-
MLA Commons created the group
2024 MLA Convention on MLA Commons 2 years, 2 months ago -
MLA Commons created the group
2022 MLA Convention on MLA Commons 4 years, 3 months ago -
Natascha Drubek's profile was updated on MLA Commons 4 years, 9 months ago
-
Natascha Drubek deposited Filme über Vernichtung und Befreiung. Die Rhetorik der Filmdokumente aus Majdanek 1944-1945 in the group
Soviet and Russian history and culture on Humanities Commons 4 years, 11 months agoIn July 1944, the Red Army was advancing through Eastern Poland when they discovered the first traces of the camps. On reaching Lublin they found an enormous compound behind barbed wire in the city’s suburb of Majdanek. Embedded with the Soviet army were film crews, who made the first images of a Nazi camp, among them the “flight survivors” Olga a…[Read more]
-
Natascha Drubek deposited Filme über Vernichtung und Befreiung. Die Rhetorik der Filmdokumente aus Majdanek 1944-1945 in the group
Holocaust history on Humanities Commons 4 years, 11 months agoIn July 1944, the Red Army was advancing through Eastern Poland when they discovered the first traces of the camps. On reaching Lublin they found an enormous compound behind barbed wire in the city’s suburb of Majdanek. Embedded with the Soviet army were film crews, who made the first images of a Nazi camp, among them the “flight survivors” Olga a…[Read more]
-
Natascha Drubek deposited Filme über Vernichtung und Befreiung. Die Rhetorik der Filmdokumente aus Majdanek 1944-1945 in the group
Film Studies on Humanities Commons 4 years, 11 months agoIn July 1944, the Red Army was advancing through Eastern Poland when they discovered the first traces of the camps. On reaching Lublin they found an enormous compound behind barbed wire in the city’s suburb of Majdanek. Embedded with the Soviet army were film crews, who made the first images of a Nazi camp, among them the “flight survivors” Olga a…[Read more]
-
Natascha Drubek deposited Filme über Vernichtung und Befreiung. Die Rhetorik der Filmdokumente aus Majdanek 1944-1945 on Humanities Commons 4 years, 11 months ago
In July 1944, the Red Army was advancing through Eastern Poland when they discovered the first traces of the camps. On reaching Lublin they found an enormous compound behind barbed wire in the city’s suburb of Majdanek. Embedded with the Soviet army were film crews, who made the first images of a Nazi camp, among them the “flight survivors” Olga a…[Read more]
-
Natascha Drubek deposited Exegi Monumentum Revolutionis – On Eisenstein’s “October” in the group
Soviet and Russian history and culture on Humanities Commons 5 years, 7 months agoThis essay discusses the cinematic representation of Revolution in Sergei Eisenstein’s film Oktiabr’ / October, a film which had a decisive impact on the revolutionary development of film history and theory. I will explore how Revolution can be re-enacted and shown in the medium of cinema, and how this medium is capable of not only staging his…[Read more]
-
Natascha Drubek deposited Exegi Monumentum Revolutionis – On Eisenstein’s “October” in the group
History on Humanities Commons 5 years, 7 months agoThis essay discusses the cinematic representation of Revolution in Sergei Eisenstein’s film Oktiabr’ / October, a film which had a decisive impact on the revolutionary development of film history and theory. I will explore how Revolution can be re-enacted and shown in the medium of cinema, and how this medium is capable of not only staging his…[Read more]
-
Natascha Drubek deposited Exegi Monumentum Revolutionis – On Eisenstein’s “October” in the group
Film Studies on Humanities Commons 5 years, 7 months agoThis essay discusses the cinematic representation of Revolution in Sergei Eisenstein’s film Oktiabr’ / October, a film which had a decisive impact on the revolutionary development of film history and theory. I will explore how Revolution can be re-enacted and shown in the medium of cinema, and how this medium is capable of not only staging his…[Read more]
-
Natascha Drubek deposited Exegi Monumentum Revolutionis – On Eisenstein’s “October” (1927) on Humanities Commons 5 years, 7 months ago
This essay discusses the cinematic representation of Revolution in Sergei Eisenstein’s film Oktiabr’ / October, a film which had a decisive impact on the revolutionary development of film history and theory. I will explore how Revolution can be re-enacted and shown in the medium of cinema, and how this medium is capable of not only staging his…[Read more]
- Load More
Open access, open source, open to all