Kelly Hiser
,@kellyhiser
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Mariusz Kozak deposited Kinesthesis, Affectivity, and Music’s Temporal (Re-/Dis-)Orientations in the group
Society for Music Theory (SMT) on Humanities Commons 5 years, 2 months agoIn this talk, presented at the Plenary Session of the 2020 Annual Meeting of the Society for Music Theory, I examine the relationship between time, embodiment, and affectivity in music. I argue that music is temporal not because it unfolds in time, or because it takes time as its vector, or even because it has the capacity to alter our sense of…[Read more]
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Mariusz Kozak deposited Kinesthesis, Affectivity, and Music’s Temporal (Re-/Dis-)Orientations in the group
Music and Sound on Humanities Commons 5 years, 2 months agoIn this talk, presented at the Plenary Session of the 2020 Annual Meeting of the Society for Music Theory, I examine the relationship between time, embodiment, and affectivity in music. I argue that music is temporal not because it unfolds in time, or because it takes time as its vector, or even because it has the capacity to alter our sense of…[Read more]
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Luís Henriques's profile was updated on Humanities Commons 5 years, 2 months ago
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Mariusz Kozak deposited Kinesthesis, Affectivity, and Music’s Temporal (Re-/Dis-)Orientations on Humanities Commons 5 years, 2 months ago
In this talk, presented at the Plenary Session of the 2020 Annual Meeting of the Society for Music Theory, I examine the relationship between time, embodiment, and affectivity in music. I argue that music is temporal not because it unfolds in time, or because it takes time as its vector, or even because it has the capacity to alter our sense of…[Read more]
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Philip Gentry's profile was updated on Humanities Commons 5 years, 2 months ago
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Mariusz Kozak deposited Review of Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking by Arnie Cox (2016) in the group
Society for Music Theory (SMT) on Humanities Commons 5 years, 3 months ago.
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Mariusz Kozak deposited Review of Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking by Arnie Cox (2016) on Humanities Commons 5 years, 3 months ago
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Luís Henriques's profile was updated on Humanities Commons 5 years, 4 months ago
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Luís Henriques deposited Continuidade do repertório polifónico na Catedral de Évora no século XVIII in the group
Music in Évora studies on Humanities Commons 5 years, 6 months agoEste texto apresenta um sumário de caraterísticas que apontam para a continuidade de uma tradição de escrita vocal polifónica na Catedral de Évora pelos compositores do final do século XVII e do século XVIII, nomeadamente as obras de Diogo Dias Melgaz, Pedro Vaz Rego e os seus sucessores, entre os quais se incluem Francisco José Perdigão e Miguel…[Read more]
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Luís Henriques deposited Continuidade do repertório polifónico na Catedral de Évora no século XVIII on Humanities Commons 5 years, 6 months ago
Este texto apresenta um sumário de caraterísticas que apontam para a continuidade de uma tradição de escrita vocal polifónica na Catedral de Évora pelos compositores do final do século XVII e do século XVIII, nomeadamente as obras de Diogo Dias Melgaz, Pedro Vaz Rego e os seus sucessores, entre os quais se incluem Francisco José Perdigão e Miguel…[Read more]
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Luís Henriques deposited Património musical na Catedral de Angra no século XVII: Três livros de polifonia vocal sacra e o seu possível contexto in the group
Music in the Azores studies on Humanities Commons 5 years, 6 months agoA Catedral de Angra foi, desde a sua fundação em 1534, um importante centro musical na ilha Terceira e no arquipélago dos Açores. Embora a sua atividade musical não seja conhecida em detalhe, várias referências documentais sugerem que esta seria pelo menos próxima das catedrais do continente português. Um dos testemunhos documentais é a existênci…[Read more]
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