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Robin Rolfhamre deposited Informed Play: Approaching a Concept and Biology of Tone Production on Early Modern Lute Instruments in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 6 months agoInformed Play presents a conceptual understanding of tone production based on extensive historical research on primary sources, modern literature and handbook reviews, physical and psychological perspectives as well as on technology. As the first volume in English to discuss and contextualise the topic of tone production on Early Modern lute…[Read more]
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Alexander J McNair deposited Pasillo del Cid Campeador: un curioso pliego suelto del siglo XIX in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 7 months agoEn su edición del Romancero del Cid de 1871, un compendio de todos los romances del Cid disponibles en versiones impresas de los siglos XVI y XVII, Carolina Michaëlis incluyó un apéndice para demostrar la vitalidad de la tradición cidiana en pleno siglo XIX. Michaëlis escribe: “Para muestra del género de romances populares que aun hoy dia en A…[Read more]
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Cristelle Baskins started the topic CFP — IAS sponsored session at RSA Dublin 2021 in the discussion
Renaissance/ Early Modern Studies on Humanities Commons 5 years, 7 months agoPainted Faces: Documenting the Tradition and Reach of the Renaissance Frescoed Façade in Rome and Beyond In early sixteenth-century Rome, as the architectural language of grand domestic spaces was being further refined, elaborate façade fresco decorations came into incredible popularity. These cycles, some of which were designed to root the st…[Read more]
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Carlotta Paltrinieri started the topic Online Lecture in the discussion
Renaissance/ Early Modern Studies on Humanities Commons 5 years, 7 months agoOn July 11th, at 6pm, I will be giving a lecture on the Florentine academies (Disegno, Fiorentina, Crusca) as part of the online lectures series: “THE MEDICI AND THEIR ARCHIVES: ARTISTIC PATRONAGE AND DIPLOMACY”. If you are interested in the series you can register here: https://www.medici.org/map-online-lectures-series/
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Birk Weiberg deposited Modeling Performing Arts: On the Representations of Agency in the group
Digital Art History on Humanities Commons 5 years, 7 months agoThe documentation of performing arts by means of databases is a challenging task for several reasons. Primarily, this has to do with the absence of a central, sizeable object that can be described and quantified. Any information collected in a database for performing arts thus seems to be of second order, paraphrasing what cannot be reproduced.…[Read more]
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Pedro P. Palazzo deposited Architecture as Portrait: Exoticism and the Royal Character of the Louvre, 1380–1681 in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 7 months agoThe architectural evolution of the Louvre between the 15th and 17th centuries is characterized by systematic attempts to distinguish the building within the broader context of French styles. In the 15th and early 16th centuries, this is achieved by producing grander and more elaborate versions of the contemporary French architectural solutions.…[Read more]
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Ann E Mullaney deposited Pietro Bembo and the Erotic Lexicon in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 7 months agoThe works of Pietro Bembo (1470-1547) intrigue readers approaching them from various angles… Here, my aim is modest: to highlight passages in Bembo’s literary texts which exploit the erotic lexicon so popular in his day.
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Alexander J McNair deposited Variantes y versos perdidos: El Cid Campeador de A. Enríquez Gómez entre el manuscrito (1660) y las comedias sueltas in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 7 months agoEl Cid Campeador, obra teatral de Antonio Enríquez Gómez (1660-1663), se publicó reiteradamente a lo largo del siglo XVIII y los primeros años del XIX. La obra, casi desconocida hoy en día, gozó de una popularidad enorme entre 1700 y 1830, tanto en el teatro como en la imprenta, debido en parte a su tema histórico y el estilo barroco, tan de gus…[Read more]
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Alexander J McNair deposited A Critical Edition of Antonio Enríquez Gómez’s El Cid Campeador (1660): Project Narrative for Grant Proposal in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 7 months agoThis paper is the project narrative for a grant proposal submitted in February 2019, that resulted in funding from two different sources to cover travel expenses in support of archival work in Spain (summer 2019). I share this project narrative to encourage others who are considering similar proposals, or who may be thinking about the scholarly…[Read more]
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Samantha Blickhan replied to the topic Getting started with crowdsourcing in GLAMS and academia: your questions sought in the discussion
Crowdsourcing on Humanities Commons 5 years, 8 months agoThis question of commonly-seen tasks is one of the hardest ones for me, as a practitioner, to wrap my head around in terms of how to convey information in a useful way. For example, it’s *so* helpful to be able to point to a project using a similar type of data, with a similar goal, and say, “Here’s how this team did it, here’s what their output…[Read more]
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Mia Ridge replied to the topic Getting started with crowdsourcing in GLAMS and academia: your questions sought in the discussion
Crowdsourcing on Humanities Commons 5 years, 8 months agoThinking about it, one of the challenges for people thinking about crowdsourcing ideas for the first time is understanding whether their idea is similar to established patterns, or if it’s novel.
Platforms tend to cater to projects that match common patterns of tasks, though each has variations in how they approach it. Entirely new or novel tasks…[Read more]
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Jasmine Burns deposited Images as Research Data and the Role of the Information Professional in the group
Digital Art History on Humanities Commons 5 years, 9 months agoThe goal of this paper is twofold: first to define “research data” in a humanities context through a discussion of the ways in which humanities researchers create and aggregate image collections, and second to address the processes by which academic libraries and information professionals can play an active role in supporting the treatment and per…[Read more]
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Mia Ridge replied to the topic Getting started with crowdsourcing in GLAMS and academia: your questions sought in the discussion
Crowdsourcing on Humanities Commons 5 years, 9 months agoCommon platforms include:
- The Zooniverse Project Builder
- FromThePage
- Scripto + Omeka
- Pybossa
This is only a starting point and doesn’t begin to address the strengths and affordances of each platform, or consider the other systems you’ll need around the platform to manage data going in and out.
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Mia Ridge replied to the topic Getting started with crowdsourcing in GLAMS and academia: your questions sought in the discussion
Crowdsourcing on Humanities Commons 5 years, 9 months agoThe following is a bit of a brain dump of things I tend to say in conversations about crowdsourcing projects, based on my academic research and practical experience. I should really just dig out my teaching slides as they’re designed to anticipate common questions, but in the spirit of ‘the perfect being the enemy of the good’ I’m going to start…[Read more]
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Mia Ridge replied to the topic Getting started with crowdsourcing in GLAMS and academia: your questions sought in the discussion
Crowdsourcing on Humanities Commons 5 years, 9 months agoThinking back over previous conversations and unpicking some of the assumptions people bring to them, I’ve kick-started with some questions I’ve heard a few times. I’d love to know which ones resonate, and more importantly, what questions you’d add:
- How do I manage data quality?
- Is the overhead of picking and figuring out a platform worth it?…
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Mia Ridge started the topic Getting started with crowdsourcing in GLAMS and academia: your questions sought in the discussion
Crowdsourcing on Humanities Commons 5 years, 9 months agoWith much of the world being asked to stay in and prevent the spread of the coronavirus and many people unable to do their usual activities, there’s a surge of interest in crowdsourcing from folk in museums, libraries, archives, galleries, academics and others.
This is the moment many of us already working in crowdsourcing have dreamed of, but it…[Read more]
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Cristina León Alfar deposited Speaking Truth to Power as Feminist Ethics in Richard III in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 9 months agoIn this essay Queen Margaret’s curses in Richard III become part of a feminist ethics on the early modern stage. As a parrhesiast, in Foucault’s terms, Margaret speaks truth to power and claims a right of citizenship. That Margaret elicits universal revulsion from the other characters while also holding a unique, though not untroubled, pos…[Read more]
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Annika McQueen deposited Inns and Innkeeping in North Hertfordshire: 1660 – 1815 in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 9 months agoThis dissertation ‘Inns and Innkeeping in North Hertfordshire: 1660-1815’ addresses the lack of a localised study on this building type and supplements the wider body of work that has been undertaken, on inn form, function and innkeeping lifestyles in other regions of England during the long eighteenth century.
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Mia Ridge replied to the topic Collective wisdom: 'From crowdsourcing to digitally-enabled participation' in the discussion
Crowdsourcing on Humanities Commons 5 years, 10 months agoObviously this has all been postponed – we had a backup date in October but at this stage it’s too difficult to make any definite plans.
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Flavia De Nicola deposited Nuove acquisizioni sulla prima attività romana di Michelangelo Buonarroti connessa con l’Umanesimo dei Pomponiani in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 10 months agoYoung Michelangelo Buonarroti’s experience was deeply marked by his cult of Antiquity, reverberated in the creation of artworks such as the Sleeping Cupid and the Bacchus and shared with Raffaele Riario and Jacopo Galli, his patrons during his first stay in Rome (1496-1501). The cardinal-camerlengo Raffaele Riario was an important promoter of t…[Read more]
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