The aim of this course is to explore the cultural constructions of gender and sexuality in the literature of Medieval and Renaissance Southern Europe. We will approach questions such as the status of women and the context of misogyny, the societal role of same-sex relations, the presentation and visualization of sexuality, desire and the body. We…[Read more]

The proliferation of TV fiction can be partly explained by TV producers attuning their products to draw audience’s attention. Narratives of love dominate the plots and almost always the good is pitted against the evil, rich against the poor – ultimately the good always wins. The formula may be clichéd, but in places where news of war, te…[Read more]

This paper argues that in The Farming of Bones, Edwidge Danticat seeks to historicize and memorialize the Parsley Massacre through the reframing of the historical event through Amabelle Désir’s fictional account. Through the conflation of historical artifact and literary imagination, the novel narrates, and therefore produces, a collective me…[Read more]

This paper analyses the measures, reactions, and consequences of the repression of the neo-Biafra movement in Nigeria using longitudinal qualitative research. To go about this, the paper looks at the political context within which the movement operates, it objectives, and its activities are described. The movement started in September 1999 in…[Read more]

Jordan and Iraq are not countries that are often associated with a local film culture. Recently, however, a nascent film industry has started to grow in both Iraq and Jordan, producing films that have been shown in international film festivals. Even though the Jordanian film industry remains in its infancy, the films that have emerged of late…[Read more]

In this essay, I discuss salient themes of The Child to Come: Life After the Human Catastrophe (University of Minnesota Press, 2016). I hold that The Child To Come’s main thrust is this: ‘The issue is not that there is no future but rather that there is no sure way of orienting toward that future, either to save it or to survive it’. The chall…[Read more]

Anhand der Science-Fiction Animes “Captain Future”, “Saber Rider and the Star Sheriffs” und “Cowboy Bebop” wird eine bestimmtes Narrativ innerhalb des Genres des Science-Fiction Anime stichprobenartig über drei Jahrzehnte hinweg betrachtet und die vorzufindenden Geschlechterkonstruktionen beleuchtet: Jede dieser Erzählungen handelt von den A…[Read more]

While ecocritical poetics have effectively challenged epistemologies of nature and culture, scholars such as Heise, Huggen, Nixon, and Garrard have critiqued this emergent field’s geographic and cultural provincialism. Seeking a rapprochement between Caucasus vernacular literatures and a literary-theoretical movement (ecocriticism) still dominated…[Read more]

The tension between feminism and national liberation is a commonplace of political mobilization across the postcolonial world. This essay traces how postcolonial nationalist and transnational feminist agendas were brought into conflict during the defense of a thesis on the novels of the Syrian writer Ghada al-Samman (b. 1942) that took place in…[Read more]

The tension between feminism and national liberation is a commonplace of political mobilization across the postcolonial world. This essay traces how postcolonial nationalist and transnational feminist agendas were brought into conflict during the defense of a thesis on the novels of the Syrian writer Ghada al-Samman (b. 1942) that took place in…[Read more]

This review of Chapter 8, “Connection at Ewiiaapaayp Mountain: Indigenous Internet Infrastructure” by Christian Sandvig is part of “crowd-sourced book review” project organized by Humanities, Arts, Science Technology Advanced Collaboratory (HASTAC).

This essay examines Electronic Disturbance Theater’s virtual sit-in actions as a form of hacktivism in relation to the subaltern concept.

Reification, fetishism, alienation, mastery, and control – these are some of the key concepts of modernity that have been battered and beaten by postmoderns and nonmoderns alike, with Bruno Latour, a nonmodern, discarding them most recently. Critical of this approach, which creates a rift between moderns and nonmoderns, the author engages in d…[Read more]

Sónia Silva is an Associate Professor of anthropology at Skidmore College. Drawing on ethnographic fieldwork in Zambia, as well as museum work in Europe and the USA, Silva’s research deals with materiality, material religion, the notion of the fetish, ritual and religion, divination, witchcraft, violence, and museums. Silva is the author of Alon…[Read more]

Call for Papers

The literary relation between Parvin E’tesami and Walt Whitman remains a largely unexplored field. This article analyzes the connection between “God’s Weaver” and “A Noiseless Patient Spider” to shed light on Parvin’s creative reception of Whitman. Creating a mixed-breed spider, combining characteristics from both
Whitman’s insect and the Persi…[Read more]