimensions of phenomenality–namely, questions concerning the icon as a type of phenomenon, the reversal of vision into a…[Read more]

Nicholas of Cusa’s _De visione Dei sive de Icona_ (1453), in addition to its contribution to the question of the vision of God, engages with numerous debates concerning visibility in general, and thus addresses the dimensions of phenomenality–namely, questions concerning the icon as a type of phenomenon, the reversal of vision into a…[Read more]

This article sets the itineracy of antiapartheid expressive culture to work in relation to exiled South African jazz singer Miriam Makeba. It revisits accounts of transnational cultural circulation on the part of Rob Nixon, Paul Gilroy, and others to argue that the diffusion of South African cultural formations outward from South Africa offers…[Read more]

In this essay, I trace the deep time of the Indian Ocean through and against which Shailja Patel fabulates the notion of migritude and, in particular, what its valences are for solidarities between black and brown Kenyans and other south-south relationships. Attentive to the multiple voices she invites into the text and the material objects that…[Read more]

This essay reads Ivan Efremov’s “Andromeda Nebula” (1957), Stanisław Lem’s “Solaris” (1961), and Angela and Karlheinz Steinmüller’s “Andymon” (1982) in order to explore the relationship between biological evolution and dialectical materialism, as it was negotiated through the trope of the alien in the context of the cultural politics of Eastern E…[Read more]

This article compares the 1950s and 1960s short story writing of two influential yet underexamined women writers, Mannu Bhandari (1931–) and R. Chudamani (1931–2010), who are considered key representatives of the Hindi and Tamil literary canons, respectively. Mani demonstrates that from within their specific geographic and historical contexts, Bha…[Read more]

This article compares the 1950s and 1960s short story writing of two influential yet underexamined women writers, Mannu Bhandari (1931–) and R. Chudamani (1931–2010), who are considered key representatives of the Hindi and Tamil literary canons, respectively. Mani demonstrates that from within their specific geographic and historical contexts, Bha…[Read more]

Call for Papers for Peer-Reviewed Edited Volume

Re-Membering Hospitality in the Mediterranean:
Essays in Anglophone Literature, Arts, and Culture

Co-edited by yasser elhariry, Isabelle Keller-Privat & Edwige Tamalet Talbayev

Call for Papers for Peer-Reviewed Edited Volume

Re-Membering Hospitality in the Mediterranean:
Essays in Anglophone Literature, Arts, and Culture

Co-edited by yasser elhariry, Isabelle Keller-Privat & Edwige Tamalet Talbayev

An overview of proposed categories for the growing graphic medicine genre of cancer comics (i.e. cancer narratives in comic book form) and an initial theory on the significant linkage between this illness and particular medium.