PowerPoint Slides for the “Industry, Postcolony, and the Immersive Arts of Environmental Storytelling” talk delivered during the Global DH Symposium on March 24, 2022.

This talk addresses the challenges of doing environmental and digital humanities (D&EH) work in the space of “high Nordic” colonialism and extractivism in Norway (Lars Kiel Bertelsen, qtd. in Arke, Ethno-Aesthetics 9). Trondheim, a burgeoning silicon fjord smart city in the throes of overdevelopment and (post)colonial conflict, and NTNU, Nor…[Read more]

In Lebanon faculty, staff, and students across university campuses experienced multiple crises, of which COVID-19 was ironically the least to worry about. Ironically because the latter not only pungently exposed the infrastructural vulnerabilities in the health system on a colossal level and extenuated the digital divide in a developing society…[Read more]

This paper describes the function and genesis of IRSAAL-Urdu, a novel application of Google Sheets for the analysis of Urdu discourse online. This tool prioritizes openness, ease of use, and extensibility in its low technical bar for entry, robust documentation, and easily customized components. In particular, the paper details the postcolonial DH…[Read more]

This paper describes the function and genesis of IRSAAL-Urdu, a novel application of Google Sheets for the analysis of Urdu discourse online. This tool prioritizes openness, ease of use, and extensibility in its low technical bar for entry, robust documentation, and easily customized components. In particular, the paper details the postcolonial DH…[Read more]

English abstract: ‘Trolösa’ (‘Faithless’) is a film by Ingmar Bergman and Liv Ullmann which replicates their extramarital affairs and dramatizes personal identity drawn into the vortex of infidelity—a film which extracts from the experience of adultery all the possibilities of metaphysical anxiety, personal drama, and traumatic retrospection. (A…[Read more]

Spanish abstract: Una reflexión evolucionista y cognitivista sobre el papel de la imaginación y de la autorrepresentación en la identidad humana, en la creación de verdades, y en la gestión de las crisis—en el seno de una realidad humana, realidad interaccional y comunicativa, que siempre ha tenido mucho de realidad virtual (avant la lettre y avan…[Read more]

Among the most biased aspects of history is the concept of memory. What do we remember? How do we remember? When do we forget? Should we forget? Remembering where we’ve come from, and complicating the past, is essential in continuing our journey through this world but the politics of commemoration often sidetracks our identity and attempts to i…[Read more]