The modern names for the Hebrew vowels (qameṣ, pataḥ, segol, ṣere, ḥiriq/ḥireq, ḥolem, shuruq/shureq, qibbuṣ/qubbuṣ) are derived from a variety of medieval sources. The pair of qameṣ and pataḥ are the oldest, both having evolved in the earliest stages of Masoretic analysis of vocalisation. The remaining names are products of three different…[Read more]

Medieval Hebrew and Syriac scribes both indicated vowels by placing dots above or below their consonantal writing. These vowel points were created in the Late Antique and early Islamic periods to disambiguate the vocalization of important texts, especially the Bible. The earliest step in this process was the implementation of the Syriac ‘diacritic…[Read more]

Dawid bar Pawlos’ Letter on Dots is an eighth-century text that purportedly describes the introduction of some of the dots used in Syriac writing. It also sheds light on the life of a certain Rāmišoʿ of Beṯ Rabban, apparently the same man as the master of pointing named in MS BL Add. 12138. However, most studies of Syriac dots either neglec…[Read more]

Judaeo-Arabic manuscripts with complete vocalisation are rare, a problem which makes reconstructing the pronunciation of the medieval language challenging. This study presents an edition of a Judaeo-Arabic translation of Ecclesiastes from the Cairo Genizah with full Tiberian vocalisation. This manuscript exhibits noteworthy features of dialectal…[Read more]

This article presents new data on links between the various medieval vocalisation traditions of Hebrew, Syriac, and Arabic. These include the identification of overlaps in the Aramaic terminology used by Jewish Masoretes and Syriac Christian grammarians and in the phonological theories that underlie them, as well as connections between Syriac and…[Read more]

MS T-S Ar.5.58 is a translation glossary from the Cairo Geniza that contains a list of Judaeo-Arabic glosses for Hebrew words from the biblical book of Samuel. These Arabic words are fully vocalised with the Tiberian Hebrew pointing system, providing more precise phonetic information about the scribe’s native Arabic dialect than could be e…[Read more]

Ontologies for DigitalHumanities – O4DH workshop: Demystifying ontologies, April 20th and 21st, 2021, 5pm to 7pm (Paris time).

‘Demystifying’ is a new series of workshops of the Ontologies for Digital Humanities (O4Dh) initiative supported by the Université Savoie Mont Blanc and Liaocheng University. The 2021 workshops are dedicated to…[Read more]

Discusses the fragmentary poem Inna hinada at the end of Lebor na hUidre

Book review

The document consists mainly of supplementary notes on points that would have taken up too much space in the edition or have occurred to me since completing it. Some of them correct errors or omissions, others take account of recently published work. There is also a list of errata, i.e. typos and other small-scale slips.

Jordanes’ Romana

Entry ‘Aristophanes: Clouds’, in: The Literary Encyclopedia (published version)

Entry ‘Sophocles: Philoctetes’, in: The Literary Encyclopedia (published version)

Entry ‘Ancient Greek Theatre in Italy’ in The Literary Encyclopedia (published version)

Art forms in Troy’s city walls, and Schliemann’s awareness thereof.

This article discusses the limitations and advantages of using ›asceticism‹ as a universal category and as a hermeneutic tool in the study of late antique religious life and comparative studies of religious communities. It first explores the roots and the history of the terms ›asceticism‹, ›Askese‹ and ›ascétisme‹ arguing that they originate f…[Read more]

This article proposes a new understanding of the etymology of histrio. It is likely that it originally came from Greek histor, as has been demonstrated by Szemerényi 1975. However, the conclusions presented by this scholar must be slightly revised, in particular the distinction he establishes between histrio and ludius. While the second word has…[Read more]

Johann Joachim Winckelmann not only idealized Greek Classical art, but also the whole ancient Classical Greek world in a way that went well beyond what could be envisaged as historical knowledge. His influence on the history of contemporary literature and on classical scholarship, however, is not an obvious topic to scrutinize, since he was almost…[Read more]

In this episode of The History of European Theatre, Phil Rowe interviewed me on the evolution of Greek theatre after the Classical period and the existence of dramatic performances in Greek in Roman Italy.

The article shows that the character of Odysseus in Sophocles’ Ajax and Philoctetes constitutes a crucial element for the redefinition of the concept of ‘nobility’. This figure has already been seen to promote a new definition of the concept, but previous analyses have tended to focus only on one or the other of the two plays, as Odysseus appea…[Read more]