According to medieval common law, assault against a pregnant woman causing miscarriage after the fi rst trimester was homicide. Some scholars have argued, however, that in practice English jurors refused to acknowledge assaults of this nature as homicide. The underlying argument is that because abortion by assault is a crime against women, male…[Read more]

Sunday, January 23, 1390 was a day that Ralph Peioun of Wotton (Lincs.) and his wife most likely never forgot. On this day, their one-year-old son, Richard, presumably curious and headstrong like most young toddlers his age, made an unfortunate choice of playthings when he picked up a pair of shears and wounded himself in the throat, a fatal…[Read more]

When confronted with cases of self-killing, medieval jurors had to contend with a vast array of often conflicting concerns, from religious and folkloric condemnations of the act of suicide, to fears for the welfare of the family of the dead, and to coping with royal confiscations of a felon’s goods. All of these factors had a profound impact on t…[Read more]

The use of the term “community” in historical studies continues to present problems for many medievalists. Myriad studies have emphasized the inadequacy of the term when describing medieval society. Microstudies of manors and villages, especially in the English context, by historians Barbara A. Hanawalt, J. Ambrose Raftis, and Sherri Olson (am…[Read more]

The history of homicidal insanity in the courts of law of medieval England.

Given the hurdles one faced in trying to stay healthy in later medieval England, it should come as no surprise that the medieval English placed a premium on competent medicine. As Carole Rawcliffe has argued, “medieval life was beset by constant threats to health arising from poor diet (at both ends of the social spectrum), low levels of h…[Read more]

With regard to English common law, medieval women were able to participate in the curial process in only a limited way. This is not true of women as defendants: women could be sued for almost any civil or criminal plaint, but their privileges as plaintiffs were broadly curtailed by marital status and cultural expectation. The legal fiction of…[Read more]

In the year 1304, Matilda Bonamy of Guernsey, a young woman from one of the Anglo-Norman island’smost established and affluent families, found herself in a predicament familiar to many of today’s youth. A liaison with Jordan Clouet, also from a family of long provenance in Guernsey if not as comfortable, had left her pregnant. To Matilda the sol…[Read more]

Early seventeenth century lute improvisation — a phrase that by its mere utterance may cause debates full of uncertainties, fears and fantasies. What is proper improvisa-tion? How did they do it 360 years ago? In this article I seek to revive a systematic prac-tice of teaching ornamentation and improvisation from the Renaissance scholars — i.e…[Read more]

Informed Play presents a conceptual understanding of tone production based on extensive historical research on primary sources, modern literature and handbook reviews, physical and psychological perspectives as well as on technology. As the first volume in English to discuss and contextualise the topic of tone production on Early Modern lute…[Read more]

En su edición del Romancero del Cid de 1871, un compendio de todos los romances del Cid disponibles en versiones impresas de los siglos XVI y XVII, Carolina Michaëlis incluyó un apéndice para demostrar la vitalidad de la tradición cidiana en pleno siglo XIX. Michaëlis escribe: “Para muestra del género de romances populares que aun hoy dia en A…[Read more]

The “long s” was used in almost all British printing until 1800. Then, almost overnight, the character was dropped by most printers. This article examines the lead up to this watershed, the printers and publishers who eschewed the long s before 1800, what happened in the printing industry at this time, and in the following years in which a few…[Read more]

The architectural evolution of the Louvre between the 15th and 17th centuries is characterized by systematic attempts to distinguish the building within the broader context of French styles. In the 15th and early 16th centuries, this is achieved by producing grander and more elaborate versions of the contemporary French architectural solutions.…[Read more]

The works of Pietro Bembo (1470-1547) intrigue readers approaching them from various angles… Here, my aim is modest: to highlight passages in Bembo’s literary texts which exploit the erotic lexicon so popular in his day.

El Cid Campeador, obra teatral de Antonio Enríquez Gómez (1660-1663), se publicó reiteradamente a lo largo del siglo XVIII y los primeros años del XIX. La obra, casi desconocida hoy en día, gozó de una popularidad enorme entre 1700 y 1830, tanto en el teatro como en la imprenta, debido en parte a su tema histórico y el estilo barroco, tan de gus…[Read more]

This paper is the project narrative for a grant proposal submitted in February 2019, that resulted in funding from two different sources to cover travel expenses in support of archival work in Spain (summer 2019). I share this project narrative to encourage others who are considering similar proposals, or who may be thinking about the scholarly…[Read more]

We say, you belong to me, or I belong to you. But is it possible to be possessed by others? And can we ever possess ourselves? In this raw and intimate account, Eva-Lynn Jagoe merges memoir with critical theory as she recounts the unraveling of everything she thought she knew about selfhood, relationships, and desire. Through the story of an…[Read more]