Article about the KU Leuven Fund for Fair OA, which provides financial support for publishing in non-profit OA.

The rationale behind this research was the quest to explore the policies, practices, techniques and strategies for audiovisual and digital media in developing countries experiencing tropical climates, given the fact that countries in developing countries are lagging behind in technology due to the cost attached to the implementation of…[Read more]

A text on feminist 1970s avant-garde performance for the camera (Hannah Wilke, Birgit Jürgenssen, Ana Mendieta, Eleanor Antin) and the implications of the “wall” (lense) for the relationship between work and audience, as well as a text on VALIE EXPORT’s Touch Cinema (1968).

“In capitalism, institutional libraries, publishers and book traders all have ways to suppress the publishing of, the access to or the distribution of texts and books — rigidities inviting for creative subversion.”

This chapter written in the form of a dialogue presents an informal conversation between Eva Weinmayr and her inner voice about a…[Read more]

A manifesto for a radically open publishing commons; an expansion of remarks originally presented on a panel devoted to independent open-access academic publishing at the 2nd Biennial Meeting of the BABEL Working Group (Boston, Massachusetts, 20-22 Sep. 2012).

An Open Letter & petition, with signatures, from punctum books to The New Press and Verso Books (UK), relative to their recent compilations (in print and e-book form) of Aaron Swartz’s selective collected writings, “The Boy Who Could Change the World,” in which the undersigned ask Verso and The New Press to reverse and repair this unfortunate…[Read more]

A syllabus for an undergraduate course, taught in English, on the visual culture (primarily film, photography, and aesthetic theory) of the Weimar Republic. The course is housed in German Studies and crosslisted with Art History, Cinema, and other departments.

In 1860, the newly-appointed librarian of the Royal Library at Windsor Castle, Bernard Bolingbroke Woodward, drew up a series of ambitious plans aimed at reforming the organisation and administration of the collection. The work carried out on the library during this period included the introduction of a subject-based classification system and the…[Read more]

The aim of this study is to investigate whether library and information service provision changes in commercial law firms that have adopted agile working policies. Whilst there are many management texts on agile working there is very little that looks at libraries, and what there is mainly deals with the academic sector. As agile working is…[Read more]

The altar screen mosaic icons were ordered and installed on a new reconstructed altar screen in the Žiča Monastery in 1993. The sketches made by a painter, Mladen Srbinović were approved by a committee consisting of eminent experts. Furthermore , The Serbian Patriarch Paul gave his blessing to the icons. However, soon after they were put up, th…[Read more]

The paper deals with the so called griffin lamps. In the group of early Christian bronze lamps, a relatively large number of those with handles in the form of griffin-shaped protome have been preserved. Griffin lamps could be called the prototype of Late Antique production, owing to the manner in which stylistic and iconographic elements of the…[Read more]

Between Continuity and Negation – Reception of the Ancient Spolia in the Christian Tradition in the North of Kosovo The use of spolia has been recorded on numerous sacred objects in the Northern Kosovo, especially in the micro region around the Roman settlement in Sočanica. Spolia were mostly used for construction and paving; however, their use…[Read more]

CERTAIN ASPECTS OF THE CULT OF ANTINOUS IN THE ROMAN SETTLEMENT AT SOČANICA This Roman settlement, located on the territory near Sočanica, was parтly explored around the 1950’s. Systematic excavations, headed by E.Češkov, resulted in quite a large number of mobile and immobile finds, helped to form a clearer picture about the history, econom…[Read more]

Jewish relation to representational art is determined mostly by the Second Commandment: “You shall not make for yourself a carved image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth; you shall not bow down to them nor serve them.” As science has observed, the…[Read more]

The aim of this research, focusing on representations of light and the symbolism of early Christian lamp decorations, has been to examine and summarise the existing knowledge of the symbolism of light in the Mediterranean region and the models by which this symbolism was manifested in the early Christian visual culture. Lamps with Early Christian…[Read more]

Lamp as a Symbol in Theology and Iconology of Light in the Mediterranean / Light and fire have been a part of the religious experience since the dawn of civilization, its cultic use can be traced back to as early as the Paleolithic. Seen as divine emanations, light and fire were experienced as a symbol of the divine presence. This symbolism can be…[Read more]

Open Peer Review and Open Citations need advocates. Open Access recently received significant boosts in organized support (Redalyc announcing AmerliCA; cOAlition-S announcing Plan S). Within a similar timeframe, two other events occurred that need coordinated consideration: the ASAPbio group issued a letter in favor of Open Peer Review (OPR), and…[Read more]

Hip-Hop music, business, distribution, and culture exhibit highly-comparable trends in the scholarly communication and publication industry. This article discusses Hip-Hop artists and research authors as content creators, each operating within marketplaces still adjusting to digital, online connectivity. These discussions are intended for…[Read more]

The real world, as we experience it today, is intimately connected with technological mediation. Drawing on theories of post-humanism, onlife, the infosphere, and audience participation, this paper addresses how the cultural, social and political beliefs of participants in immersive theatre can be trans-ed. The relationality inherent in the term…[Read more]

Die Präsentation gibt einen Überblick über die Aktivitäten im Zusammenhang mit Open Access an der Akademie der bildenden Künste Wien und ihrem institutionellen Repositorium ]a[repository. Im ersten Teil wird auf die Fragen “Was kann hier veröffentlicht werden?” und “Wie können Hochschulschriften und andere Publikationen im Akadem…[Read more]