This article analyzes the politics of anachronism in Chaucer’s Wife of Bath’s Tale. It argues that the Wife of Bath counters the Man of Law’s descending model of sovereignty and regulation of feminine agency with a powerful heroine who wields ascending sovereignty. The Old Wife lives in her Arthurian present and its English future simul…[Read more]

This article analyzes the politics of anachronism in Chaucer’s Wife of Bath’s Tale. It argues that the Wife of Bath counters the Man of Law’s descending model of sovereignty and regulation of feminine agency with a powerful heroine who wields ascending sovereignty. The Old Wife lives in her Arthurian present and its English future simul…[Read more]

This article analyzes the politics of anachronism in Chaucer’s Wife of Bath’s Tale. It argues that the Wife of Bath counters the Man of Law’s descending model of sovereignty and regulation of feminine agency with a powerful heroine who wields ascending sovereignty. The Old Wife lives in her Arthurian present and its English future simul…[Read more]

This article analyzes the politics of anachronism in Chaucer’s Wife of Bath’s Tale. It argues that the Wife of Bath counters the Man of Law’s descending model of sovereignty and regulation of feminine agency with a powerful heroine who wields ascending sovereignty. The Old Wife lives in her Arthurian present and its English future simul…[Read more]

Late medieval culture tends to value pain highly and positively. Accordingly, much medievalist scholarship links pain with fear and emphasizes their usefulness in the period’s philosophy, literature, visual art, and drama. Yet, key moments in The York Play of the Crucifixion, The Second Shepherds’ Play, and The Tretise of Miraclis Pleyinge tro…[Read more]

Late medieval culture tends to value pain highly and positively. Accordingly, much medievalist scholarship links pain with fear and emphasizes their usefulness in the period’s philosophy, literature, visual art, and drama. Yet, key moments in The York Play of the Crucifixion, The Second Shepherds’ Play, and The Tretise of Miraclis Pleyinge tro…[Read more]

Describes translation practice in relation to Old English Poetry.

This essay explores an unprecedented distinction between literary and popular writing that emerged in debates in Maṇikkoṭi and Āṉanta Vikaṭaṉ, two well-known Tamil magazines that were launched in the 1930s. Through short stories and critical essays, the writers who contributed to these magazines attempted to create new lenses through which to v…[Read more]

Situates the composition of Walt Whitman’s Democratic Vistas—from manuscript notes, source material, and pilot essays to its publication as an 84-page pamphlet—within the intellectual tendencies of the Reconstruction-era American social science movement to reveal Whitman’s text as an important case study in the nascent discipline. In his pro…[Read more]

The transfer of Saracen arms into Frankish ownership is a leitmotif of
many chansons de geste, but one whose significance for translatio imperii has yet to be
elucidated. In this essay, I focus on the Chanson d’Aspremont, a twelfth-century epic
set in Calabria that narrates the pre-history of Durendal, Roland’s sword of Song of
Roland fam…[Read more]

The transfer of Saracen arms into Frankish ownership is a leitmotif of
many chansons de geste, but one whose significance for translatio imperii has yet to be
elucidated. In this essay, I focus on the Chanson d’Aspremont, a twelfth-century epic
set in Calabria that narrates the pre-history of Durendal, Roland’s sword of Song of
Roland fam…[Read more]

Nicholas of Cusa’s _De visione Dei sive de Icona_ (1453), in addition to its contribution to the question of the vision of God, engages with numerous debates concerning visibility in general, and thus addresses the dimensions of phenomenality–namely, questions concerning the icon as a type of phenomenon, the reversal of vision into a…[Read more]

Reads William of Rubruck’s mission to Asia as an instance of premodern ethnographic representation and the shape of the precolonial European ethnographic gaze upon Asia.

Reads William of Rubruck’s mission to Asia as an instance of premodern ethnographic representation and the shape of the precolonial European ethnographic gaze upon Asia.

The artist, collector, and critic Charles Ricketts (1866–1931) has often been characterised as a reactionary voice in early-twentieth-century debates about modern art. Although he responded conservatively to modern-art developments such as those embodied by the term ‘Post-Impressionism’, his work in book design and illustration exemplifies p…[Read more]

This article compares the 1950s and 1960s short story writing of two influential yet underexamined women writers, Mannu Bhandari (1931–) and R. Chudamani (1931–2010), who are considered key representatives of the Hindi and Tamil literary canons, respectively. Mani demonstrates that from within their specific geographic and historical contexts, Bha…[Read more]

This paper deals with the complicated sociopolitical space defined by the use and transformation of what we call Occitan language. Literary and cultural production in Occitan language during the late 12th and early 13th centuries light up the boundary conditions, the boundary values of what we call courtly culture making them visible in all their…[Read more]

One of a number of leaves in the manuscript to have been badly damaged in the sixteenth century, folio 89 of the Glastonbury Miscellany reminds its modern readers of the fragmentary nature of the medieval textual record. Work began on this paper manuscript in the middle of the fifteenth century at Glastonbury Abbey. Transported to London in the…[Read more]