A review of the “Season of Love” Tri-Partite Exhibition at the Tampa Museum of Art featuring the work of Patricia Cronin, Yayoi Kusama, and Robert Indiana.

While Anton Chekhov’s influence on Katherine Mansfield is widely acknowledged, the two writers’ settler colonial aesthetics have not been brought into systematic comparison. Yet Chekhov’s chronicle of Sakhalin Island in the Russian Far East parallels in important ways Mansfield’s near-contemporaneous account of colonial life in New Zealand…[Read more]

While male illustrators including Alberto Vargas (1896–1982), George Petty (1894–1975), and Gil Elvgren (1914–1980) are synonymous with the field of early-twentieth-century pin-up art, there were in fact several women who also succeeded in the genre. Pearl Frush (1907–1986), Zoë Mozert (1907–1993), and Joyce Ballantyne (1918–2006) each establi…[Read more]

Starting from the critique of Enlightenment from Horkheimer/Adorno to Foucault, this essay discusses implications of such critique for the most eminent figure of Serb enlightenment, Dimitrije (Dositej) Obradović. Topics: Politics towards Josef II’ enlightened despotism, the misunderstanding about Obradovic’ championship of a popular literary…[Read more]

In response to the four commentaries on ‘Cyborg uterine geography’, in which I argued normatively for reorganizing gestation on the basis of comradeliness, I grapple with three overlapping conceptual areas highlighted: the ethical and political affordances of the term ‘generosity’ in relation to care and pregnancy; the methodological questio…[Read more]

Through a detailed analysis of the story “The Three Sisters” from Mia Couto’s collection O Fio das Missangas (“The Bead Necklace”) published in 2004, I reveal how Couto recreates a space where relational practices are at the forefront of existence. I analyse this specific story to reveal Couto’s relational practices and its accompanyin…[Read more]

. I demonstrate how The Book of Chameleons is replete with metaphors of what I call the “non-self,” or “supra-self,” or even “God,” which are commonly found in Zen Buddhist thought, classical African epistemological and ontological paradigms, and more specifically, the idea of African Personality as put forward by Léopold S. Senghor or even in s…[Read more]

As a continuation of my previous transcultural comparative project, the current study aims to unearth some other similarities that exist between African classical knowledge systems, as put forward in the writing of Mia Couto and the work of other Africanists such as Wole Soyinka, Jacob Olupona and Léopold Senghor— in respect to their links to po…[Read more]

The Nakba not only resulted in the loss of the homeland, but also caused the dispersal and ruin of entire Palestinian communities. Even though the term Nakba refers to a singular historic event, the consequence of 1948 has symptomatically become part of Palestinian identity, and the element that demarcates who the Palestinian is. Palestinian exile…[Read more]

Recent forms of realism in continental philosophy that are habitually subsumed under the category of “speculative realism,” a denomination referring to rather heterogeneous strands of philosophy, bringing together object-oriented ontology (OOO), non-standard philosophy (or non-philosophy), the speculative realist ideas of Quentin Meillassoux and…[Read more]

Christina McPhee’s ‘commonplace book’ draws from a palimpsest of handwritten notes, lists, quotations, bibliographic fragments, and sketches, from an artist whose voracious reading practice is a direct feed into her life and art — all set to a visual and textual design-as-score, as prominent writers on painting, media arts, performance, video i…[Read more]