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Ernesto Priego posted an update on Humanities Commons 7 years, 3 months ago
Finding time to blog is harder and harder, and taken at greater sacrifice, which kind of also illustrates one of my points in my latest post: https://epriego.blog/2018/10/09/openness-transparency-accountability-on-new-ways-of-being-scholarly/
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Ernesto Priego deposited The Question Concerning Comics as Technology: Gestell and Grid in the group
Comics Scholarship/Comics Studies on Humanities Commons 7 years, 4 months agoIn this article we argue that the comics grid, the array of panels, can be understood as a specific technology of ‘revealing’ through ‘enframing’ and as such is the key element in comics technology. We propose Martin Heidegger’s conceptual framework (Gestell: literally, ‘the framework’), primarily discussed in his 1954 essay ‘The Question Concer…[Read more]
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Ernesto Priego deposited The Question Concerning Comics as Technology: Gestell and Grid on Humanities Commons 7 years, 4 months ago
In this article we argue that the comics grid, the array of panels, can be understood as a specific technology of ‘revealing’ through ‘enframing’ and as such is the key element in comics technology. We propose Martin Heidegger’s conceptual framework (Gestell: literally, ‘the framework’), primarily discussed in his 1954 essay ‘The Question Concer…[Read more]
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Ernesto Priego posted an update on Humanities Commons 7 years, 6 months ago
A formal complaint to the European Ombudsman has been submitted about the recent announcement that Elsevier, a scholarly publisher and data analytics provider, has been subcontracted to monitor the future progress of Open Science in Europe.
Published version of the complaint is available open access on Zenodo: http://doi.org/10.5281/zenodo.1305847 .
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Gary Hall deposited On the Obsolescence of Bourgeois Theory in the Anthropocene in the group
Digital Humanists on Humanities Commons 7 years, 7 months ago‘On the Obsolescence of Bourgeois Theory in the Anthropocene’ is an attempt to think theory beyond the stereotypes of what it is considered to be. This includes preconceived notions of what it is to be a
theorist, and to create, publish and disseminate critical theory.Many thinkers, for example, are currently attempting to replace the tyr…[Read more]
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Gary Hall deposited On the Obsolescence of Bourgeois Theory in the Anthropocene on Humanities Commons 7 years, 7 months ago
‘On the Obsolescence of Bourgeois Theory in the Anthropocene’ is an attempt to think theory beyond the stereotypes of what it is considered to be. This includes preconceived notions of what it is to create, publish and disseminate theory, and to be a critical theorist.
Many thinkers, for example, are currently attempting to replace the tyr…[Read more]
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Siobhan Britton deposited What we do, is (still) secret? Collection, care and accessibility of zines in UK collections on Humanities Commons 7 years, 10 months ago
In 2013, as the dissertation component of an MA Library and Information Studies course at University College London, I carried out a selective study of UK zine libraries and collections. Case studies of both ‘institutional’ collections that were part of established libraries like London College of Communication Library (University of the Arts Lon…[Read more]
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Ernesto Priego posted an update on Humanities Commons 7 years, 10 months ago
I deposited “The Power of Sharing” on CORE. Check it out! http://dx.doi.org/10.17613/M6HV9T
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Ernesto Priego deposited The Power of Sharing in the group
Medical Humanities on Humanities Commons 7 years, 10 months agoA comic about the power of sharing: a collaboration between figshare, Symbola Comics and La Grúa Estudio.
Concept and story by Francisco De La Mora & Ernesto Priego
Art by Cristina Durán La Grúa Estudio
Design by Daniela Rocha
Originally published as
de la Mora, Francisco et al.. “The Power of Sharing”. figshare, 21 Mar. 2018.…[Read more]
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Ernesto Priego deposited The Power of Sharing in the group
Digital Humanists on Humanities Commons 7 years, 10 months agoA comic about the power of sharing: a collaboration between figshare, Symbola Comics and La Grúa Estudio.
Concept and story by Francisco De La Mora & Ernesto Priego
Art by Cristina Durán La Grúa Estudio
Design by Daniela Rocha
Originally published as
de la Mora, Francisco et al.. “The Power of Sharing”. figshare, 21 Mar. 2018.…[Read more]
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Ernesto Priego deposited The Power of Sharing in the group
Comics Scholarship/Comics Studies on Humanities Commons 7 years, 10 months agoA comic about the power of sharing: a collaboration between figshare, Symbola Comics and La Grúa Estudio.
Concept and story by Francisco De La Mora & Ernesto Priego
Art by Cristina Durán La Grúa Estudio
Design by Daniela Rocha
Originally published as
de la Mora, Francisco et al.. “The Power of Sharing”. figshare, 21 Mar. 2018.…[Read more]
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A comic about the power of sharing: a collaboration between figshare, Symbola Comics and La Grúa Estudio.
Concept and story by Francisco De La Mora & Ernesto Priego
Art by Cristina Durán La Grúa Estudio
Design by Daniela Rocha
Originally published as
de la Mora, Francisco et al.. “The Power of Sharing”. figshare, 21 Mar. 2018.…[Read more]
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Gary Hall deposited The Inhumanist Manifesto: Expanded Play in the group
Philosophy on Humanities Commons 8 years, 1 month ago‘In The Inhumanist Manifesto, Gary Hall writes that “[i]f the inhuman equals the human intertwined with the nonhuman, then the inhumanities are the humanities.” Articulating the latest version of his radical theories on posthumanism, piracy, Marxism, open access and the commons, this bold remix of Hall’s self-proclaimed pirate philosophy detai…[Read more]
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Gary Hall's profile was updated on Humanities Commons 8 years, 1 month ago
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Gary Hall deposited The Inhumanist Manifesto: Expanded Play on Humanities Commons 8 years, 1 month ago
‘In The Inhumanist Manifesto, Gary Hall writes that “[i]f the inhuman equals the human intertwined with the nonhuman, then the inhumanities are the humanities.” Articulating the latest version of his radical theories on posthumanism, piracy, Marxism, open access and the commons, this bold remix of Hall’s self-proclaimed pirate philosophy detai…[Read more]
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Siobhan Britton's profile was updated on Humanities Commons 8 years, 1 month ago
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James Elkins deposited The Logic of Sensation and Logique de la sensation as Models for Experimental Writing on Images in the group
TM Literary and Cultural Theory on MLA Commons 8 years, 1 month agoVery short essay on the way Deleuze uses images in his book on Bacon. In the original French edition, the images are in a separate volume; he does that in order to mime, or enact, the theory of sensation in his text. It seems to me this is an unusual and promising strategy for art history (disposing images so their sequence and arrangement…[Read more]
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James Elkins deposited The Logic of Sensation and Logique de la sensation as Models for Experimental Writing on Images in the group
Theory and Modernism on MLA Commons 8 years, 1 month agoVery short essay on the way Deleuze uses images in his book on Bacon. In the original French edition, the images are in a separate volume; he does that in order to mime, or enact, the theory of sensation in his text. It seems to me this is an unusual and promising strategy for art history (disposing images so their sequence and arrangement…[Read more]
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James Elkins deposited The Logic of Sensation and Logique de la sensation as Models for Experimental Writing on Images in the group
TC Translation Studies on MLA Commons 8 years, 1 month agoVery short essay on the way Deleuze uses images in his book on Bacon. In the original French edition, the images are in a separate volume; he does that in order to mime, or enact, the theory of sensation in his text. It seems to me this is an unusual and promising strategy for art history (disposing images so their sequence and arrangement…[Read more]
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James Elkins deposited The Logic of Sensation and Logique de la sensation as Models for Experimental Writing on Images in the group
TC Philosophy and Literature on MLA Commons 8 years, 1 month agoVery short essay on the way Deleuze uses images in his book on Bacon. In the original French edition, the images are in a separate volume; he does that in order to mime, or enact, the theory of sensation in his text. It seems to me this is an unusual and promising strategy for art history (disposing images so their sequence and arrangement…[Read more]
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